Georg Hajdu

• Blueprint for soprano saxophone, electric guitar, double bass, piano, percussion, electronics and video (2009) • Radio Music (adaptation of John Cage's Radio Music for network ensemble008) • Beyond the Horizon for 2 Bohlen–Pierce clarinets and synthesizer (2008) • Ivresse '84 for violin and laptop quartet (2007) • Corpus Callosum for recorder, viola da gamba, bass clarinet and harpsichord (2006) • Tsunami for recorder or toy piano and live electronics (2006–8) • Light Blue for piano (2001–2004) • Dichrome Blue • Blue Marble • Kalim’balu • Mindtrip for Quintet.net (2000–) • StoryTeller for percussion and interactive media. Collaborative work with Stephan Froleyks (2001–2004) • Exit for violin and live electronics (2001) • Liebeserklärungen for one or two YAHAMA Disklaviers (2000/2004) • Herzstück • Blauer Engel • Re: Guitar for microtonal guitar (1999) • Der Sprung – Beschreibung einer Oper. Opera (1994–1998) • Riots for saxophone, electric guitar and double bass (1993) • Nacht for string quartet (1993) • Spuren in der Kälte for accordion, plucked instruments and electronics (1991/95) • Fingerprints for piano (1992–93) • Klangmoraste for chamber orchestra (1990) • Two Cartoons for Disklavier (1989/2006) • Heptadecatonic Drops for MIDI instruments and computer in 17-tone equal temperament (1989/90) • Xylis & Phloë, Leibeslied for double brass quintet (1989/2000) • SLEEPLESSNESS for flute(s), narrator ad lib. and live electronics (1988/1997) • Die Stimmen der Sirenen for saxophone quartet and tape (1986) • Notorisch-Motorisch for string quartet (1985) • LogaRhythmen für Klavier (1983) • Drei frühe Lieder (1981–84)

• Automatic Composition and Notation in Network Music Environments. SMC’06 Conference Proceedings. Marseille (2006) • "Research and Technology in the Opera Der Sprung". Nova Acta Leopoldina, 92 Nr. 341. (2005) • "Überlegungen zu einer neuen Theorie der Harmonie" in: Mikrotöne und mehr, edited by Manfred Stahnke, Schriftenreihe: Musik und. Volume 8. Edited by Hanns-Werner Heister and Wolfgang Hochstein. Weidler Verlag, Berlin (2005).. • "Der Computer als Inspirationsquelle für Komponisten" in: Mathematische Musik – musikalische Mathematik. Hrsg. Bernd Enders. PFAU-Verlag, Saarbrücken, 2005 • "Quintet.net: An Environment for Composing and Performing Music on the Internet", LEONARDO Vol. 38, No. 1 (2005) • "Quintet.net". Neue Zeitschrift für Musik 5 (2004). p. 28. • Composition and improvisation on the Net. SMC’04 Conference Proceedings. IRCAM, Paris (2004). pp. 5–8. • "Quintet.net – A Quintet on the Internet". Proceedings of the International Computer Music Conference. (2003). pp. 315–318 • Georg Hajdu, "Quintet.net—Präliminarien zu einer vernetzten, interaktiven Echtzeitkompositionsumgebung," in Bernd Enders and Joachim Stange-Elbe, eds., Global Village—Global Brain—Global Music. Osnabrück: Universitätsverlag Rasch, 2003. • "Klang im Internet. Potentiale und Grenzen". Positionen 56. (2003). pp. 22–23. • "Vom Modell zum Kunstwerk. Klangart 1997 – Kongressbeitrag", in: Musik und Medientechnologie 3. Osnabrück, 2000. • "Circularity in Neural Computation and Its Application to Musical Composition". Proceedings of the International Computer Music Conference, 1995. • "Low Energy and Equal Spacing; the Multifactorial Evolution of Tuning Systems". Interface 22, 1993, 319–333. • "Computermusik in der Bay Area. Das Center for New Music and Audio Technologies". Neue Zeitschrift für Musik 10, 1991. • "Die Domestizierung des Zufalls in Klarenz Barlows Computerprogramm AUTOBUSK" (The Domestication of Chance in Clarence Barlow's Computer Program AUTOBUSK). Neue Zeitschrift für Musik 8–9, 1990.