Heinrich Porges
Illustration — Heinrich Porges (1837-1900) Heinrich Porges (November 25, 1837 – November 17, 1900) was a Czech-Austrian choirmaster, music critic and writer of Jewish descent.
Heinrich Porges

Amrei-Marie · CC BY-SA 4.0
- Died
- 1900 · Munich.
- Nationality
- German Reich · Austrian Empire · Cisleithania
- Occupation
- conductor · composer · choir director · musicographer · critic
- Fields
- music composing · conducting · choir · music criticism
- Languages
- German
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Life
Life
Heinrich Porges was born in Prague, the son of Simon Porges (1801–1869) and his wife Charlotte. He originally studied Philosophy and Law in Prague, later turning to music. In 1863 he became an assistant of the critic Franz Brendel in editing the Neue Zeitschrift für Musik in Leipzig. In 1867 he produced the arts pages of the Süddeutsche Presse in Munich. He remained there as music critic of the Münchner Neueste Nachrichten from 1880. • Illustration — Portrait of Heinrich's sister, Mathilde Porges Stern by Anton Romako Porges became a devotee and intimate of Richard Wagner despite Wagner's antisemitism, and his extensive notes on Wagner's rehearsal and staging were published in the journal Bayreuther Blätter over the period 1880-1896. His study of Tristan und Isolde was published after his death in 1906 by Hans von Wolzogen. He received a life pension from King Ludwig II of Bavaria. in 1886 he formed the 'Porges Choir' to promote the music of his favoured composers including Hector Berlioz and Anton Bruckner. Porges married Wilhelmine Merores; the writer Elsa Bernstein was their daughter. His death in 1900 occurred during a rehearsal of Franz Liszt's oratorio, Christus, at Munich.

Der Stein am Kopf des Grabes mit dem Namen der 1949 im Grab ihres Vaters beigesetzten Elsa Bernstein ging offenbar verloren. Nichts erinnert an hier mehr an sie.
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The biographical narrative on this page is based on the Wikipedia article Heinrich Porges, revision 1351514711 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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- 1.Sabine Gebhardt Fink, Matthias Vogel (Hrsg.): Hermann Obrist. Im Netzwerk der Künste und Medien um 1900. Kulturverlag Kadmos, Berlin 2013, ISBN 978-3-86599-178-2, S. 123.
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