Guilhem de Montanhagol
Illustration — Miniature of Montanhagol playing a harp from a 13th-century chansonnier Guilhem de Montanhagol (fl. 1233–1268) was a Provençal troubadour, most likely active in Toulouse, but known in the courts of Provence, Toulouse, Castile, and Aragon. Guilhem left behind seven cansos and six sirventes.
Guilhem de Montanhagol

This file comes from Gallica Digital Library and is available under the digital ID btv1b8419245d · Public domain
- Died
- 1268
- Nationality
- France
- Occupation
- troubadour · poet · composer
- Languages
- Old Occitan · French
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Illustration — Miniature of Montanhagol playing a harp from a 13th-century chansonnier Guilhem de Montanhagol (fl. 1233–1268) was a Provençal troubadour, most likely active in Toulouse, but known in the courts of Provence, Toulouse, Castile, and Aragon. Guilhem left behind seven cansos and six sirventes.
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He also left behind one tenso (specifically, a partimen) with Sordello (perhaps suggesting a brief sojourn in Lombardy) and his total surviving output comes to fourteen pieces. The meaning of Guilhem's name has been debated. "Montanhagol" means "from Montanhac", but it is not known which of the several places named Montanhac that could be. For a long time it was thought that the correct form of the troubadour's name was simply "Guilhem Montanhagol", since the "de" (of) would be redundant. Contemporary documents, however, clearly use "de". He was of humble birth. According to his vida he was from Provence, though some modern scholars suspect he was a Toulousain. His vida records that he was "a good inventor (trobaire) of poetry, and a great lover." His lover was a lady named Jauseranda from Lunel, the lord of which castle, Raymond Gaucelm V, Guilhem probably knew. His cansos are awkward, and he emulated the earlier troubadours, praising mezura (moderation) among all the virtues. He stated that "from love proceeds chastity" (d'amor mou castitatz), which may mean no more than that love is necessary for fidelity. He has been viewed, most ardently by Cesare de Lollis, as a precursor of the Dolce Stil Novo and as an important link between Occitan and Italian literature through his work with Sordello. He has been credited with an innovative picture of courtly love blended with Christian morality, and indeed he refers to noel dig de maestria ("a new saying of mastery"), though this is probably not an indication of any conscious reformation. Guilhem's political sirventes concern Toulousain and Spanish politics. Writing in the aftermath of the Albigensian Crusade which devastated Languedoc, Guilhem was an opponent of the Papal Inquisition, though not of the Church itself. He encouraged the gentle correction of the Cathars, but not their violent suppression by means of war. Guilhem was grieved in a planh written by his brother-in-law Pons Santolh.
• A Lunel lutz una luna luzens • Ar ab lo coinde pascor • Del tot vey remaner valor • Bel m'es quan d'armatz aug refrim • Ges, per malvastat qu'er veya • Leu chansoneta m'er a far • No sap per que va son joy pus tarzan • Non an tan dig li primier trobador • Non estarai, per ome qe-m casti • Nulhs hom no val ni deu esser prezatz • On mais a hom de valensa • Per lo mon fan li un dels autres rancura • Qui vol esser agradans e plazens • Senh'En Sordel, mandamen
Identity
Identity
Guilhem de Montanhagol is recorded with the occupation troubadour. Recorded as troubadour, poet and composer.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1200
Guilhem de Montanhagol born.
1268
Guilhem de Montanhagol died on 1 January 1268.
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authority record
- Wikidata, structured authority record Q734139: Guilhem de Montanhagol
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reference work
- “Guilhem de Montanhagol”, English Wikipedia, consulted as further reading
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Outras redações incluem Guillem e Guilhèm (norma mistraliana), e para seu sobrenome Montaignagol ou a corruptela Montaigacot.
- 2.Troubadours and Love. 1978-01-19.
- 3.Love and its Critics: From the Song of Songs to Shakespeare and Milton's Eden. 979-10-365-0077-0.
- 4.Truth and the Heretic: Crises of Knowledge in Medieval French Literature. 2005-09-15.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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