Gaby Deslys

She performed several times on Broadway, at the Winter Garden Theater, and performed in a show with a young Al Jolson. Her dancing was so popular that The Gaby Glide was named for her. Renowned for her beauty, she was courted by several wealthy gentlemen including King Manuel II of Portugal. She eventually made the leap to silent films, making her only U.S. film Her Triumph with Famous Players–Lasky in 1915. In 1919 she contracted Spanish influenza and underwent several operations trying to cure a throat infection caused by the disease. She died from complications of the infection in Paris in 1920, at the age of 38.

Deslys had many admirers among royalty, most notably King Manuel II of Portugal, and her origins became the subject of dispute. A private detective claimed her true name was Hadiwga Nawrati or Hedvika Navrátilová and that she was a Czech peasant girl, born in the village of Horní Moštěnice, then part of Austria-Hungary. The investigator reported that Deslys had denied her alleged mother's claim to kinship when he brought her to see the dancer, paying her a large amount of money to leave. Deslys replied that the story was ridiculous and that she was French, not Czech. After Deslys' death, at least two dozen persons with the surnames Navratil/Navratilová attempted to claim her fortune. In January 1930, the French foreign minister said he had settled the dispute about Deslys' birthplace and origins. According to him, Deslys had been born in Marseille on 4 November 1881 (despite some sources claiming her birth year was 1884), daughter of Hippolyte Caire and his wife, Mathilde (née Terras). This study found that the claim of the Navrátil family was incorrect and was based on their daughter's being a look-alike of Gabrielle Caire, who later adopted the stage name Gaby Deslys.

Deslys rose in popularity in dance halls around Paris and London. She was a practitioner of several types of dance such as the Ju-Jitsu waltz, Ballroom, Grizzly Bear, Turkey Trot and her most famous The Gaby Glide. Her appearance at the Liverpool Olympia was also well received. She had been to the United States where she had earned $4,000 per week. She was dedicated to the art of dancing. At least a part of her popularity was a result of her desire to please the audiences who came to watch her perform. In 1906 The Tatler featured a full-page portrait of "The famous Parisian actress who takes an important part in The New Aladdin, to be produced at the Gaiety Theatre on Saturday next [29 September]". She sang "very cleverly in an ultra-modern French manner". While she was dancing at the Hyperion Theater at Yale University, in November 1911, students rushed the stage. The Yale News had complained about ticket prices for the production being raised to $2. The performance followed the Yale - Princeton University football game played earlier the same day. The inflated price of admission is thought to have triggered the students to pull the seats to pieces and proceed with the outbreak. Deslys retreated to her room while stage hands used fire extinguishers to subdue the students. The same month Deslys performed at the Winter Garden Theater in a production of Vera Violetta. In 1913 Deslys appeared with Al Jolson (in blackface) in the musical comedy The Honeymoon Express. On a number of occasions she appeared at the Grand Casino in Marseille. Her final performance there was in 1919. Her passion for Marseille was matched by her animosity toward her critics among French editors. One of her most prominent detractors was Ernest Charles. She sued him for 50,000 francs in August 1912. She at first considered hiring a groom to horsewhip Charles before her lawyer advised against it. During the early decades of the last century, her likeness adorned many cigarette trading cards issued in the United States and United Kingdom that were dedicated to series on ‘beauties’ or famous actresses and dancers.

In 1910 Deslys recorded two songs in Paris, "Tout en Rose" and "Philomène". Both were released on phonograph by His Master's Voice and are still available. Another song, "La Parisienne" was recorded at the same time but rejected for an unknown reason, and thus never released.

Deslys' celebrity rose following newspaper stories which gossiped about King Manuel II of Portugal's infatuation with her. During the king's visit to Paris in December 1909, he was introduced to Deslys and immediately began a relationship with her. It was thought that after this first meeting the King sent Deslys a pearl necklace worth $70,000. Their relationship was anything but discreet (she would arrive before night at the Palácio das Necessidades and would pass through Portugal unnoticed; meanwhile, they were on the front pages of newspapers in Europe and North America, especially after he was deposed in 1910. In public interviews, usually on trips, Deslys never negated the obvious, but nearly always refused to comment on her relationship with the deposed king. However, in an interview to a correspondent while she was in Vienna Deslys was very forthright: A large concert was given in Lisbon at the beginning of February of this year, for the benefit of the victims of the Oporto fire, and the King invited me to perform at the concert. I arrived at Lisbon and put up at the Palace Hotel, near the Royal Palace. I was then attacked by the Republican newspapers because reports had been spread that I had put up at the Royal Palace itself [...] These suspicions [of the King's financial difficulties] are entirely unfounded, for the trifling gifts he made me were not sufficiently expensive to affect even a middle-class budget. I support myself entirely alone in Vienna, and later on I expect to fulfill an engagement in Berlin. My agreement here entitles me to £4560 for three months, and I do not even know whether my income does not exceed the King's revenues. After his exile, they would continue to meet, especially while she had stage engagements in London. When Deslys moved to New York, in the summer of 1911, their relationship cooled off; Deslys became involved with a fellow stage actor Harry Pilcer, and Manuel married in 1913. Despite this, she maintained her contacts with Manuel's personal secretary, the Marquês of Lavradio. Deslys and Pilcer became a successful dance act duo during the First World War on a par with the Castles, but it is unclear if they ever legally married.

(all are believed to be lost films) La remplaçante (short film, 1914) Her Triumph (1915, only American film) Rosy Rapture (1915) Infatuation (*aka Bouclette) (1918) Le Dieu du hasard (1921)

The Revue of Revues (27 September 1911 - 11 November 1911) Vera Violetta (20 November 1911 - 24 February 1912) The Honeymoon Express (6 February 1913 - 14 June 1913) The Belle of Bond Street (30 March 1914 - 9 May 1914) Stop! Look! Listen! (25 December 1915 - 25 March 1916)