Galo Galecio

In Mexico, he studied with famous muralist Diego Rivera, and became a member of the highly politicized printmaking workshop Taller de Gráfica Popular (TGP). While working at the TGP, Galecio created a series of 28 woodcut engravings to illustrate the book of poetry Tierra, Son y Tambor: Cantares Negros y Mulatos, by the Afro-Ecuadorian writer Adalberto Ortiz, published in Mexico in 1945 by Ediciones La Cigarra. He then created his first print portfolio Bajo la linea del Ecuador (Below the Line of the Equator), a series of 31 woodcut engravings he produced while at the TGP, published in 1946 by La Estampa Mexicana with a prologue by TGP founder Leopoldo Méndez. In 1968, the Museum of Modern Art in New York acquired three woodcuts for its permanent collection. He participated in numerous national and international exhibitions, including the biennials of Sao Paulo, Tokyo, Havana, Santiago de Chile, Washington and Catalonia. In Ecuador, he was a professor of engraving and drawing at the College of Plastic Arts of the Central University, and at the School of Fine Arts in Quito. He also created mural paintings in Ecuador, among them Gente de pueblo (1946), Historia del Ecuador (1960), Primer vuelo sobre los Andes (1960) and Protección y fomento de la economía del país (1965). In 1987 Galo Galecio was awarded Ecuador's prestigious prize "Premio Eugenio Espejo" for his lifetime work as an artist.

The recorded working language is Spanish. Work by Galo Galecio is recorded in the collections of Museum of Modern Art.