Henrietta Crosman

• Name — Henrietta Crosman • Birth Name — Henrietta Foster Crosman • Born — 2 September 1861 • Birthplace — Wheeling, Virginia (now West Virginia), Confederate States • Died — 31 October 1944 • Place of death — Pelham Manor, New York, US • Occupation — Actress • Years Active — 1883–1940s • Relatives — George H. Crosman (grandfather) • Children — 2

Crosman was born in September 2, 1861 in Wheeling, Virginia, a few months after the start of the Civil war. Her father was George Crosman Jr., her mother was Mary B. Wick, a niece of composer Stephen Foster. and her grandfather was a Civil War Union General, George H. Crosman. Crosman was born the year the Civil War started and moved all over the US from post to post with her army father, and so was educated in many places. On leaving school she decided to become an actress. When she was 16, Crosman spent a year in Paris studying music with thoughts of singing grand opera. After her voice broke during a vocal lesson, she left France and thereafter turned her thoughts toward a career in theater.

In her early career, Crosman's career was managed by Napier Lothian Jr. She got her start in 1883 at the old Windsor Theatre, New York with the assistance of the long-time theatre manager John A. Ellsler. Her debut role was as Lilly in Bartley Campbell's The White Slave. She later toured the country with Robert L. Downing in classic parts. In 1889 she appeared in her first Shakespeare play, As You Like It, at Augustin Daly's theater. During the course of the early 1890s she was managed by Daniel Frohman and appeared in his stock company. From 1892 to 1894 her career was managed by Daniel's brother, Charles Frohman. For a short period during 1891, and in between Frohman brothers, she was under the aegis of A. M. Palmer. • Illustration — Crosman as Nell in Mistress Nell (circa 1901) In 1899, Crosman was hired as the Leading Lady for the summer season at the Elitch Theatre in Denver, Colorado. Shows that summer included The Charity Ball, The Senator, and a production of Cyrano de Bergerac that called for 100 actors. Crosman would return to Elitch Theatre in 1903 for several pre-season performances. By 1900 Crosman was a star and appeared for the first time as such in Mistress Nell keeping in line with the sort of costume adventures that were becoming her forte. In 1896 she had married Maurice S. Campbell, then a New York journalist from a wealthy family, and starting in 1902 Campbell produced a number of Broadway productions featuring her, starting with Evelyn Greenleaf Sutherland's "Joan O' the Shoals" in 1902. Sweet Kitty Bellairs in 1903 was particularly successful, running for 206 performances. Campbell's 1905 version of the Ibsen play When We Dead Awaken, starring Crosman, was the first and only production. In 1911, she and her company staged 60 performances of Catherine Chisholm Cushing's comedy The Real Thing at the Maxine Elliott Theatre in New York, before taking the show on the road. In early July 1912, Crosman and company were in Regina, Saskatchewan following the Regina Cyclone, and staged a benefit performance of The Real Thing for the victims. The last Campbell/Crosman production was The Tongues of Men by Edward Childs Carpenter in 1913. Several of these plays would be made as films in the silent era played by younger actresses. • Illustration — Henrietta Crosman in The Sword and the King (1902) • Illustration — Munsey's Magazine, 1910 Now in her forties, Crosman was starting to move away from the strenuous sword-carrying, heavy costume adventures that she was popular in. Much of the remainder of her theatrical career would consist of drawing room comedies and farces, a type of playing that was less hectic for an ageing actress. However, she would return to revivals of Shakespeare, i.e. The Merry Wives of Windsor, and in Richard Brinsley Sheridan's The Rivals.

In 1886, Crosman married Sedley Browne. A year later, they had a son, Sedley Browne Jr. The Brownes divorced in 1896, after which their son changed his name to George Crosman. Later in 1896, she married newspaperman Maurice Campbell, who later became a stage producer and a director of silent films. They had a son, Maurice Campbell Jr. Maurice Campbell became a Broadway producer. He and Crosman joined the nascent silent film industry; he was a noted film director in the 1920s. The marriage to Campbell, eight years her junior, was a happy one and ended with his death in 1942. Henrietta Crosman survived her husband by two years, dying in 1944, aged 83. Biographical information for Crosman is archived in the University of Pittsburgh.

• Year — Title — Role — Notes • 1914 — The Unwelcome Mrs. Hatch — Mrs. Hatch • 1915 — The Supreme Test — Violet Logan • 1915 — How Molly Made Good — Herself — cameo appearance • 1923 — Broadway Broke — Madge Foster • 1925 — Wandering Fires — Mrs. Carroll • 1930 — The Royal Family of Broadway — Fanny Cavendish • 1933 — Pilgrimage — Mrs. Hannah Jessop • 1934 — Carolina — Mrs. Ellen Connelly • 1934 — Three on a Honeymoon — 'Ma' Gillespie • 1934 — Such Women Are Dangerous — Aunt Sophie Travers • 1934 — Among the Missing — Aunt Martha Abbott • 1934 — The Curtain Falls — Sarah Crabtree - Lady Scorsby • 1934 — Elinor Norton — Christine Somers • 1934 — Menace — Sybil Thornton • 1935 — The Right to Live — Mrs. Trent • 1935 — The Dark Angel — Granny Vane • 1936 — Charlie Chan's Secret — Henrietta Lowell • 1936 — Hitch Hike to Heaven — Deborah Delaney • 1936 — The Moon's Our Home — Lucy Van Steedan • 1936 — Girl of the Ozarks — Granny Moseley • 1936 — Follow Your Heart — Madame Bovard • 1936 — Personal Property — Mrs. Cosgrove Dabney