Gallery Prince Willem V
The Prince William V Gallery is an art gallery on the Buitenhof in The Hague that currently shares an entrance with the Gevangenpoort museum. It is a recreation of the original gallery Galerij Prins Willem V, once founded there by William V, Prince of Orange, in 1774. The displayed paintings are part of the collection of the Mauritshuis.
Also recorded as Stadtholder Cabinet of Paintings · Galerij Prins Willem V · Willem V's gallery · Prins Willem V Galerie
Gallery Prince Willem V

Ymblanter · CC BY-SA 3.0 nl
- Name
- Prince William V Gallery
- Founded
- 1774
- Founder
- William V and Prince of Orange
- Headquarters
- The Hague
- Part of
- Mauritshuis
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
The Prince William V Gallery is an art gallery on the Buitenhof in The Hague that currently shares an entrance with the Gevangenpoort museum. It is a recreation of the original gallery Galerij Prins Willem V, once founded there by William V, Prince of Orange, in 1774. The displayed paintings are part of the collection of the Mauritshuis.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Gallery Prince Willem V. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q2805178 · wikipedia · Prince William V Gallery
In this article
Overview
Overview
Amongst the paintings on display are works by Peter Paul Rubens, Jan Steen, Paulus Potter and Gerard van Honthorst.

Prince William V Gallery, The Hague, Netherlands
OSeveno
Key facts
Key facts
• Name — Prince William V Gallery • Native Name — Galerij Prins Willem V • Established — 1774 • Location — The Hague • Type — Art museum • Accreditation — Dutch Museum Association • Collections — Dutch Golden Age • Collection Size — ± 150 • Visitors — 29,236 (2017) • Founder — William V, Prince of Orange • Executive Director — Emilie Gordenker • Leader Type — Business director • Leader — Sander Uitdenbogaard • Curator — Ariane van Suchtelen • Architect — Philip Willem Schonck • Owner — Mauritshuis • Public Transit — Kneuterdijk / Lange Vijverberg • Parking — Heulstraat
History
History
Though built in 1774, the gallery has not been continuously open, mostly because the collection was abducted by the French 20 years after it opened and another 20 years passed before most of the works were recovered. In the meantime another gallery was opened in nearby Huis ten Bosch and undeterred by events, Prince William continued collecting art for a new gallery. After recovery of most important works in 1815, the large collection was re-housed in 1822 in the Mauritshuis. The old location was kept on as an archive. It wasn't reopened as an art gallery until 1977.
Original 1774 gallery
Original 1774 gallery
The collection of paintings of the gallery had been established by previous stadtholders of the Netherlands, members of the House of Orange-Nassau. Prince William V inherited the family collection when he was just four years old, after his father died. At that time the paintings were spread out over a number of his residences. The prince took up a special interest in paintings and made his first buy when he was fifteen years old. Sometimes he would acquire an entire collection, such as the Govert van Slingelandt collection in 1768. In 1763 he instructed his court painter Tethart Haag to create an inventory of his extensive collection. The latter also served as curator to the collection of paintings owned by the stadtholder and was his chief adviser in the purchase of paintings. The prince aspired to be seen as an equal to the great monarchs of Europe and the possession of a great art collection was, at that time, considered to be an element typical of such a status. He decided to bring his collection together in one location, so he could present it to his guests. To that end he bought two adjacent houses near his residence in The Hague, where he planned for the construction of an art gallery for his collection. During this process Tethart Haag served as his main advisor. The gallery was consequently built in 1773–1774, according to the wishes of the prince and under the direction of Tethart Haag. In 1774 the gallery opened, and in addition to the guests of the prince, it became the first museum in the Netherlands where the general public was allowed to visit. The prince appointed Tethart Haag as the first director of the art gallery-museum. In 1795 the collection was abducted by the French and housed in the Louvre as war booty. Under a later treaty many paintings were recovered in 1815, but many were not, such as the portrait of William III of Orange, now in the Museum of Fine Arts of Lyon. • Illustration — The Young Bull was displayed in the Louvre for 20 years among Raphaels and Titians that were taken from Italy as war booty • Illustration — The Adoration of the Magi by Salomon Koninck, was the first painting William V, Prince of Orange, added to the existing collection • Illustration — Portrait of William III of Orange by Jan Davidsz. de Heem, a war booty taken to France 1795, never to be returned. Some of the more notable works that were abducted to France and came back were: • image — title — painter — date — Mauritshuis #ID • — Portrait of Robert Cheeseman — Hans Holbein — 1533 — 276 • — The Garden of Eden with the Fall of Man — Peter Paul Rubens Jan Brueghel the Elder — 1617 — 253 • — Portrait of Anna Wake (1605-1669) — Anthony van Dyck — 1628 — 240 • — Appelles painting Campaspe — Willem van Haecht — 1630 — 266 • — Simeon's song of praise — Rembrandt — 1631 — 145 • — Susanna — Rembrandt — 1636 — 147 • — The feast of the gods at the wedding of Peleus and Thetis — Abraham Bloemaert — 1638 — 17 • — Choir of the Nieuwe Kerk in Delft with the tomb of William the Silent — Gerard Houckgeest — 1651 — 57 • — Allegorical portrait of the Steyn family as scene of Diogenes — Caesar van Everdingen — 1652 — 39 • — The young mother — Gerrit Dou — 1658 — 32 • — Ships on a Calm Sea — Willem van de Velde the Younger — 1658 — 200 • — Peasants in an inn — Adriaen van Ostade — 1662 — 128 • — A Woman Writing Music — Gabriël Metsu — 1663 — 94 • — Flower Still life with a watch — Willem van Aelst — 1663 — 2 • — Beach scene — Adriaen van de Velde — 1665 — 198 • — Self-portrait 1669 — Rembrandt — 1669 — 840
Modern gallery
Modern gallery
Since 2010, museum visitors can view the restored art gallery that can be reached through a special staircase that connects the two buildings. The collection which hangs here is a modern reconstruction of the original 1774 art cabinet that was situated upstairs above a fencing school. The paintings, taken from various collections, hang crowded together on the walls in the style of the late 18th century. An effort is made to create an impression of the original gallery, rather than any historical accuracy in the choice where which paintings hang specifically. Former top pieces from the gallery such as Potter's Young Bull hang elsewhere, and the gallery itself underwent several changes in exhibition format after it reopened in 1815. Purchases made to replace lost paintings grew the collection so that in 1822 the collection (then called Koninklijk Kabinet van Schilderijen te 's-Gravenhage) was moved to the Mauritshuis Royal Picture Gallery which remains the formal owner of the paintings on display. The location was used as an archive until it reopened in 1977, but closed again as it underwent restoration work in 1993-1994 and in 2009. • Illustration — Entrance through the anteroom • Illustration — 18th century style display of paintings • Illustration — Entrance to the gallery hall • Illustration — Interior of the gallery hall • Illustration — Inside the gallery hall, with bust of William V, Prince of Orange
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
- Netherlands
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
Elsewhere in Institutions
3,152 published records in this field, each with its sources named.
- Gallery of Modern ArtOrganisation
- Gallery of the Central Bohemian RegionOrganisation
- Gallery OldhamOrganisation
- Gallery One One OneOrganisation
- Gallery WaldingerOrganisation
- Gammel HoltegaardOrganisation
- Gansong Art MuseumOrganisation
- Garanti GalleryOrganisation
Best supported in this field
For owners
Own an object connected with Gallery Prince Willem V?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.