Glenn McCoy

What the record establishes about Glenn McCoy.

Working : people talk about what they do all day and how they feel about what they do / Studs Terkel. is dated [1974] and held by Wellcome Collection. Cranbrook Architecture 1980-81 Poster is dated 1980—81 and held by The Art Institute of Chicago (inventory 2009.69.4). Seventh Hour of the Night is dated 1982 and held by The Metropolitan Museum of Art (inventory 1982.1013.1). Every Shot, Every Episode is dated 2001 and held by The Metropolitan Museum of Art (inventory 2002.274). Clown in Bathtub is dated 1960s and held by The Metropolitan Museum of Art (inventory 67.543.30). Altar I is dated 1989 and held by The Metropolitan Museum of Art (inventory 1995.222a-p).

The Metropolitan Museum of Art records 7 objects associated with this heading. The Art Institute of Chicago records 1 object associated with this heading. Wellcome Collection records 1 object associated with this heading. Glenn McCoy is recorded as editorial cartoonist and comics artist. Glenn McCoy is recorded with the citizenship of United States. Open Library catalogues 12 works under this name.

It Seemed Like the End is dated 2007. Penny Lee and her TV is dated 2002. Monkey business is dated 2007. Pot shots 2 is dated 1999. Bad Habits is dated 2006. The Duplex is dated 1993.

Pot shots is dated 1998.

What Glenn McCoy produced.

The Metropolitan Museum of Art catalogues 4 works under this heading. The Art Institute of Chicago catalogues 1 work under this heading. Wikidata Query Service catalogues 2 works under this heading. Wellcome Collection catalogues 1 work under this heading. Open Library catalogues 12 works under this heading.

16 works under this name are catalogued by Wikidata Query Service, Open Library, The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1974 to 2007.

Legend of Spud Murphy. The Duplex, dated 1993. מיניונים מכסחים. Mixed Feelings. ¡No funciona la tele! / Penny Lee and Her TV Spanish Edition. Monkey business, dated 2007. The flying McCoys. ¡No funciona la tele! Bad Habits, dated 2006. It Seemed Like the End, dated 2007. Penny Lee and her TV, dated 2002. Pot shots, dated 1998. Pot shots 2, dated 1999. I see Santa everywhere. Cranbrook Architecture 1980-81 Poster, dated 1980—81, offset ink on paper, held by The Art Institute of Chicago, inventory 2009.69.4. Working : people talk about what they do all day and how they feel about what they do / Studs Terkel., dated [1974], held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 1 recorded object, read from the institution's own published catalogue.

1 scholarly publication naming this subject was located in the registry of record.

The “Kidnapping” of Hildy McCoy: Child Adoption and Religious Conflict in the Shadow of the Holocaust, Jewish Social Studies, 2019.

Bibliographic registers publish measured figures for this heading: 4 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 12 further registers were consulted and returned nothing for this heading.