Hadgadya
Miriam Nissimholtz, known as Had Gadya (1895 – 1982), an Israeli painter born in Russia, was the first female student in Bezalel School of Art. She was one of the founders of the Tomer.
Also recorded as Miriam (Marussia) Hadgadia
Hadgadya

ארכיון בצלאל · Public domain
- Name
- Miriam Had Gadya מרים חד גדיא
- Born
- 1895
- Died
- 1982
- Place of death
- Tel Aviv
- Education
- Bezalel in Jerusalem and in Vienna
- Known for
- Painting
- Full name
- מרוסיה ניסנהולץ.
- Nationality
- Israel.
- Occupation
- painter.
- Fields
- painting.
- Languages
- Hebrew.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Miriam Nissimholtz, known as Had Gadya (1895 – 1982), an Israeli painter born in Russia, was the first female student in Bezalel School of Art. She was one of the founders of the Tomer.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Hadgadya (1895–1982) was a painter, of Israeli nationality. The painter was born מרוסיה ניסנהולץ in Russian Empire and died in Tel Aviv.
Hadgadya was educated at Bezalel School of Arts and Crafts. Activity centred on painting. Languages used include Hebrew.
Composed from admitted, traceable facts · 01 October 2026
VALÉORINE
Reference Check
Propose documentary evidence for Hadgadya. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q6882184
In this article
Key facts
Key facts
• Name — Miriam Had Gadya מרים חד גדיא • Born — 1895 • Died — 1982 • Place of death — Tel Aviv • Education — Bezalel in Jerusalem and in Vienna • Known for — Painting
Early life
Early life
Nissenholtz was born in Russia and grew up in the village of Kodma near Odessa, to a Zionist pharmacist family. After a short marriage and receiving dowry funds from her parents, she studied pharmacy. Following an exhibition of Bezalel School in 1911 in Odessa, she traveled to the Land of Israel and began studying in Bezalel, she was the first woman to do so. According to Nissenholtz's testimony, she was the one who coined the nickname "Had Gadya" due to her agility in climbing the hills of Jerusalem similarly to a kid (a baby goat). In 1917, following World War I, she fled to Alexandria because she did not have Ottoman citizenship at the time. In Egypt, she met Raphael Haim Abulafia, a member of the Abulafia family from Rishon LeZion. The couple had two daughters, Shlomit and Ora, and they lived in Tel Aviv. After about 14 years of marriage, the couple separated. In 1920, she along with Yitzhak Frenkel Frenel, Lev Halperin, Joseph Constant, his wife and Jacob Peereman founded the HaTomer art cooperative.
Abroad
Abroad
In 1921, Had Gadya traveled to Vienna, where she studied the art of batik. Between 1929 and 1932, Had Gadya lived in New York City, where she earned a living from portrait painting. Upon returning to Israel, she settled in Jerusalem and had romantic ties with the poet Alexander Penn. Later on, she married an American merchant named Richard Harris and migrated with him to Cairo. As German Nazi forces advanced towards Egypt during World War II, she fled to New York. During the 1950s, she married an American illustrator.
Return to Israel
Return to Israel
Separating after a few years, she returned to Israel, settling in Ein Kerem and later in the Artists' Quarter in Safed. Her works from the 1970s included abstract compositions characterized by colorful geometric shapes. She is buried in the cemetery of Kibbutz Mahanayim near Safed. In 2014, the name of the gallery in the Bezalel neighborhood, which operated in Tel Aviv-Jaffa, was changed to "Gallery Miriam Nissenholtz" in honor of Had Gadya.

טיול של קבוצת תלמידים מבצלאל, בני המחזור השני ומוריהם המורה אבל פן, חובש כובע שעם ובידו מקל בין התלמידים - נחמיה בדרשי, מרים (מרוסיה) ניסנהולץ, שנודעה בכינוי "חד גדיא", ובידה זר פרחים, ראובן רובין צלם:יעקב בן דב באדיבות משפחת בדרשי
ארכיון בצלאל

טיול של קבוצת תלמידים מבצלאל, בני המחזור השני ומוריהם המורה אבל פן, חובש כובע שעם ובידו מקל בין התלמידים - נחמיה בדרשי, מרים (מרוסיה) ניסנהולץ, שנודעה בכינוי "חד גדיא", ובידה זר פרחים, ראובן רובין צלם:יעקב בן דב באדיבות משפחת בדרשי
ארכיון בצלאל
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Russian Empire.
Birth place
Tel Aviv.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.מרכז מידע לאמנות ישראלית מוזיאון ישראל, ירושלים. museum.imj.org.il.
- 2.'I Lived Life to the Fullest'. Haaretz.
- 3.The entry "Hed Gadya" in 'Women in Israel: A Lexicon', page 67, authored in collaboration with Yarhon Na'amat, 1991.
- 4.artnet Galleries: A House in Safed by Yitzhak Frenkel-Frenel from Jordan-Delhaise Gallery. 2013-12-03.
- 5.חד גדיא: האשה שזרקה את אלכסנדר פן. הארץ.
- 6.רותם, חגית פלג. אקדמיה בתמונות: שתי תערוכות פותחות את שנת הלימודים בבצלאל. Globes. 2014-10-26.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Paintings
18,792 published records in this field, each with its sources named.
- H. H. CalvertArtist
- Ha IljiArtist
- Haare WilliamsArtist
- Hacène BenabouraArtist
- Hafez PakzaadArtist
- Haim MaorArtist
- Haja Amina AppiArtist
- Hajime KatōArtist
Best supported in this field
For owners
Own a work by Hadgadya?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.