Gil Bellows

6 works under this name are catalogued by The Art Institute of Chicago. Their recorded dates run from 1914 to 1923.

Love of Winter, dated 1914, oil on canvas, held by The Art Institute of Chicago, inventory 1914.1018. My Mother, dated March 1921, oil on canvas, held by The Art Institute of Chicago, inventory 1923.975. Nude Man and Woman, dated 1920, pen and brush and black ink, with black crayon, on cream wove paper, laid down on cream board, held by The Art Institute of Chicago, inventory 1922.5557. The Law is too Slow, dated 1923, lithograph in black on cream japanese tissue, held by The Art Institute of Chicago, inventory 1925.1567. Nude Woman Bending Over, dated 1923–24, black crayon with stumping, on cream wove coated paper, held by The Art Institute of Chicago, inventory 1947.54. Sketch of Emma Bellows, dated n.d., black crayon on pale gray wove paper, held by The Art Institute of Chicago, inventory 1924.510.

Work associated with this heading is recorded in 1 named public collection.

The Art Institute of Chicago: 132681 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Concussion bellows, Oxford Music Online, 2001. Bellows, Oxford Music Online, 2001. Structural analysis of TFTR vacuum vessel bellows and bellows cover sections, 1975. Bellows, George Wesley, Benezit Dictionary of Artists, 2011. Bellows, George, Oxford Art Online, 2003.

Gil Bellows studied at American Academy of Dramatic Arts, Magee Secondary School and Point Grey Secondary School. the recorded working language is English.