Full Throttle

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• Title — Full Throttle • Developer — LucasArts • Publisher — LucasArts Double Fine Productions (Remastered) Xbox Game Studios (Xbox One) • Designer — Tim Schafer • Writer — * Tim Schafer • Dave Grossman • Composer — Peter McConnell • Artist — Peter Chan • Engine — SCUMM • Platforms — * MS-DOS • Mac OS • Windows • PlayStation 4 • PlayStation Vita • OS X • iOS • Linux • Xbox One • Released — MS-DOS, Mac OS'Win, PS4, VitaApril 18, 2017OS XJune 3, 2017iOSJuly 20, 2017LinuxJuly 29, 2017Xbox OneOctober 29, 2020 • Genre — Graphic adventure • Modes — Single-player

• Illustration — Ben, the protagonist, converses with Maureen upon their first encounter. Dialogue options are presented near the bottom of the screen. Full Throttle is a single-player video game in which the player controls the actions of the player character from a third-person perspective using a point and click interface. Players can move the player character to any place on the scene, interact with objects that are highlighted by the cursor, or leave scenes via exits - either on foot for most scenes, or via the character's motorbike, both types denoted by their own icon. As with other LucasArts graphic adventure games of the era, dialogue plays a large part in the game, presenting story elements and information necessary to advance, as well as fleshing out the characters. During conversations with other characters, several choices of dialogue are presented. The currently selected choice is highlighted, and once clicked, the player character responds with the selected choice. Choosing the correct response allows the player to advance the conversation and ultimately advance the scene. Following on from LucasArts' previous graphic adventure, Sam & Max Hit the Road (1993), which introduced a new inventory and interaction system to replace those of their prior games, Full Throttle continued to refine on the changes introduced in Sam & Max Hit the Road: objects or characters with which Ben can interact are indicated by a red square appearing around the cursor's crosshairs when it is placed over the object. When this occurs, holding down the control on this causes a contextual pie menu to appear - designed upon the emblem of Ben's biker gang: a flaming circle topped by a skull and flanked by a boot and a gloved hand. The player hovers the cursor over elements of the emblem and then releases the mouse button to attempt various interactions with the object; for example, selecting the skull's mouth to speak to a character, its eyes to examine an object, or the hand to pick up, use, or pull the object. Right-clicking anywhere on the screen brings up the player's inventory of collected objects, which can be examined or dragged and dropped in order to use them with other items in the inventory, or with objects or characters in the scene.

section The last domestic motorcycle manufacturer in the country is Corley Motors, whose founder and CEO, the elderly Malcolm Corley (Hamilton Camp), is en route to a shareholders meeting at the Corley factory, accompanied by his vice president, Adrian Ripburger (Mark Hamill). Malcolm suspects that Ripburger is scheming to take over the company, as he is suspicious of Ripburger's plan to recruit a biker gang to ride with them to the meeting. Malcolm's limousine is overtaken by one such gang, the Polecats, and he is immediately impressed with them. Catching up to them at a biker bar, he quickly befriends their leader, Ben (Roy Conrad). Ripburger offers to hire the Polecats to escort Malcolm to the meeting, but when Ben declines, he is knocked out by Ripburger's flunkies, Bolus (Jack Angel) and Nestor (Maurice LaMarche). Ben awakens to learn that the Polecats have been duped into escorting Malcolm, and that an ambush is planned for them further up the road. He tries to catch up, but his motorcycle has been sabotaged, resulting in a fiery crash. He is taken by young photographer Miranda (Pat Musick) to the town of Melonweed, where he is treated by a mechanic named Maureen (Kath Soucie). Maureen describes how her father taught her about motorcycles, and repairs Ben's bike after he retrieves necessary parts, adding a booster to it as well. Ben catches up to the Polecats at a rest area, but is too late: Ripburger bludgeons Malcolm and frames the Polecats for the crime. Miranda manages to catch the attack on photos, but her camera is snatched by Bolus. Before dying, Malcolm tells Ben of Ripburger's plan to take over Corley Motors and produce minivans instead of motorcycles; he reveals that Maureen is secretly his illegitimate daughter and begs Ben to convince her to take over the company. Bolus tries to kill Maureen, but she gets the drop on him and escapes with the film from Miranda's camera. With the Polecats jailed for Malcolm's murder, Ben is a fugitive. Miranda tells him about her film, and Ben convinces semi-trailer truck driver Emmet to sneak him and his motorcycle past a police roadblock and to an abandoned mink farm where Maureen is hiding. He is stranded there when Emmet steals his motorcycle's fuel line and Maureen steals his booster fuel. Emmet is killed by a biker gang called the Cavefish, destroying the bridge over Poyahoga Gorge, which Ben needs to cross. Having replaced his fuel line and gotten advice from the Polecats' former leader, Father Torque (Hamilton Camp), Ben outwits Nestor and Bolus and does battle with members of rival biker gangs in order to acquire hover equipment, booster fuel, and a ramp, with which he is able to jump his motorcycle over the gorge. Ben locates Maureen, who is a member of rival biker gang the Vultures, at the Vultures' hideout, a large cargo aircraft. Maureen believes Ben killed her father but Ben reveals personal information that Malcolm shared with him and convinces her to develop Miranda's film, which shows that Ripburger was the murderer. Ben suggests exposing Ripburger at the shareholders meeting, but Ripburger has postponed the meeting until he is sure Ben and Maureen are dead. The Vultures come up with a plan to fake Ben and Maureen's deaths by entering them in a demolition derby under false identities that will be obvious to Ripburger. Their cars are rigged to explode, but Ben is protected by a fireproof suit and Maureen's car ejects her safely out of the stadium. The plan works and results in the deaths of Bolus and Nestor, while the Vultures recover the winner's prize: a special motorcycle built by Malcolm and Maureen that contains a hidden pass code to Malcolm's safe, in which Ben finds Malcolm's recorded will and testament. Ben exposes Ripburger during the shareholders meeting by projecting Miranda's photos of the murder and playing Malcolm's will, in which he leaves leadership of Corley Motors to Maureen and exposes Ripburger as a sham. Ripburger flees in a semi-trailer truck. As Ben and Maureen ride in the countryside, Ripburger reappears and rams them. The Vultures arrive driving their flightless cargo plane, which scoops up the truck along with Ben, Maureen, and Ben's bike. The plane and truck wind up hanging precariously over the edge of Poyahoga Gorge, and Ripburger falls to his death, while Maureen and the Vultures flee the plane with Ben escaping at the last second just as the truck explodes and it and the plane fall into the gorge. Members of the biker gangs attend Malcolm's funeral, at which Father Torque delivers a eulogy. Maureen takes over Corley Motors, and despite her desire to remain in touch with Ben, he explains they are now in two different classes and should not associate: Ben leaves.

The concept of Full Throttle originated following the 1993 release of LucasArts’ previous adventure game Day of the Tentacle. The company wanted to create a game that could revitalize the genre, and could offer LucasArts greater financial success than its earlier projects, such as the commercially unsuccessful Monkey Island series. Convening its designers, LucasArts expressed to them the idea and encouraged the staff to suggest potential conceptual avenues for the game. The company specifically asked Day of the Tentacle co-designers Tim Schafer and Dave Grossman to submit a design document outlining games that the two planned to develop afterward. At LucasArts’ request, Schafer and Grossman collaborated to propose prospective third entries in the Monkey Island and Maniac Mansion series. However, Schafer was willing to helm a project by himself, and he proceeded to develop concepts separately from Grossman that summer. Full Throttle was among the five concepts that Schafer submitted to LucasArts; according to Schafer, he produced "a pitch for a spy game, a Day of the Dead game, and a biker game" that later evolved into Full Throttle. Schafer later said that management "hated" the initial pitch, but he revised the design and repitched it with greater success. Edge reported that "it was eventually greenlit on Schafer's assurance that it would be a hit", as he felt that its protagonist and concept were "more commercial" than the company's earlier adventures. According to Schafer, he came up with the idea for Full Throttle while listening to a traveller's tales about time spent in an Alaskan biker bar. As he listened, it occurred to him that "bikers are kind of like pirates — like another culture that people don't have a window into most of the time, but [which] has its own rules", and might provide a neat alternative to a fantasy setting. He began his research into biker culture, reading Hunter S. Thompson's Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs. Schafer also stated that the game had influence from samurai movies such as Yojimbo. The game originally would have featured an interactive sequence where Ben undergoes a peyote-induced hallucinogenic trip. This was eventually cut from the game, because the developers couldn't get it to "work out" with the publisher. The concept eventually became the basis of Psychonauts. Schafer recalls the reaction from the management at LucasArts as being one of "'We can't believe we paid you to write this'", and that "they hated it". In an interview with Gamasutra, Schafer said that the biker aesthetics of the game were an appeal to fantasy. He stated that the team was depending "on the [player's] secret desire to be a biker: big, tough, cool. Riding a huge hog..." On the game's setting he noted that often it was mistaken for a post apocalyptic world, but he clarified that the setting was simply an alternate world which was more desolate than our own. Developed for CD-ROM with a budget of $1.5 million, Full Throttle was powered primarily by LucasArts' SCUMM engine, however elements of the company's INSANE animation engine, previously used in Star Wars: Rebel Assault II: The Hidden Empire, were also implemented so as to allow for improved full-motion video (FMV). The game featured completely voiced dialogue, full-motion video, and a digital audio soundtrack. Project leader Schafer also served as the game's writer and designer. Full Throttle has thus been called Schafer's first "solo" project, leading Schafer to quip, "I did it all on my own with about 30 other people". Production lasted one and a half years, which Schafer considered to be "crazy" for the era. Full Throttle employed several skilled voice acting professionals, such as Roy Conrad, Kath Soucie, Maurice LaMarche, Tress MacNeille, Hamilton Camp, Steven Jay Blum and Mark Hamill. Full Throttle was the first computer game to employ mostly SAG-registered professional voice actors instead of relying on in-house talent, and also featured a few pieces of licensed music. Schafer stated that Conrad's voice was a "huge part of making Ben Throttle a charming character". It was one of the few LucasArts games to use externally recorded music, courtesy of The Gone Jackals. Certain tracks from their album, Bone to Pick, were featured in the game.

Full Throttle was released on May 19, 1995. At the time of its release, LucasArts adventure games were aiming to sell about 100,000 copies; Full Throttle broke that mark by selling over one million units. According to Edge, it was the very first LucasArts adventure to reach this number.

In spring 2000, LucasArts began production of Full Throttle 2, an official sequel to continue the storyline of Full Throttle. Since Tim Schafer had already left the company at the time, Larry Ahern, who was involved in the original game's development, was appointed the project lead and Bill Tiller, the art director. The story would have focused on Ben's efforts to foil a plan by a "large corporation" and the local governor to replace all paved highways with hover pads, robbing the bikers and truckers of their traditional ground. In the first half of the game, Ben would have prevented an assassination attempt on Father Torque, who now leads the anti-hovercraft rally, then team up with a "persistent undercover female reporter" to bring down the villainous governor. In Tiller's opinion, the sequel "was going to capture the feel of the first game yet expand upon the milieu". At the early stages, the project received positive feedback from other LucasArts employees but according to Tiller, it eventually fell apart because of disagreements on the game style between the production team and "a particularly influential person" within the management, which led to a series of "mistakes". The production ceased in November 2000, when 25% of the levels and about 40% of the preproduction art were complete. LucasArts never released an official statement regarding the game cancellation. Both Ahern and Tiller left LucasArts in 2001, after the game was cancelled. In mid-2002, LucasArts announced Full Throttle: Hell on Wheels for Windows and, for the first time, PlayStation 2 and Xbox. The game was to be an action-adventure, with more emphasis on action and fighting than adventure, because the designers wanted the game to feel more physical than the first. Hell on Wheels would have been set in El Nada, Ben's "old stomping ground", whose roads have been mysteriously destroyed. Ben believes that one of the new gangs introduced in the game, the Hound Dogs, are behind this but soon discovers a more sinister and murderous plot. Together with Father Torque and Maureen, he would have thwarted the unnamed villain's plan and protected "the freedom of the open road". Sean Clark was named the project lead of Hell on Wheels and the development progressed smoothly until late 2003, when it was abruptly canceled. Just months prior to that, at E3 2003, a playable demo was shown and a teaser trailer was released by LucasArts. Simon Jeffery (then president of LucasArts) said that "We do not want to disappoint the many fans of Full Throttle, and hope everyone can understand how committed we are to delivering the best-quality gaming experience that we possibly can" in the official press release. Critics cited poor graphics compared to other 3D action adventures of the time and Tim Schafer's lack of involvement in the project as possible reasons for its cancellation. Additionally, Roy Conrad, the original voice actor for Ben, died in 2002. Critics considered development of new sequels to Full Throttle unlikely. LucasArts' interest shifted away from the adventure genre in later years, and failure to develop two sequels presumably hindered the possibility of a third. Also, nearly all developers who were involved with the original Full Throttle in 1995 had since left LucasArts. LucasArts ceased all internal development in 2013, shortly after their parent company Lucasfilm was purchased by The Walt Disney Company. In a 2017 interview discussing the work on the remaster, Schafer said that he feels that the story of Full Throttle was essentially complete with the game, and does not envision creating a sequel himself.

A remastered version of Full Throttle, titled Full Throttle Remastered, was developed by Schafer's Double Fine Productions for release on Windows, OS X, Linux, PlayStation 4 and PlayStation Vita. The PlayStation 4 and PlayStation Vita versions are cross-buy and cross-save. The remastered version was released on April 18, 2017. Like Day of the Tentacle Remastered and Grim Fandango Remastered, the remastered version of Full Throttle includes updated graphics and sound, improved controls, and developer commentary. Similarly, the game allows the player to swap between the original graphics and sound with the remastered versions. The game uses the original voice actors' dialog pulled from the original recordings, with Schafer calling Conrad's voice "irreplaceable". The remastered version premiered at the 2017 Game Developers Conference, where Schafer presented a remaking of a magazine pack-in demo that included recorded lines that had not been included in the full game. Schafer said that fans had been critical of Full Throttles relatively short length of about eight hours compared to other LucasArts games at the time which could take up to 40 hours. However, as he worked at the remaster, player expectations have changed, and he felt that Full Throttle would be much better suited at its length in 2017, comparing it to other fully polished, short games like Inside. A port for the Xbox One, published by Xbox Game Studios, was released on October 29, 2020.