Gómez Manrique
Illustration — Statue of Diego Gómez Manrique, Castilla y León, Spain Gómez Manrique y de Castilla (c. 1412 – c. 1490) was a Spanish poet, soldier, politician and dramatist.
Also recorded as Gómez Manrique y de Castilla · Gomez Manrique y de Castilla · Diego Gómez Manrique · Gomez Manrique
Gómez Manrique

Zarateman · Public domain
- Full name
- Diego Gómez Manrique de Lara y de Castilla.
- Born
- 1412. · Amusco.
- Nationality
- Crown of Castile.
- Occupation
- playwright, politician, poet, writer and orator.
- Fields
- poetry.
- Languages
- Spanish.
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Illustration — Statue of Diego Gómez Manrique, Castilla y León, Spain Gómez Manrique y de Castilla (c. 1412 – c. 1490) was a Spanish poet, soldier, politician and dramatist.
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Biography
Biography
Gómez Manrique was born in Amusco. The fifth son of Pedro Manrique de Lara y Mendoza, (1382–1440), adelantado mayor of Leon. Gómez Manrique was introduced into public life at an early age, took a prominent part against the constable Alvaro de Luna during the reign of John II, went into opposition against Miguel Lucas de Iranzo in the reign of Henry IV, and declared in favor of the then infanta Isabel, soon to be Queen Isabel I of Castile, whose marriage with Ferdinand of Aragon, King Ferdinand II of Aragon, he promoted. Besides being a distinguished soldier, Manrique acted as a moderating political influence and, when appointed corregidor of Toledo, was active in protecting the converted Jews from popular resentment. His will was signed on 31 May 1490, and he is known to have died before 16 February 1491. Manrique inherited the literary taste of his uncle Iñigo López de Mendoza y de la Vega, Marquis of Santillana, and was greatly esteemed in his own age; but his reputation was afterwards eclipsed by that of his nephew Jorge Manrique (died 1479), the son of his eldest brother Rodrigo Manrique de Lara, (died 1476), and whose Coplas por la muerte de su padre were continually reproduced. Manrique's poems were not printed until 1885, when, they were edited by Antonio Paz y Melia. They at once revealed him to be a poet of eminent merit, and it seems certain that his Consejos, addressed to Diego Arias de Avila, inspired the more famous Coplas of his nephew. His didactic verses are modelled upon those of his uncle the Marquis of Santillana, Don Iñigo. He wrote the Representación del nascimiento de Nuestro Senor, a play on the Passion, and two momos, or interludes, played at court, and a large number of poems.

Sepulcro de Gómez Manrique y Sancha de Rojas, Museo de Burgos. Cabeza de Gomez Manrique (†1411), fundador del Monasterio de Nuestra Señora de Fresdelval), tallado en alabastro a principios del siglo XV.
José Luis Filpo Cabana
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Amusco.
Birth place
Toledo.
Death place
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reference work
- “Gómez Manrique”, English Wikipedia, consulted as further reading
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authority record
- Wikidata, structured authority record Q29284: Gómez Manrique
General reference · Wikidata
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Cf. F.º Vidal González, "Introducción" a Gómez Manrique, Cancionero, Madrid: Cátedra, 2003, p. 13
- 2.El primero hijo fue Diego Manrique de Lara, conde de Treviño; el segundo fue Rodrigo Manrique, conde de Paredes de Nava; el tercero fue Pedro Manrique, de quien descienden los adelantados de Castilla, condes de Santa Gadea y Buendía; el quinto, Íñigo Manrique, obispo de Coria y Jaén; el sexto, Juan Manrique, fue arcediano de Valpuesta; el séptimo fue Fadrique Manrique; el octavo, Garci Fernández Manrique. Cf. F.º Vidal, op. cit., p. 13, nota 7.
- 3.Rodríguez Salcedo, Severiano; Revilla Vielva, Ramón; Torres Martín, Arcadio. Calabazanos a la vista. 0210-7317.
- 4.Antología de los poetas. II: Parte primera: Capítulo XVIII. — Gómez Manrique.—Noticias biográficas; su intervención en los sucesos políticos de la época; muestras de sus dotes oratorias; su testamento y biblioteca.—Compilación de su «Cancionero», a ruego del Conde de Benavente.—Coplas de pasatiempo.—.
- 5.Francisco Vidal, op. cit., p. 21
- 6.Francisco Vidal, op. cit., p. 22.
- 7.Francisco Vidal, op. cit. p. 23 y ss.
- 8."Proemio de don Gómez Manrique al cancionero de sus obras", en Gómez Manrique, Cancionero, ed. de Francisco Vidal González, Madrid: Cátedra, 2003, p. 105-106.
- 9.Gómez Manrique, "Proemio de don Gómez Manrique al Cancionero de sus obras", en su Cancionero. Ed. de Francisco Vidal González. Madrid: Ediciones Cátedra, 2003, pp. 98 y 99.
- 10.Vid. Alonso de Palencia, Guerras de Granada, introd. de Antonio Paz y Meliá, Madrid: BAE, CCXLVII, 1975, p. 117.
- 11.Francisco Vidal González, "Introducción" a su ed. de Gómez Manrique, Cancionero, Madrid: Cátedra, 2003, pp. 40-41.
- 12.Gómez Manrique y la Representación del nacimiento de Nuestro Señor. XCII, 1.º. 0210-9174.
- 13.Óscar Perea Rodríguez, «La Corte literaria de Alfonso el Inocente (1465-1468) según las Coplas a una partida de Guevara, poeta del Cancionero General», en Medievalismo. Revista de la Sociedad Española de Estudios Medievales, núm. 11 (2001), p. 37. http://revistas.um.es/medievalismo/article/viewFile/51471/49611
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