Hans Ruprecht Hoffmann
Illustration — The Peter Fountain (1595) in Trier is one of Hoffman's best known works. • Illustration — Pulpit in the cathedral of Trier Hans Ruprecht Hoffmann (c. 1545–1617) was a German sculptor and master stonemason.
Hans Ruprecht Hoffmann
sailko · I, Sailko · CC BY-SA 3.0
- Nationality
- Germany
- Occupation
- sculptor
- Languages
- German
Reference Check
Propose documentary evidence for Hans Ruprecht Hoffmann. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q877408 · wikipedia · Hans Ruprecht Hoffmann
In this article
Biography
Biography
Hans Ruprecht Hoffman was likely born in Worms around 1545. He apprenticed under Dietrich Schro in Mainz and Johann von Trarbach in Simmern. He became a master craftsman of the stonemason's guild. He established a large sculpture workshop and is noted for statues with particularly expressive faces. He and his wife Katharina (d. 1582) had three children; in 1583, he married his second wife, Anna Örthin (d. 1589); and in 1590, his third wife, (Anna) Margaretha, daughter of Theis Kochenbecker of Cochem. During his life, Hoffman was one of the leading proponents of Mannerism west of the Rhine. He is known for his epitaphs, altars, and funerary monuments, as well as the pulpit of the Cathedral of Trier and the Peter Fountain in Trier.
Works
Works
• Main Market Square, Trier: • Peter Fountain (1595) • Cathedral of Trier: • Pulpit (1570–72) • Marble relief of altar in the cloister (1596) • Trinity Altar (1597) (at grave of Archbishop Jakob von Eltz-Rübenach) • St. John Altar (1601) (at grave of Archbishop Johann von Schönenberg) • All Saints Altar (1614) (at grave of Archbishop Lothar von Metternich) • Liebfrauenkirche, Trier: • Grave altar of Hugo Schonenburg (d. 1581) • Basilica of St. Salvator, Prüm: • Stone pulpit (before 1590)

Sculpture of the Archbishop-Elector of Trier "Jakob III. von Eltz" (End of the 16th century), Rhineland-Palatinate, Germany
Hans Ruprecht Hoffmann († 1616 in Trier) · Own work (own photography) Ausstellung „Renaissance am Rhein“: Rheinisches Landesmuseum Bonn 2010
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Worms.
Birth place
Trier.
Death place
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Hans Ruprecht Hoffmann, revision 1165737164 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Sculpture
6,174 published records in this field, each with its sources named.
- Hans Pauli OlsenArtist
- Hans Peder Pedersen-DanArtist
- Hans PurrmannArtist
- Hans RichterArtist
- Hans SchulerArtist
- Hans SchwarzArtist
- Hans SchwegerleArtist
- Hans StanglArtist
Best supported in this field
For owners
Own a work by Hans Ruprecht Hoffmann?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.