George Edmund Street
George Edmund Street (20 June 1824 – 18 December 1881), also known as G. Street, was an English architect, born in Woodford in Essex. Stylistically, Street was a leading practitioner of the Victorian Gothic Revival. Though mainly an ecclesiastical architect, he is perhaps best known as the designer of the Royal Courts of Justice on the Strand in London.
Also recorded as G. E. Street
George Edmund Street

Frederick Waddy · archive.org · Public domain
- Name
- George Edmund Street
- Born
- 20 June 1824
- Birthplace
- Woodford, Essex
- Died
- 18 December 1881
- Place of death
- London
- Awards
- Royal Gold Medal (1874)
- Nationality
- United Kingdom of Great Britain and Ireland
- Occupation
- architect · art historian
- Fields
- architecture
- Education
- Camberwell Collegiate School
- Known for
- Church of St. Margaret of Antioch, Liverpool · Church of the Resurrection and All Saints, Caldy · St Mary's Church, Southampton · St James the Less and Pimlico
- Honours
- Royal Gold Medal
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Documentary summary
George Edmund Street (20 June 1824 – 18 December 1881), also known as G. Street, was an English architect, born in Woodford in Essex. Stylistically, Street was a leading practitioner of the Victorian Gothic Revival. Though mainly an ecclesiastical architect, he is perhaps best known as the designer of the Royal Courts of Justice on the Strand in London.
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wikidata · Q5538851 · wikipedia · George Edmund Street
In this article
Biography
Biography
George Edmund Street studied at Camberwell Collegiate School. The recorded working language is English. The field of work recorded is architecture. Positions recorded include President of the Royal Institute of British Architects. Works named in the authority record are Church of St. Work by George Edmund Street is recorded in the collections of Victoria and Albert Museum and Yale Center for British Art. Distinctions recorded are Royal Gold Medal.
Key facts
Key facts
• Name — George Edmund Street • Born — 20 June 1824 • Birthplace — Woodford, Essex • Died — 18 December 1881 • Place of death — London • Significant Buildings — Royal Courts of Justice, The Strand, London • Awards — Royal Gold Medal (1874)
Early life
Early life
Street was the third son of Thomas Street, a solicitor, by his second wife, Mary Anne Millington. He went to school at Mitcham in about 1830, and later to the Camberwell Collegiate School, which he left in 1839. For a few months he worked in his father's business in Philpot Lane, but on his father's death he went to live with his mother and sister at Exeter. There his thoughts first turned to architecture, and in 1841 his mother obtained a place for him as a pupil in the office of Owen Browne Carter at Winchester. Afterwards he worked for five years as an "improver" with George Gilbert Scott in London. Street's first commission – undertaken while still working for Scott – was for the design of Biscovey church in Cornwall. In 1849 he set up in practice in an office of his own. Much of his earliest work, which included many church restorations, was in Cornwall.
Career
Career
• Illustration — Former parish church of SS Philip and James in North Oxford, now the Oxford Centre for Mission Studies In November 1850, having been appointed architect to the diocese of Oxford by Bishop Samuel Wilberforce, he left London, and moved to Wantage, where he had already designed a vicarage, and was working on some schools. In May 1852 he went to live in Beaumont Street, Oxford. He designed the parish church of SS Philip and James in the city, and another at Summertown, as well as restoring many others. Street built or restored 113 churches in the diocese of Oxford. However, his only work for the university was the reordering of Jesus College Chapel. His son Arthur Edmund Street suggested that: Possibly my father's very decided adherence to the earlier phase of Gothic, and the eagerness with which he argued that Oxford already had enough of debased types, and should revert to the purity of the early forms, may have frightened the authorities. During this period he developed his use of constructional polychromy, in churches such as All Saints, Boyne Hill. Maidenhead. Early in his career, he advocated the idea that architects should have a practical involvement with the decoration of their buildings, and painted murals at Boyne Hill church himself. However, with his increasing amount of business, he soon realised the difficulties of such an approach. He remained in Oxford until late in 1855, when he moved back to London, taking a house in Montagu Place, Bloomsbury. At around this time he entered the competition to design the new cathedral at Lille, winning second prize, behind a design by Henry Clutton and William Burges. He came second to Burges in another competition, to design the Crimea Memorial Church in Constantinople, but eventually received the commission. He also submitted, unsuccessfully, Gothic schemes for the new Foreign Office in Whitehall, and for a projected rebuilding of the National Gallery.
Gothic Revival
Gothic Revival
• Illustration — The church of St. James the Less, Westminster; completed to Street's design in 1861 Street was an active member of the Ecclesiological Society. From an early age he had been interested in the principles of Gothic architecture, and made frequent tours to study and draw Gothic architecture across Europe. He was an exceptional draughtsman, and in 1855 he published a very careful and well illustrated work on The Brick and Marble Architecture of Northern Italy, and in 1865 a book on The Gothic Architecture of Spain. These works inspired the wider use of constructional polychromy by British architects, sometimes mocked as "The Streaky Bacon Style". At St James the Less, in Thorndike Street, Westminster (1858–61), Street used red brick, with black brick decoration both inside and out, and gave the church a tall, square campanile-like tower, its roof based on a Genoese model. Charles Locke Eastlake, writing in 1872, saw this as a prime example of the "revolt from [English] national style" that was occurring amongst Gothic Revival architects at this time, at least in part inspired by John Ruskin's enthusiasm for the medieval architecture of Northern Italy, and by the publication of Viollet-le-Duc's exhaustive Dictionnaire raisonné de l'Architecture Française du XIe au XVIe Siècle: Here the whole character of the building, whether we regard its plan, its distinctive features, its external or internal decoration is eminently un-English. Even the materials used in its construction and the mode by which it is lighted were novelties. The detached tower with its picturesquely modelled spire, its belfry stage rich in ornamental brick-work and marble bosses, the semicircular apse and quasi-transepts, the plate tracery, the dormers inserted in the clerestory, the quaint treatment of the nave arcade, the bold vigour of the carving, the chromatic decoration of the roof—all bear evidence of a thirst for change which Mr. Street could satisfy without danger, but which betrayed many of his contemporaries into intemperance. Two features Street was particularly fond of using were the round apse and the louvred belfry windows. Street was commissioned by Alexander Lindsay, 25th Earl of Crawford in 1867 to design several aspects of the extension work undertaken at Dunecht House, Aberdeenshire. These included the Library and a Chapel. In 1868 Street was made Diocesan Architect of Ripon, in addition to the similar posts which he already held in the dioceses of York and Oxford, and to which Winchester was subsequently added. He was also appointed Architect to York Minster at around this time, and, later on, to Salisbury and Carlisle Cathedrals.
Works
Works
• Illustration — The Royal Courts of Justice in The Strand, London Street's most recognisable building is probably the Law Courts (now the Royal Courts of Justice) in the Strand in London. The competition for this was prolonged, and much diversity of opinion was expressed. The judges wanted Street to make the exterior arrangements and Charles Barry the interior, while a special committee of lawyers recommended the designs of Alfred Waterhouse. In June 1868, however, Street was appointed sole architect; but the building was not complete at the time of his death in December 1881. • Illustration — Church of St John the Evangelist, Ardamine, County Wexford Apart from the Law Courts, by far the majority of Street's output was for ecclesiastical uses, the largest being the nave of Bristol Cathedral and the restoration of Christ Church Cathedral, Dublin. Chief amongst his complete works include St Margaret's convent, East Grinstead, and the theological college at Cuddesdon. Other churches of which he was the architect include All Saints' (Church of England), St Paul's Within The Walls (American Episcopal) in Rome, and, also for the American Episcopal Church, the American Cathedral in Paris, completed posthumously by Arthur E Street in 1886. His work was not exclusively in the Gothic Revival manner, as is demonstrated by Ralli's dramatic Lycian-Byzantine temple at Norwood Cemetery, the Romanesque reworking of the nearby church of St Luke and the rebuilding of All Saints' at Roydon, in West Norfolk, in a style to match its two Norman doorways. Street also designed the family chapel at Gwrych Castle in Abergele. Denbighshire.
Ireland
Ireland
Street carried out a number of new works in Ireland, including the small clifftop church of St. John the Evangelist at Ardamine, Co. Wexford, and Piltown Church, Co. Kilkenny. His most significant work was the controversial re-edification of the historic Christ Church Cathedral, Dublin, in the course of which he was responsible for demolishing the choir which he considered to be of "no historic significance". Street designed the adjacent Synod Hall around the existing 12th-century St Michael's Church. He also restored St. Brigid's Cathedral, Kildare Town, which was a roofless ruin when he started work. The Cathedral reopened in 1896. He succeeded in rebuilding the lost walls to match the remnants which remained of the original walls and square tower.
Personal life
Personal life
• Illustration — Monument to Street in the main hall of the Royal Courts of Justice Street was twice married, first on 17 June 1852 to Mariquita Proctor, second daughter of Robert Proctor, who died in 1874 aged 44. They met when Street was employed to restore the Church of St James the Less in Hadleigh, Essex, where the rector was Mariquita's uncle. His second wife was Jessie Holland, second daughter of William Holland. They married on 11 January 1876, but she died eight weeks after the wedding, having contracted a fever on their honeymoon in Rome. Street was an adherent of the high church tradition of the Church of England. He designed the Convent House for the Community of St Mary the Virgin in 1850 in Wantage. In 1847 Street had visited Edward Everard Blencowe, rector of West Walton in Norfolk, and met his sister Agnes Blencowe. Agnes and Street's sister, Mary Ann, later founded the Ladies' Ecclesiastical Embroidery Society in support of the Gothic Revival. The society promoted Street's designs, along with those of William Morris and George Frederick Bodley. Mary Ann and Agnes both joined the Wantage community as nuns. For many years Street was a churchwarden of All Saints, Margaret Street in London, built in the 1850s as a "model church" under the supervision of the Ecclesiological Society. He was particularly insistent that all seats in churches should be free of charge, rather than subject to pew rent. Street's death, on 18 December 1881 aged 57, was hastened by overwork and professional worries connected with the building of the law courts. He was buried on 29 December in the nave of Westminster Abbey, adjacent to the tombs of Sir George Gilbert Scott and Sir Charles Barry. A monument to Street by Henry Hugh Armstead was sponsored by the Prince of Wales and Sir Frederic Leighton and is sited in the central hall of the Royal Courts; it was unveiled on 24 March 1886 by Lord Herschell, the Lord Chancellor. His son by his first wife, Arthur Edmund Street, was born in Oxford in 1855. He joined his father's office in 1878 and after his father's death completed the projects which were in the course of construction. He later wrote a biography of his father which was published in 1888.
Life and work
Life and work
George Edmund Street was born on 20 June 1824 in Woodford. Street held the nationality of United Kingdom of Great Britain and Ireland. Street was educated at Camberwell Collegiate School. Recorded child: Arthur Edmund Street. Street worked as architect and art historian. Street worked in English. Street died on 18 December 1881 in London. Street is buried at Westminster Abbey.
Life and career
Dated record
Life and career
Explore 1824–1881
The full dated record · 4 entries
1824
Born at Woodford.
1874
Receives Royal Gold Medal.
1881
Recorded as position held: President of the Royal Institute of British Architects.
1881
Dies at London.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Woodford.
Birth place
London.
Death place
Works documented in more than one form
Catalogued output
Works documented in more than one form
5 titles are catalogued under more than one form, which is to say the registers hold them both as a work and as a distinct object, score, recording or edition. Where a title is documented in several forms the evidence behind it is correspondingly wider, and the article treats those forms as separate records of the same work rather than as separate works.
St Paul's Within the Walls
1873 — catalogued as church building and Anglican church building
Ripon College Cuddesdon
1854 — catalogued as seminary and charitable organization
Church Of St Michael And All Angels
1176 — catalogued as church building and fortified ecclesiastical site
English Church
1878 — catalogued as architectural structure and Anglican church building
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
1877 — catalogued as watercolor painting and architectural plan
Works, 750–1907
Catalogued output
Works, 750–1907
These are texts written by the subject, distinct both from writings about the subject and from printed editions of other people's work. 37 works carry dates between 750 and 1907. The 1860s are the densest part of the run, with 11 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself. They belong to a run of 49 titles in all, from 750 to 1907. A selection is set out below and the complete run may be opened beneath it.
The run opens with St Giles' Church, Barrow and closes with Church of the Resurrection and All Saints, Caldy
St Giles' Church, Barrow
750
St Michael's Church, High Ercall
1150
St Mary the Virgin's Church, Wiggenhall
1250
Kildare Cathedral
1300
St Mary's Church, Blymhill
1350
St Peter's Church, Edgmond
1350
St James's Church
1841
St Peter's Church, Bournemouth
1851
St James the Less, Pimlico
1859
Convent Chapel To Rear Of Numbers 82 And 83 (All Saints House)
1860
Parish Church of St John the Evangelist, dated 1861. Playground railings to St James the Less parish rooms
1861
The complete catalogue · 33
The run opens with St Giles' Church, Barrow and closes with Church of the Resurrection and All Saints, Caldy
St Giles' Church, Barrow
750
St Michael's Church, High Ercall
1150
St Mary the Virgin's Church, Wiggenhall
1250
Kildare Cathedral
1300
St Mary's Church, Blymhill
1350
St Peter's Church, Edgmond
1350
St James's Church
1841
St Peter's Church, Bournemouth
1851
St James the Less, Pimlico
1859
Convent Chapel To Rear Of Numbers 82 And 83 (All Saints House)
1860
Parish Church of St John the Evangelist, dated 1861. Playground railings to St James the Less parish rooms
1861
Oxford Centre for Mission Studies
1862
Church of All Saints
1862
St John the Evangelist's Church, Middletown, Ardamine
1862
St Editha's Church, Amington
1864
Detail of Red Altar for Prestbury Church, Cheltenham
1864
St John's Church, Warminster
1865
St Mary Magdalene, Paddington
1867
St Nicholas' Church
1868
Christ Church, Barnston
1871
Church of All Saints, Llanelli
1872
All Saints' Church, Thorp Arch, West Yorkshire
1872
St John's Church, Cotebrook
1875
St Andrew's Church
1877
All Saints Church
1878
St Peter's Church, Leicester
1879
4 Cadogan Square
1880
American Cathedral in Paris
1881
Royal Courts of Justice
1882
St Mary's Church, Southampton
1884
St John the Divine, Kennington
1888
Church of the Resurrection and All Saints, Caldy
1907
Works without a settled date
Catalogued output
Works without a settled date
12 further works are catalogued under Street's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Church of St
Margaret of Antioch, Liverpool
Crimea Memorial Church
Church of St Mary
Church of St Saviour and St Peter
Church of St Andrew
St Michael and All Angels Church
St Mary's Church
St John the Baptist's Church
Church of St Peter, Cowleigh
Design for Polychromatic Decoration of a Church
Perspective for a Church Interior
Books and published writings, 1855–2021
Catalogued output
Books and published writings, 1855–2021
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. They belong to a run of 23 titles in all, from 1855 to 2021.
The run opens with Brick and Marble in the Middle Ages and closes with George Edmund Street
22 editions carry dates between 1855 and 2021
The entries follow Open Library
Brick and Marble in the Middle Ages
1855
Explanation and illustrations of his design for the proposed new Courts of Justice
1867
Explanation of his design for the proposed new courts of Justice
1867
New law courts
1868
Some Account of Gothing Architecture in Spain
1869
The new courts of justice
1872
Brick and marble in the middle ages: notes of a tour in the north of Italy
1874
The Cathedral of the Holy Trinity, commonly called Christ Church Cathedral, Dublin
1882
The cathedral of Holy Trinty, commonly called Christ church cathedral, Dublin
1882
Architecture
1891
The complete catalogue · 24
22 editions carry dates between 1855 and 2021
The run opens with Brick and Marble in the Middle Ages and closes with George Edmund Street
The entries follow Open Library
Brick and Marble in the Middle Ages
1855
Explanation and illustrations of his design for the proposed new Courts of Justice
1867
Explanation of his design for the proposed new courts of Justice
1867
New law courts
1868
Some Account of Gothing Architecture in Spain
1869
The new courts of justice
1872
Brick and marble in the middle ages: notes of a tour in the north of Italy
1874
The Cathedral of the Holy Trinity, commonly called Christ Church Cathedral, Dublin
1882
The cathedral of Holy Trinty, commonly called Christ church cathedral, Dublin
1882
Architecture
1891
Unpublished notes and reprinted papers
1916
La arquitectura gótica en España
1926
Some Account of Gothic Architecture in Spain
(2 Volumes)
1969
Gothic Architecture in Spain
1976
Notes on a tour in Northern Italy
1986
Brick and Marble in the Middle Ages - Notes of Tours in the North of Italy
2009
Land Drainer's Calculator
2015
Some Account of Gothic Architecture in Spain 2 Volume Set
2017
Some Account of Gothic Architecture in Spain; Volume 1
2018
Some Account of Gothic Architecture in Spain; Volume 2
2018
Books and published writings without a settled date
Catalogued output
Books and published writings without a settled date
1 further edition are catalogued under Street's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it.
Some account of the Church of St
Mary, Stone, near Dartford
Pupils
In 1856–57, Philip Webb was Street's senior clerk and the young William Morris one of his apprentices. These two designers worked together on the Red House that became a memorial to William Morris's design principles and includes work by many of his now-famous friends. Another apprentice in the early 1870s was the Canadian architect Frank Darling.
Primary material
Documents and archives
scholarly publication
- A. E. Street, Memoir of George Edmund Street (1888), British Architecture 1760–1914, 2023
Scholarly · Crossref registry · 2023
reference work
- “George Edmund Street”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q5538851: George Edmund Street
General reference · Wikidata
Societies and honours
Street was elected an associate of the Royal Academy in 1866, and a fellow in 1871; at the time of his death he was professor of architecture to the Royal Academy, where he had delivered a course of lectures on the development of medieval architecture. He was also president of the Royal Institute of British Architects. He was a member of the Royal Academy of Vienna, and in 1878, in reward for drawings sent to the Paris Exhibition, he was made a knight of the Legion of Honour.
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
A. E. Street, Memoir of George Edmund Street (1888), British Architecture 1760–1914, 2023Crossref registry
Institutional witnessreference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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