Hannah Weiner

What the record establishes about Hannah Weiner.

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM is dated 1980 and held by The Art Institute of Chicago (inventory 1982.402). Made to Appear As ( ) is dated 1972 and held by The Art Institute of Chicago (inventory 2003.263). Signal Flag Poems is dated 1968 and held by The Cleveland Museum of Art (inventory 2008.157.3.f). The Art Institute of Chicago records 2 objects associated with this heading. The Cleveland Museum of Art records 1 object associated with this heading. Hannah Weiner is recorded with the citizenship of United States.

Hannah Weiner is recorded as poet, writer and printmaker.

Hannah Weiner is recorded as having studied at Radcliffe College, Harvard University and Classical High School.

The Art Institute of Chicago catalogues 2 works under this heading. The Cleveland Museum of Art catalogues 1 work under this heading. Wikidata Query Service catalogues 2 works under this heading.

The identifiers under which Hannah Weiner may be traced in institutional catalogues.

Hannah Weiner is established in the international name authorities as Wikidata Q5648983.

5 works under this name are catalogued by Wikidata Query Service, The Art Institute of Chicago and The Cleveland Museum of Art. Their recorded dates run from 1968 to 1980.

RJ Romeo and Juliet. Code Poems. TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM, dated 1980, language + materials referred to, held by The Art Institute of Chicago, inventory 1982.402. Made to Appear As ( ), dated 1972, collage of typed elements and graphic arts letters with blue pencil, fiber-tipped pens, gouache and black ballpoint pen on cream tracing paper, held by The Art Institute of Chicago, inventory 2003.263. Signal Flag Poems, dated 1968, two folded brochures, one with four poems and the other with pictorial translations of the poems using the international code of signals for ships at sea. also included are long poem for roy lichtenstein and a pinwheel for generating chance poetry, held by The Cleveland Museum of Art, inventory 2008.157.3.f.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 1 recorded object, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Hannah=hannaH: Politics, Ethics, and Clairvoyance in the Work of Hannah Weiner, differences, 2001. Spectral Conversions: James Merrill and Hannah Weiner, Intuitions in Literature, Technology, and Politics, 2012. Disabled Texts and the Threat of Hannah Weiner, boundary 2, 2009. Medium as Messenger: Hannah Weiner Anchors the Social Poetics of 1986 in Weeks, Not Born Digital : Poetics, Print Literacy, New Media. Seeing Words, Hearing Voices: Hannah Weiner, Dora García, and the Poetic Performance of Radical Dis/Humanism, Literary Disability Studies, 2018.

Bibliographic registers publish measured figures for this heading: 3 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.