Gilberto Mendes

The recorded working language is Portuguese. The field of work recorded is music. Residence is recorded at Brazil. Employment is recorded with University of Texas at Austin, University of Wisconsin–Madison and University of São Paulo. Distinctions recorded are Order of Cultural Merit (Brazil).

Gilberto Mendes was born in Santos, Brazil, in 1922. He studied piano with Antonieta Rudge and harmony with Sabino de Benedictis. The influence of Villa-Lobos is evident in his early works, in some way preceding the advent of bossa nova in his early songs. His contact with the poets of the Noigandres group gave him the ideological inspiration to feed his talent. He attended the Santos Conservatory from 1941 to 1948, where he studied harmony with Savino de Benedictis and piano with Antonietta Rudge. He later studied composition under Cláudio Santoro in 1954 and under George Olivier Toni from 1958 to 1960. In 1962 and 1968 he attended the Darmstadt International Summer Courses for New Music where he attended classes given by Pierre Boulez, Henri Pousseur, and Karlheinz Stockhausen. In 1962 he created the New Music Festival and in 1963 was a signatory of the Manifesto Música Nova (New Music Manifesto). He was a pioneer of aleatoric and concrete music in Brazil, using new musical notations and theatrical elements. Mendes's compositions include cantatas, motets, orchestral music, incidental music, solo and chamber pieces, and some avant-garde works. Most of them are published by Alain Van Kerckhoven Editeur. In 1965, he founded the Santos New Music Festival. In the 1970s and 1980s, he taught at the University of Wisconsin–Milwaukee and the University of Texas, then was a professor of music at the University of São Paulo (USP).

Gilberto Mendes worked in music. He was employed by University of Texas at Austin, University of Wisconsin–Madison, University of São Paulo and Escola de Comunicações e Artes da Universidade de São Paulo. He belonged to University of São Paulo, Escola de Comunicações e Artes da Universidade de São Paulo and Departamento de Música da Universidade de São Paulo. He worked at Brazil.