Gail Thacker

Thacker's Polaroid photography has been published and exhibited internationally. Thacker's interest in Polaroid photography began after Mark Morrisroe gave her a new box of unexposed Polaroid 665 Positive/Negative film. They met at the School of the Museum of Fine Arts in Boston during a video class. Mark, a photographer and performance artist, features in Thacker's photographs. He was diagnosed with AIDS in 1986 and died in 1989. In New York City, the AIDS epidemic had already started by the time Thacker moved there. Thacker said in a lecture, "The only thing I have control over was my relationship with these Polaroids. This was the only way I could stop time from destroying the rest of my friends." Thacker's process includes first aging the Polaroid photographs before developing them. She left some unrinsed photographs wrapped in plastic, which caused distortion of the images. She allowed images to sit in their chemicals for months to years before developing the negatives. Thacker said over email, "I have distressed my images to express a sense of inner agony. I sometimes feel a crippling knowledge that I am invisible and alone." Exhibitions of Thacker's work includes museums and galleries such as the Museum of the City of New York, Leslie-Lohman Museum of Gay and Lesbian Art, Centro Galego de Arte Contemporánea (CGAC), Santiago, Spain; and the Safety Gallery, the June Bateman Gallery, Elizabeth Dee Gallery, Clamp Art, Daniel Cooney Fine Arts, Grey Art Gallery in New York, and Participant, Inc. in New York. Her Polaroid work is included in such collections as The Polaroid Collection (Somerville, Massachusetts), Fotomuseum Winterthur (Winterthur, Switzerland), CGAC (Santiago, Spain), the Fisher Collection (Florida), and the New York Public Library. Thacker is featured in publications such as, The Polaroid Book (Taschen), Familiar Feelings (on the Boston Group), There was a Sense of Family: The Friends of Mark Morrisroe (Moderne Kunst, Nürnberg), Mark Dirt (Paper Chase Press), Tabboo! The Art of Stephen Tashjian (Distributed Art Publishers), Frontiers Journal of Women Studies (University of Nebraska Press), along with articles in such newspapers and magazines such as The New York Times, The Daily News, the New York Press, The New Yorker, Providence Town Magazine and The Village Voice, and a soon to be released book on her Polaroid art which will include essays by Eileen Myles and Manuel Segade in a bilingual Spanish and English edition.