Gottlieb Bindesbøll
Also recorded as Michael Gottlieb Birckner Bindesbøll · Michael Gottlieb Birkner Bindesbøll · M. G. B. Bindesbøll · Michael Gottlieb Bindesbøll
Gottlieb Bindesbøll

Constantin Hansen · Thorvaldsens Museum · Public domain
- Born
- 1800
- Died
- 1856
- Nationality
- Kingdom of Denmark
- Occupation
- architect · university teacher
- Known for
- Thorvaldsen Museum
In this article
Key facts
• Name — Michael Gottlieb Bindesbøll • Born — 1800 9 5 • Birthplace — Ledøje, Denmark • Died — 1856 7 14 • Place of death — Frederiksberg, Denmark • Education — Royal Danish Academy of Fine Arts • Significant Buildings — Thorvaldsens Museum Brumleby • Awards — C. F. Hansen Medal (1833) Michael Gottlieb Birckner Bindesbøll (5 September 1800 – 14 July 1856) was a Danish architect active during the Danish Golden Age in the first half of the 19th century. Most known for his design of Thorvaldsens Museum in Copenhagen, he was a key figure in the stylistic shift in Danish architecture from late classicism to Historicism. He was the father of the designer Thorvald Bindesbøll and the textile artist Johanne Bindesbøll.
Early life and education
Gottlieb Bindesbøll was born in Ledøje, a village 20 km west of Copenhagen. He first trained as a windmill builder with the intention of becoming an engineer. Simultaneously, from 1817 to 1823, he was taking night classes at the Royal Danish Academy of Fine Arts to learn to draw. He attended lectures by Hans Christian Ørsted, the natural scientist, who in 1822 invited him along on a journey to Germany and France. There Bindesbøll got acquainted with Karl Friedrich Schinkel's Classicism and the two men also visited Goethe in Weimar, and met German-born architect and archaeologist Frans Gau, who introduced Bindesbøll to his studies of polychromy in Classical architecture. Back in Denmark, Bindesbøll starting working as a resident architect for royal building inspector Jørgen Hansen Koch. He also continued his studies at the Academy until 1833, when he won the Academy's large gold medal.
To Rome and beyond
• Illustration — A company of Danish artists in Rome, painted by Constantin Hansen. Bindesbøll is lying on the floor with a fez he often wore after his visit to Constantinople together with Martinus Rørbye who is seen behind him as number two from the left. Also appearing in the picture are the painter himself, Marstrand, Küchler, Blunck and Jørgen Sonne With the large gold medal came a travel scholarship and in 1834 Bindesbøll set out on a four-year journey to Rome, visiting Berlin, Dresden and Munich on the way. In Rome he joined the Danish artists' colony which, with Bertel Thorvaldsen as it central figure, resided in the city during those years. He also visited Southern Italy and, together with painter Martinus Rørbye, one of the compatriots he met in Rome, he continued to Greece the following year. In Athens he had the opportunity to study the polychromy of the Acropolis temples which Gau had first introduced him to more than a decade earlier. Bindesbøll and Rørbye also visited Constantinople in the Ottoman Empire before returning to Rome in 1836. During his stay in Rome Bindesbøll collected a store of antique decorations. He was interested in simple, powerful geometric patterns such as floor mosaics.
Thorvaldsens Museum
• Illustration — Thorvaldsens Museum on Slotsholmen in Copenhagen In 1833, there was talk in Copenhagen of establishing a museum for the Danish sculptor, Bertel Thorvaldsen, if he would agree to bequeath his collections to his homeland. Jonas Collin, an active art and culture official under Frederik VI, awakened the King's interest in a museum for Thorvaldsen and asked Bindesbøll (Collin's nephew) to make some sketches for the building whose location had not yet been decided. Bindensbøll's designs ultimately stood out from other architects' competing for the commission to transform the Royal Carriage Depot and Theatre Scenery Painting Building into a museum dedicated to Thorvaldsen. Bindesbøll liberated the building from its surroundings, just as Thorvaldsen had liberated sculpture from architecture. He emulated the construction of the Erechtheion and the Pantheon as freestanding buildings designed to be seen from a diagonal point of view, released from traditional urban plan of closed street courses. This new, free perception of space served as a guiding principle for the cities and buildings of the future (Lange, Bente, and Jens Lindhe. Thorvaldsen's Museum: Architecture, Colours, Light. Copenhagen: Danish Architectural Press, 2002)
Late career
• Illustration — Hobro Church, 1852 In 1847, Bindesbøll was appointed Royal Building Inspector in Holstein and from 1849 in Jutland. In 1851, he returned to the Danish capital when he was appointed Royal Building Inspector in Copenhagen. For the Royal Danish Society of Medicine he designed an area of terraced houses later known as Brumleby, which was to provide good, healthy housing for the lower classes, and set a standard for later, similar developments. His last major project in Copenhagen was the Royal Veterinary and Agricultural University's main building in Frederiksberg, which was built from 1856 to 1858. He was made a titular professor in 1853 and a professor at the Art Academy in Copenhagen in 1856 but died shortly after, on 14 July 1856.
Selected projects
• Thorvaldsens Museum, Copenhagen (1839–48) • Yellow and Red Cottage, Klampenborg Spa, Klampenborg, Denmark (1844, listed in 1978 and 1979, other works at the same site demolished) • Rosendal Manor, Faxe, Denmark (1847–49, listed in 1950) • Upåkra Church, Scania, Sweden (1848–49) • Jyske Asyl, Aarhus (1850) • Bishop's House, Nykøbing Falster, Falster, Denmark (1850, listed in 1977) • Hobro Church, Hobro, Denmark (1850–52) • Rørvig Church (tower), Rørvig, Denmark (1852–53) • Town Hall, Court House and Jail, Thisted, Denmark (1853, listed in 1978) • Schleswig Railway stations, Schleswig (most have been demolished) • Flensborg Central Station (demolished in 1983) • Old Town Hall, Storegade 39, Stege, Møn, Denmark (1853–54, listed in 1971) • Brumleby, Copenhagen (first blocks and the inspector's residence 1853–57, from 1867 expanded by Vilhelm Klein, fredet, listed) • Hother Hage House, Møn, Denmark (1854) • Doctor's House, Skælskør (1856) • Vrams Gunnarstorp Castle (rebuilding), Scania, Sweden (1854–56) • Brock House, Taarbæk Strandvej, Taarbæk (1855) • Old Town Hall, Hjultorvet 2, Næstved, Denmark (1855–56, listed in 1959) • Great Hall, University of Copenhagen, Copenhagen (1856) • Oringe Psychiatric Hospital, Færgegårdsvej 15, Vordingborg (1857, listed in 1945) • Frederik VII Memorial, Rytterknægten, Bornholm, Denmark (1856, height added by Thorvald Bindesbøll in 1899) • The Royal Veterinary and Agricultural University's main building, Frederiksberg, Denmark (1856–58, main building and two lateral wings, later extended by J. E. Gnudtzmann, listed in 1950, forge demolished in 1977)
Identity and origins
The authorities additionally record the headings Michael Gottlieb Birckner Bindesbøll, Michael Gottlieb Birkner Bindesbøll, M. Bindesbøll, Michael Gottlieb Bindesbøll and Michel Gottlieb Bindesboll. His recorded language was Danish. He was the child of Jens Bindesbøll and Karen Johanne Hornemann. 2 children are recorded: Thorvald Bindesbøll and Johanne Bindesbøll.
Identity
Gottlieb Bindesbøll is recorded as architect and university teacher.

Gottlieb Bindesbøll, Constantin Hansen, Et selskab af danske kunstnere i Rom, 1837, KMS3236, SMK
Constantin Hansen · Statens Museum for Kunst and kulturarv.dk
Dated record
Life and career
Explore 1800–1857
The full dated record · 9 entries
1800
Gottlieb Bindesbøll was born in 1800.
1844
The Red Cottage is dated 1844.
1850
Jydske Asyl is dated 1850.
1852
Hobro Church is dated 1852.
1853
Thisted old Townhall is dated 1853.
1854
Stege Townhall is dated 1854.
1856
Gottlieb Bindesbøll died at Fredriksberg.
1856
Nybøllegård is dated 1856.
1857
Næstved Arresthus is dated 1857.
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Gottlieb Bindesbøll, revision 1372219010 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Jens Fleischer. Gottlieb Bindesbøll. Kunstindeks Danmark & Weilbach Kunstnerleksikon.
- 2.Mirjam Gelfer-Jørgensen. Thorvald Bindesbøll. Kunstindeks Danmark & Weilbach Kunstnerleksikon.
- 3.Lone Egeberg. Johanne Bindesbøll (1851-1934). Dansk Kvindebiografisk Leksikon.
- 4.Den Store Danske, Gyldendal. Gottlieb Bindesbøll.
- 5.Sturgis, Russell. A Dictionary of Architecture and Building, Volume I. Macmillan. 304-305. 1901.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q2566180: Gottlieb BindesbøllWikimedia Foundation
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Design
11,549 published records in this field, each with its sources named.
- Gottfried SemperDesigner
- Gottfried von GedelerDesigner
- Gottfried WehlingDesigner
- Gotthilf Ludwig MöckelDesigner
- Gottlieb RedeckerDesigner
- Gottlob Friedrich ThormeyerDesigner
- Goymour CuthbertDesigner
- Grace LaDesigner
Best supported in this field
For owners
Own a work by Gottlieb Bindesbøll?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.