Giovanni Antonio Pellegrini

He travelled widely on commissions which brought him to England, the Southern Netherlands, the Dutch Republic, Germany, Austria and France. He is considered an important predecessor of Giovanni Battista Tiepolo. One of his pupils was Antonio Visentini.

The recorded working language is Italian. The field of work recorded is visual arts. Places of work recorded in the authority are Venice, London and Paris. Works named in the authority record are Bacchus and Ariadne, Modesty Presenting Painting to the Academy and The Fight between Germany and France for the Rhine. Work by Giovanni Antonio Pellegrini is recorded in the collections of Städel Museum, Museo del Prado, Art Institute of Chicago, Nationalmuseum and National Gallery of Canada.

Pellegrini was born in Venice. His father, also called Antonio, was a shoemaker from Padua. Pellegrini was a pupil of the Milanese painter Paolo Pagani. He travelled with his master to Moravia and Vienna in 1690 and was back in Venice in 1696 where he painted his first surviving works. The work of fellow Venetian Sebastiano Ricci had an important influence on his work. He was in Rome from 1699 to 1701. He married Angela Carriera, the sister of Rosalba Carriera, in c.1704. Pellegrini decorated the dome above the staircase at the Scuola Grande di San Rocco in 1709. • Illustration — Alexander at the corpse of the dead Darius Pellegrini visited England from 1708 to 1713 at the invitation of the Earl of Manchester. Here he achieved considerable success. He painted murals in a number of English country houses, including at Kimbolton Castle for the Earl of Manchester, Castle Howard (where his work was mostly destroyed by a fire in 1940), and Narford Hall, Norfolk, for Sir Andrew Fontaine. Michael Levey, describing Pellegrini's paintings on the staircase at Kimbolton, says that, although painted directly into the wall in oil, "they have all the spontaneity and lightness of fresco. In London he worked at 31 St James's Square for the Duke of Portland, where George Vertue noted in his notebooks "the hall and Staircase and one or two of the great rooms". He became a director of Sir Godfrey Kneller's Academy in London in 1711. He submitted designs for decorating the interior dome of the new St Paul's Cathedral, and is said to have been Christopher Wren's favourite painter. He did not win the commission, losing out to Sir James Thornhill. • Illustration — Modesty Presenting Painting to the Academy Pellegrini subsequently travelled through Germany and the Netherlands, collecting Northern paintings as he went and completing works in many European cities. In 1713-4 he was in Düsseldorf, where he painted a series of allegorical scenes of the life of the elector, Johann Wilhelm. He decorated the Golden Room in the Mauritshuis in The Hague, and carried out other decorative schemes in Prague, Dresden and Vienna. He returned to England in 1719, but was less successful on his second visit, mainly due to competition from other Venetian painters, including Sebastiano Ricci. In about 1720 he painted the ceiling of John Law's Bank in Paris (since destroyed).

The authorities additionally record the headings Gianantonio Pellegrini, Giovanni Antonio Pelegrina, Antonio Pellegrini, Giannantonio Pellegrini and Jean-Antoine Pellegriny. His recorded language was Italian. Other recorded relations include Rosalba Carriera.