Gerard Johnson
(Dutch: Gheerart Janssen; fl. 1612–1623) was a sculptor working in Jacobean England who is traditionally supposed to have created Shakespeare's funerary monument (although this attribution has more recently been challenged). In May 1612 Johnson was paid for making part of a fountain for the east garden at Hatfield House, Hertfordshire.
Also recorded as Gheerart Janssen · Garat Johnson the younger · Geraert Janssen · Garrat Johnson the younger
Gerard Johnson

Gerard Johnson (sculptor), Wenceslaus Hollar · http: and https · Public domain
- Nationality
- Kingdom of England
- Occupation
- sculptor
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His father, then known as Gheerart Janssen, came to England in 1567 from Holland. He established himself as a sculptor of funerary monuments in London. Gerard the elder worked on a monument to the 1st Earl of Southampton, which also depicts Shakespeare's patron, the 3rd Earl, as a young man. Shakespeare would probably have seen the monument if he had stayed at Titchfield. Shaespeare's monument is in Holy Trinity Church, Stratford upon Avon, and may have been commissioned by his son-in-law John Hall. Dugdale states that the Gerard the younger created the memorial in Holy Trinity church to Shakespeare's friend John Combe, who left the playwright a legacy in his will. This would probably have been installed in 1615 while Shakespeare was still alive. It is also possible that Shakespeare knew the Johnson family from his London days, since their workshop was close to the Globe Theatre. The mask, known as the "Kesselstadt death mask" was given publicity when it was declared authentic by the scientist Richard Owen, who also claimed that the Stratford memorial was based on it. The artist Henry Wallis painted a picture depicting the sculptor working on the monument while looking at the mask. The sculptor Lord Ronald Gower also believed in the authenticity of the mask. When he created the large public Shakespeare statue in Stratford in 1888, he based the facial features on it. He also attempted to buy it for the nation. The mask is now generally believed to be a fake, though its authenticity claim was revived in 1998. In 2021, Lena Cowen Orlin challenged the attribution of Shakespeare's monument to Gerard Johnson, arguing that it was more probably by Gerard's brother, Nicholas Johnson, was commissioned by Shakespeare himself during his lifetime, and was sculpted from the life.
• Illustration — The monument in situ • Illustration — Close-up of the sculpture • Illustration — The tomb of John Combe

This is a composite image of Shakespeare's funerary monument and its depiction published in William Dugdale's Antiquities of Warwickshire (1656) and in Rev. George Arbuthnot’s A guide to the collegiate church of Stratford-on-Avon (4th ed., 1904) and a painting made in 1748 by John Hall.
Gerard Johnson (sculptor), Wenceslaus Hollar and John Hall · Derivative work from File:Shakespeare's Monument painted by John Hall 1748.jpg and File:Monument images 1656 1904.jpg

Tomb of John Combe in Holy Trinity Church, Stratford-upon-Avon (next to Shakespeare's tomb)
Paul Barlow
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The biographical narrative on this page is based on the Wikipedia article Gerard Johnson (sculptor), revision 1328301435 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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The authorities additionally record the headings Gheerart Janssen, Garat Johnson the younger, Geraert Janssen and Garrat Johnson the younger. He was the child of Gerard Johnson the elder.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Sculpture
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