Gasparo Angiolini
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan.
Also recorded as Gaspare Angiolini · Gaspero Angiolini
Gasparo Angiolini
- Name
- Gasparo Angiolini
- Birth Name
- Domenico Maria Angiolo Gasparini
- Born
- 9 February 1731
- Birthplace
- Florence, Italy
- Died
- 6 February 1803
- Place of death
- Milan, Italy
- Occupation
- Dancer, choreographer and composer
- Spouse
- Marie Thérèse Foliazzi
- Fields
- ballet · dance · music · choreography
- Teachers
- Franz Hilverding
- Languages
- Italian
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Documentary summary
Gasparo Angiolini (7 February 1731 – 6 February 1803), real name Domenico Maria Gasparo, son of Francesco Angiolini and Maria Maddalena Torzi, was an Italian dancer, choreographer and composer. He was born in Florence and died in Milan.
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wikidata · Q1495308 · wikipedia · Gasparo Angiolini
In this article
Biography
Biography
Training under Franz Hilverding is recorded. Vincenzo Galeotti is recorded as having studied under Gasparo Angiolini. The recorded working language is Italian. The field of work recorded is ballet, dance and music. Employment is recorded with manager of La Scala.
Key facts
Key facts
• Name — Gasparo Angiolini • Birth Name — Domenico Maria Angiolo Gasparini • Born — 9 February 1731 • Birthplace — Florence, Italy • Died — 6 February 1803 • Place of death — Milan, Italy • Occupation — Dancer, choreographer and composer • Spouse — Marie Thérèse Foliazzi • Children — 2
Life and career
Life and career
He is known thanks to the polemics with the French ballet master Jean-Georges Noverre. Gasparo Angiolini directed the ballet at the Imperial Theatre in Vienna, taking over the post in 1758, working closely with Christoph Willibald von Gluck on such works as Don Juan ou le Festin de Pierre (1761), and the opera Orfeo ed Euridice (1762). The dancing in both Don Juan and Orpheus was said to have insisted on the "primacy of drama". In addition to collaborating with Gluck, he also composed music for many of his ballets. He later succeeded Franz Hilverding as director of the Imperial Theatre in St. Petersburg, Russia in 1766. Both Hilverding and Angiolini are credited with bringing the pantomime ballet to Russia. Likewise, Angiolini also attempted to introduce elements of Russian culture into his own work through the use of songs, folk dances, and Russian themes. In 1772–1773, Angiolini worked in Teatro San Benedetto in Venice. In 1778, he came to Milan to direct the theatre of La Scala. Angiolini was a choreographer interested in the dramatic possibilities of dance. He was also an early spokesman for a sense of Italian nationalism and spoke of the sad state where Germany and Russia were supporting better cultural institutions than Italy. His wife was a ballerina Marie Thérèse Foliazzi (1733–1792). Giacomo Casanova was in love with her and admits in his memoirs that he stole her portrait. His son (or nephew) Pietro Angiolini was also a dancer and choreographer; his daughter Fortunata Angiolini (1776–1817) and her partner Armand Vestris danced in Lisbon and London with great success. Gasparo Angiolini was a ballet teacher of Vincenzo Galeotti.
Places
Named by the record
Places
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Florence.
Birth place
Milan.
Death place
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q1495308: Gasparo Angiolini
General reference · Wikidata
reference work
- “Gasparo Angiolini”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Citations
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Music memorabilia
42,934 published records in this field, each with its sources named.
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