Frits Peutz
Peutz (7 April 1896 – 24 October 1974) was a Dutch architect.
Also recorded as F. P. J. Peutz · Frederikus Petrus Josephus Peutz
Frits Peutz

Anonymous Unknown author · 1920s foto · Public domain
- Name
- F.P.J.
- Born
- 7 April 1896
- Birthplace
- Uithuizen, Groningen
- Died
- 24 October 1974
- Place of death
- Heerlen, Limburg
- Nationality
- Kingdom of the Netherlands
- Occupation
- architect
- Education
- Delft University of Technology
- Known for
- Glaspaleis
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Peutz (7 April 1896 – 24 October 1974) was a Dutch architect.
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Note VALÉORINE
Frits Peutz (1896–1974) was an architect, of Dutch nationality. The architect was born and died in Heerlen.
Frits Peutz was educated at Delft University of Technology. The architect worked in Heerlen. Among the works is Glaspaleis.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q2222804 · wikipedia · Frits Peutz
In this article
Key facts
Key facts
• Name — F.P.J. Peutz • Born — 7 April 1896 • Birthplace — Uithuizen, Groningen • Died — 24 October 1974 • Place of death — Heerlen, Limburg • Significant Buildings — Town Hall of Heerlen, Glaspaleis, Monseigneur Schrijnen Retraitehuis
Biography
Biography
Peutz was born in a Catholic family in Uithuizen in Groningen, a mostly Protestant province in the north of the Netherlands. In 1910 he was sent to the Rolduc boarding school in Kerkrade in the Catholic province of Limburg for his higher education. In 1914 he graduated at the HBS, an old type of Dutch high school. After that he studied civil engineering in Delft. In 1916 he changed to architecture. In 1920, while still not graduated, he returned to Limburg to settle as an independent architect in the town of Heerlen, where the booming coal mining industry provided him with many assignments. Peutz played a major role in transforming Heerlen in a true, modern city. In 1925 he received his degree in architecture. Around 1926 his first son, Victor Peutz was born, who became audiologist and acoustician. Peutz and his wife Isabelle Tissen had thirteen children together. One of whom followed in his father's footsteps to get a degree in civil engineering and become an architect. • Illustration — Heerlen: Glaspaleis • Illustration — Heerlen: Town hall, front • Illustration — Maastricht:Church of Our Lady of Lourdes
Work
Work
Peutz incorporated various historical styles in his work. He had a special affinity with the modern movement (such as Bauhaus in Germany), with his own distinct interpretation. There is a big contrast in style between his secular work and his much more traditional churches. During his lifetime he had quite an international reputation. But because his work was done in and around Heerlen, a city that lost its status as an industrial centre in the decades to come, he has been somewhat forgotten. But in recent years he is being rediscovered, exemplified by the proclamation of his Glaspaleis as one of the world's 1000 most important buildings of the 20th century, and also due to Wiel Arets' – a contemporary Dutch architect also from Heerlen – many publications on Peutz produced in the past ten years. Peutz was also responsible for the adjacent Pancratiuskerk (for Monumentenzorg – 'Monument Care') and the juxtaposition between this old Romanesque church and the ultramodern department store is typical for his mixing of the old and the new. The retreat house and the Glaspaleis are good examples of a new phase in his building style that he developed after entering a competition to design the Palais des Nations in Geneva (1926), this new style accumulated in the Town hall of Heerlen.
Important works
Important works
• Villa for the notary Wijnands, Heerlen, 1919 • Broederschool (primary school), Heerlen, 1921 • Villa Casa Blanca, Houthem, 1929 • ULO-school (school building), Heerlen, 1931 • Villa Op de Linde, Heerlen, 1931 • Monseigneur Schrijnen Retreat House, Heerlen, 1932 • Glaspaleis (formerly: Schunck Fashionhouse), Heerlen, 1933 • Villa 't Sonnehuys, Maastricht, 1933 • Royal Theater (Royal cinema), Heerlen, 1937 • Town hall of Heerlen, 1936–1942 • Town hall of Tegelen, 1938 • Kneepkens store, Heerlen, 1939 • Annakerk (church of St. Anne), Heerlen, 1951 • Vroom & Dreesmann store, Heerlen, 1958 • Stadsschouwburg (Municipal Theatre), Heerlen, 1959 • Jan Van Eyck Academie, Maastricht, 1959 • Villa Broekhem 88, Valkenburg
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Although most of Peutz' churches are much more traditional than his secular work, they all have some interesting features, sometimes linking in with local vernacular, sometimes adding classical elements. These playful features can be seen as a precursor to postmodernism, which is also visible in his Heerlen and Tegelen town halls.
- 2.See also: Retraitehuis – Peutz
- 3.See also: Historische foto's-Historical images of Heerlen – Parkstad1998
- 4.Historische foto's-Historical images of Heerlen – Parkstad1998
References
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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