Harriet Martineau

• Name — Harriet Martineau • Born — 12 June 1802 • Birthplace — Norwich, Norfolk, England • Died — 27 June 1876 • Place of death — Ambleside, Westmorland, England • Burial Place — Key Hill Cemetery in Birmingham, England • Era — Early and mid-Victorian era • Known for — Thorough exploration in political, religious and social institutions, as well as the work and roles of women • Political Party — Whig • Partner — John Hugh Worthington (engaged) • Family — Martineau

• Illustration — The house in Gurney Court, Norwich, where Harriet Martineau was born Born in Norwich, England, Harriet Martineau was the sixth of the eight children of Thomas, a textile manufacturer. He served as deacon of the Octagon Chapel, Norwich from 1797.[10] Her mother, Elizabeth (née Rankin), was the daughter of a sugar refiner and grocer. Harriet's five older siblings included two sisters and three brothers. In age order their names were, Elizabeth, Thomas, Henry, Robert and Rachel Ann. Harriet's two younger siblings were James and the youngest of the eight, Ellen.[11] Martineau was closest to her brother James, who became a philosopher and clergyman in the tradition of the English Dissenters. The Martineau family was of French Huguenot ancestry and professed Unitarian views. Harriet's family was financially comfortable and they were close friends with the Gurney family of Earlham Hall, Norfolk. Harriet's father, Thomas, owned the leasehold of the Gurney's home in Gurney Court, off Magdalen Street, Norwich, Harriet's birthplace.[12] The family's wealth remained intact until after the panic of 1825, a stock market and banking crash. According to the writer Diana Postlethwaite, Harriet's relationship with her mother was strained and lacking affection, which contributed to views expressed in her later writing. Martineau claimed her mother abandoned her to a wet nurse. It was a tradition for mothers to hire wet nurses for their children, especially if they could not nurse their child by themselves. However the nurse that Harriet's mother hired could not produce sufficient milk. This left Harriet starved for the first few weeks of her life, to which her mother attributed all of Harriet's future ailments. Harriet's ideas on domesticity and the "natural faculty for housewifery", as described in her book Household Education (1848), stemmed from her lack of nurture growing up. It was found that affection shown toward Harriet by her mother was quite rare. There have been findings that suggested that Harriet had imagined angels coming to take her away, which was thought to symbolise her wish to find a way to escape her mother's reign through suicide. Although their relationship was better in adulthood, Harriet saw her mother as the antithesis of the warm and nurturing qualities which she knew to be necessary for girls at an early age. Her mother urged all her children to be well read, but at the same time opposed female pedantics "with a sharp eye for feminine propriety and good manners. Her daughters could never be seen in public with a pen in their hand". Despite this conservative approach to raising girls, Harriet was not the only academically successful daughter in the family; her sister Rachel ran her own Unitarian academy with artist Hilary Bonham Carter as one of her students.[15][16] Mrs Martineau strictly enforced proper feminine behaviour, pushing her daughter to "hold a sewing needle" as well as the (hidden) pen. Her uncles included the surgeon Philip Meadows Martineau (1752–1829), whom she had enjoyed visiting at his nearby estate, Bracondale Lodge,[17] and businessman and benefactor Peter Finch Martineau.[18]

In the Martineau family, Harriet's mother Elizabeth made sure all her children received a proper education. With the Martineaus being Unitarian, both the boys and girls in the family were expected to receive a conventional education. Harriet was taught at home by several of her elder siblings in the beginning of her education. Harriet was taught French by her mother, which was the predominant language spoken by her father. He taught her Latin and her brother Thomas taught Harriet maths and writing. Being taught at home especially by all her siblings often led to mockery. When she was nine years old Harriet transitioned to a small school run by a man named Perry. He was supposedly one of the first people to provide her with a positive and non-judgmental learning environment. Late in life, Harriet claimed that Perry's school was the catalyst for her intellectual development and interest in education. As her education progressed she grew fond of the subjects of Shakespeare, political economy, philosophy and history. Despite her love for these topics, her mind was often dominated by the three biggest insecurities in her life: her hearing disability, her poor handwriting, and the look of her hair. The next step in Harriet Martineau's education came when she received an invitation from the girls' boarding school that her Aunt and Uncle Kentish ran in Bristol. Besides the standard course she took at the school, Harriet began her lifelong self-directed research here. She studied on her own Latin, Greek, Italian, and took a deeper interest in the Bible. Until her brother James, who was born when she was 3 years old, went off to Manchester New College of York in 1821, she did not write often. James and Harriet had a great relationship, so James had suggested that Harriet begin writing as a way to cope with their separation.

Martineau began losing her senses of taste and smell at a young age. She was deaf and having to use an ear trumpet at the age of 12. However, it was said that Harriet did not utilise the ear trumpet until her late twenties as she was trying to avoid harassment from others by doing so. It was the beginning of many health problems in her life. With such an early onset of illness, and the death of her father, requiring her to make a living for herself, she became an avid writer.[19] In 1821, she began to write anonymously for the Monthly Repository, a Unitarian periodical. Her first contribution was "Female Writers of Practical Divinity", and in 1823 she published Devotional Exercises and Addresses, Prayers and Hymns. In 1823 Harriet's brother James introduced her to a friend from school, John Hugh Worthington.[20] The two were engaged but did not marry as Worthington fell ill and died. Martineau reveals in her autobiography that she was in a strange sense relieved in the long run that marriage was not an option, as their relationship was filled with stress and disagreements. Martineau remained unmarried.[21] Her earliest novels were also published during these years, beginning with Principle and Practice in 1827 and Five Years of Youth: or, Sense and Sentiment in 1829. Her father died in 1826 and in 1829, the family's textile business failed.[22] Martineau, then 27 years old, stepped out of the traditional roles of feminine propriety to earn a living for her family. Along with her needlework, she began selling her articles to the Monthly Repository, earning accolades, including three essay prizes from the Unitarian Association. Her regular work with the Repository helped establish her as a reliable and popular freelance writer. In Martineau's Autobiography, she reflects on her success as a writer and her father's business failure, which she describes as "one of the best things that ever happened to us". She described how she could then "truly live instead of vegetate".[23] Her reflection emphasises her experience with financial responsibility in her life while she writes "[her] fusion of literary and economic narratives". Harriet's first commissioned book, Illustrations of Political Economy,[24] was a fictional tutorial intended to help the general public understand the ideas of Adam Smith. Illustrations was published in February 1832 in an edition of just 1500 copies, since the publisher assumed it would not sell well. Yet it quickly became highly successful and would steadily out-sell the work of Charles Dickens. Illustrations was her first work to receive widespread acclaim, and its success served to spread the free-market ideas of Adam Smith and others throughout the British Empire. Martineau then agreed to compose a series of similar monthly stories over a period of two years, the work being hastened by having her brother James also work on the series with her. The subsequent works offered fictional tutorials on a range of political economists such as James Mill, Jeremy Bentham and David Ricardo, the latter especially forming her view of rent law. Martineau relied on Malthus to form her view of the tendency of human population to exceed its means of subsistence. However, in stories such as "Weal and Woe in Garvelock", she promoted the idea of population control through what Malthus referred to as "voluntary checks" such as voluntary chastity and delayed marriages. Martineau was invited to the coronation of Queen Victoria by the Queen herself. She recorded a sceptical view of the day.[25][26] Martineau recorded some favourable comments, but on the whole thought that the ceremony was "highly barbaric", "worthy only of the old Pharaonic times in Egypt", and "offensive... to the God of the nineteenth century in the Western world". One of Martineau's most popular works of fiction was Deerbrook (1839). The book drew attention because it focused on the idea of domestic realism – often referred to as "sentimental" or "woman's" fiction. As the genre suggests, Martineau explores themes of marriage, wealth distribution, female friendship beyond the "domestic" nature that one might expect from a Victorian novel. Martineau's ideas in the novel were inspired by the works of David Hartley. This novel was different from her other works as her development was evident. Her development included both her improvement of fictional writing but also showed mastery of the theories she wrote about.[27]

In the early 19th century, most social institutions and norms were shaped by gender, or the perception of what was appropriate for men versus for women. Writing was no exception; non-fiction works about social, economic and political issues were dominated by men, while limited areas, such as romance fiction, and topics dealing with domesticity were considered to be appropriate for women authors.[28] Despite these gendered expectations in the literary world, Martineau strongly expressed her opinions on a variety of topics. Martineau's frequent publication in the Monthly Repository acquainted her with editor Rev. William Johnson Fox. First coming to London around 1830, Martineau joined Fox's social circle of prominent thinkers, which also introduced her to Erasmus Alvey Darwin, older brother to Charles Darwin. In November 1832, Martineau moved to London.[29] Among her acquaintances were: Henry Hallam, Harriet Taylor, Alexander Maconochie, Henry Hart Milman, Thomas Malthus, Monckton Milnes, Sydney Smith, John Stuart Mill, Edward Bulwer-Lytton, Elizabeth Barrett Browning, Sarah Austin, and Charles Lyell, as well as Jane Welsh Carlyle and Thomas Carlyle. She met Florence Nightingale, Charlotte Brontë, Elizabeth Gaskell, George Eliot and Charles Dickens later on in her literary career. Until 1834, Martineau was occupied with her brother James on the political economy series, as well as a supplemental series of Poor Laws and Paupers Illustrated and Illustrations of Taxation which was intended to influence government policy. About the same time, she published four stories expressing support of the Whig Poor Law reforms. These tales (direct, lucid, written without any appearance of effort, and yet practically effective) display the characteristics of their author's style. Tory paternalists reacted by calling her a Malthusian "who deprecates charity and provision for the poor", while Radicals opposed her to the same degree. Whig high society fêted her.[30] In May 1834 Charles Darwin, on his expedition to the Galapagos Islands, received a letter from his sisters saying that Martineau was "now a great Lion in London, much patronized by Ld. Brougham who has set her to write stories on the poor Laws" and recommending Poor Laws and Paupers Illustrated in pamphlet-sized parts. They added that their brother Erasmus "knows her & is a very great admirer & every body reads her little books & if you have a dull hour you can, and then throw them overboard, that they may not take up your precious room".[31] • Illustration — Harriet Martineau

In 1834–36, after completing the economic series, Martineau paid a long visit to the United States; she and her travelling companions spanning the nation from New York to Boston, and from Chicago through to Atlanta and elsewhere in Georgia. During this time, she visited a great many people, some little known, others as famous as James Madison, the former US president, at his home at Montpelier.[32] She also met numerous abolitionists in Boston and studied the emerging schools for the education of girls. Her support of abolitionism,[35] then widely unpopular across the U.S., caused controversy, which her publication, soon after her return, of Society in America (1837) and How to Observe Morals and Manners (1838), only fuelled. In Society in America, Martineau angrily criticised the state of women's education. She wrote: The intellect of women is confined by an unjustifiable restriction of... education... As women have none of the objects in life for which an enlarged education is considered requisite, the education is not given... The choice is to either be ill-educated, passive, and subservient, or well-educated, vigorous, and free only upon sufferance. The publication of Martineau's Illustrations of Political Economy found public success; "by 1834, the monthly sales... had reached 10,000 in a decade in which a sale of 2,000 or 3,000 copies of a work of fiction was considered highly successful."[36] Between 1837 and 1839, Martineau wrote several articles for the London & Westminster Review that reflect two of her most enduring interests: women's issues and abolitionism.[37] Her article "The Martyr Age of the United States" (1839), in the Westminster Review, introduced English readers to the struggles of the abolitionists in America several years after Britain had abolished slavery.[38] In October 1836, soon after returning from the voyage of the Beagle, Charles Darwin went to London to stay with his brother Erasmus. He found him spending his days "driving out Miss Martineau", who had returned from her trip to the United States. Charles wrote to his sister: Our only protection from so admirable a sister-in-law is in her working him too hard." He commented, "She already takes him to task about his idleness — She is going some day to explain to him her notions about marriage — Perfect equality of rights is part of her doctrine. I much doubt whether it will be equality in practice.[39]The Darwins shared Martineau's Unitarian background and Whig politics, but their father Robert was concerned that, as a potential daughter-in-law, she was too extreme in her politics. Charles noted that his father was upset by a piece in the Westminster Review calling for the radicals to break with the Whigs and give working men the vote "before he knew it was not [Martineau's], and wasted a good deal of indignation, and even now can hardly believe it is not hers".[40] In early December 1836 Charles Darwin called on Martineau and may have discussed the social and natural worlds she was writing about in her book Society in America, including the "grandeur and beauty" of the "process of world making" she had seen at Niagara Falls. He remarked in a letter, She was very agreeable and managed to talk on a most wonderful number of subjects, considering the limited time. I was astonished to find how little ugly she is, but as it appears to me, she is overwhelmed with her own projects, her own thoughts and own abilities. Erasmus palliated all this, by maintaining one ought not to look at her as a woman.[41] Martineau's earlier popularisation of Thomas Robert Malthus' theories of population control may have helped convince Charles to read Malthus, which provided the breakthrough ideas for his nascent theory of evolution. In April 1838, Charles wrote to his older sister Susan that Martineau wrote Deerbrook (1838), a three-volume novel published after her American books. She portrayed a failed love affair between a physician and his sister-in-law. It was considered her most successful novel. She also wrote The Hour and the Man: An Historical Romance (1841), a three-volume novel about the Haitian slave leader Toussaint L'Ouverture, who contributed to the island nation's gaining independence in 1804.

• Illustration — Anne Whitney, Harriet Martineau, 1882, Davis Museum, Wellesley College In 1839, during a visit to Continental Europe, Martineau was diagnosed with a uterine tumour. She several times visited her brother-in-law, Thomas Michael Greenhow, who was a celebrated doctor in Newcastle upon Tyne, to try to alleviate her symptoms. On the last occasion she stayed for six months in the Greenhow family house at 28 Eldon Square. Immobile and confined to a couch, she was cared for by her mother until purchasing a house and hiring a nurse to aid her. • Illustration — Plaque in Tynemouth She next moved downriver to Tynemouth where she regained her health.[43] She stayed at Mrs Halliday's boarding house, 57 Front Street, for nearly five years from 16 March 1840. The property was later named the "Martineau Guest House".[44] The critic Diana Postlethwaite wrote of this period for Martineau: Being homebound is a major part of the process of becoming feminine. In this interior setting she (Martineau) is taught the home arts of working, serving, and cleaning, as well as the rehearsals for the role of mothering. She sees her mother... doing these things. They define femininity for her. Martineau wrote a number of books during her illness, and a historical plaque marks this house. In 1841 she published a series of four novels for children, The Playfellow, comprising The Settlers at Home, The Peasant and the Prince, Feats on the Fiord, and The Crofton Boys. In 1844 she published Life in the Sickroom: Essays by an Invalid, an autobiographical reflection on invalidism.[45] In 1847 for John Saunders' The People's Journal she wrote a series of articles titled Homes for the People – Household Education.[46] The book Household Education was published in 1849 and updated by Martineau in 1870. The book highlighted the "subject so important" to her; "Life at Home", where "warm domestic affections" and "family happiness" should exist. She wrote that parents should be "wholly reliable" in order that they be "a joy to all hearts".[47] Lastly, she began working on her autobiography. Completed much later, it included some hundred pages on this period. Notable visitors included Richard Cobden and Thomas and Jane Carlyle. Life in the Sickroom is considered to be one of Martineau's finest works. It upset evangelical readers, as they "thought it dangerous in 'its supposition of self-reliance'".[48] This series of essays embraced traditional womanhood. While it was supposed by contemporary readers that Martineau dedicated it to Elizabeth Barrett, as it was "an outpouring of feeling to an idealized female alter ego, both professional writer and professional invalid- and utterly unlike the women in her own family", Elizabeth Barrett Browning confirms in a letter that this was not the case: "the dedication of Miss Martineau's beautiful book was not to me—& both she & I have had to say so again & again."[49] Written during a kind of public break from her mother, this book was Martineau's proclamation of independence. At the same time, Martineau turned the traditional patient–doctor relationship on its head by asserting control over her space even in sickness. The sickroom was her space. Life in the Sickroom explained how to regain control even in illness. Alarmed that a woman was suggesting such a position in the power dynamic, critics suggested that, as she was an invalid, her mind must also be sick and the work was not to be taken seriously. British and Foreign Medical Review dismissed Martineau's piece on the same basis as the critics: an ill person cannot write a healthy work. They thought it was unheard of for a woman to suggest being in a position of control, especially in sickness. Instead, the Review recommended that patients follow "unconditional submission" to the advice of doctors. They disagreed with the idea that Martineau might hold any sort of "authority to Britain's invalids". Expecting to remain an invalid for the rest of her life, Martineau delighted in the new freedom of views using her telescope. Across the Tyne was the sandy beach "where there are frequent wrecks — too interesting to an invalid... and above the rocks, a spreading heath, where I watch troops of boys flying their kites; lovers and friends taking their breezy walks on Sundays..." She expressed a lyrical view of Tynemouth: During her illness, she for a second time declined a pension on the civil list, fearing to compromise her political independence. After publication of her letter on the subject, some of her friends raised a small annuity for her soon after. In 1844, Martineau underwent a course of mesmerism, returning to health after a few months. There was national interest in mesmerism at this time. Also known as "animal magnetism", it can be defined as a "loosely grouped set of practices in which one person influenced another through a variety of personal actions, or through the direct influence of one mind on another mind. Mesmerism was designed to make invisible forces augment the mental powers of the mesmeric object." Martineau eventually published an account of her case in 16 Letters on Mesmerism, which caused much discussion. Her work led to friction with "the natural prejudices of a surgeon and a surgeon's wife" (i.e., her brother-in-law,[51] Thomas Michael Greenhow and her sister, Elizabeth Martineau Greenhow).

• Illustration — "The Knoll", Ambleside, residence of Harriet Martineau • Illustration — Harriet Martineau, 1861, by Camille Silvy In 1845, Martineau left Tynemouth for Ambleside in the Lake District, where she designed herself and oversaw the construction of the house called "The Knoll" (made a Grade II listed building in 1974[52]), where she spent the greater part of her later life.[53] Although she was single and had no children she believed that: She began house-hunting and the first house she looked at did not have everything she was looking for. Her friend, who went with her to view it, said it would be worth the money to build a house of her own rather than pay for something she did not love. The next place Martineau was brought to look at was the land of a minister at Ambleside called "The Knoll" which she bought. She took on planning the layout of the house, which she found enjoyable. She and her contractor were on good terms and understood each other's expectations, in terms of payment and time commitments. Martineau moved into her new house in April 1846.

Harriet Martineau propounds political economic theories in Illustrations of Political Economy. She is seen as a frontrunner who merges fiction and economy in a time period when "fiction claimed authority over emotional knowledge, while economics claimed authority over empirical knowledge".[64] Moreover, Martineau's text sets the stage for women to enter into economics. For example, Lana Dalley explains that "by bringing the topic of domestic economy to bear on political economy, Martineau places women more centrally within economic theory and practice. In this context, women – as readers of the Illustrations and as characters with the tales – are not only rendered a part of larger-scale economics but also (because of their participation) encourage to learn the principles of political economy."[65] As early as 1831, Martineau wrote on the subject "Political Economy" (as the field of economics was then known). Her goal was to popularise and illustrate the principles of laissez-faire capitalism, though she made no claim to original theorising. Martineau's reflections on Society in America, published in 1837, are prime examples of her sociological methods. Her ideas in this field were set out in her 1838 book How to Observe Morals and Manners. She believed that some very general social laws influence the life of any society, including the principle of progress, the emergence of science as the most advanced product of human intellectual endeavour, and the significance of population dynamics and the natural physical environment. Auguste Comte coined the name sociology and published a lengthy exposition under the title of Cours de Philosophie Positive in 1839. Martineau undertook a concise translation that was published in two volumes in 1853 as The Positive Philosophy of Auguste Comte (freely translated and condensed by Harriet Martineau). It was a remarkable achievement, and a successful one; Comte recommended her volumes to his students instead of his own. Some writers regard Martineau as the first female sociologist. Her introduction of Comte to the English-speaking world and the elements of sociological perspective in her original writings support her credit as a sociologist.[66]

Harriet Martineau died of bronchitis at "The Knoll" on 27 June 1876, aged 74. An autopsy revealed an ovarian cyst that had grown to twelve inches in diameter.[67] She was buried alongside her mother in Key Hill Cemetery, Hockley, Birmingham. The following April, at Bracondale, her cousin's estate, much of Martineau's extensive art collection was sold at auction.[68] Martineau said, "...I have not acquired any dread or dislike of death; but I have felt, for the first, time a keen and unvarying relish of life." (Harriet 483). She explained how that, as she knew death was approaching, day by day she was not scared of it or dreading it, in fact she even described how she did not let this knowledge impact her daily life activities.

The Cadbury Research Library at the University of Birmingham holds three archive collections concerning Harriet Martineau: her papers and correspondence, letters additional, and the Martineau family papers.[86][87][88]