Gillian Conoley

Her work has been anthologized in Norton’s American Hybrid, Counterpath’s Postmodern Lyricisms, Mondadori’s Nuova Poesia Americana (Italian), and Best American Poetry. Conoley's poetry has appeared in Conjunctions, New American Writing, American Poetry Review, The Canary, A Public Space, Carnet de Rouge, Jacket, Or, Fence, Verse, Ironwood, jubilat, Zyzzyva, Ploughshares, the Denver Quarterly, the Missouri Review and other publications. She is the recipient of the Jerome J. Seshtack Poetry Prize from The American Poetry Review, and several Pushcart Prizes. She is the founder and editor of Volt. She is a former visiting poet at the Iowa Writers’ Workshop at the University of Iowa and at the University of Denver, Vermont College, Texas State University, and Tulane University.

Conoley holds a BA in Journalism from Southern Methodist University and an MFA from the Program for Poets and Writers at the University of Massachusetts Amherst. Her most recent collection, A Little More Red Sun on the Human, was published in 2020. Apart from her poetry collections, Conoley has also published her poems in chapbooks, including Woman Speaking Inside Film Noir (1984), Fatherless Afternoon (2005) and An Oh A Sky A Fabric An Undertow (2010). Three of Conoley's poems were included in the second edition (2013) of Postmodern American Poetry: A Norton Anthology. In September 2014 Conoley publishedThousand Times Broken: Three Books, her translation of three never-before-translated texts by the French poet Henri Michaux, composed between 1956 and 1959.

Conoley lives in Corte Madera, California. She is married to the crime novelist Domenic Stansberry.