Friedrich Heinrich Kern

Additionally, he spent one year studying traditional Korean music at Seoul National University. In 2007, he was a visiting composer at Wesleyan University. From 2008, Kern studied in New York with Matthias Pintscher and Louis Karchin. He received a MacCracken Research Fellowship and now teaches at New York University. Over the past 20 years, Kern has composed and produced hundreds of new compositions and dozens of new works. He has made lauded appearances as performer and composer in the United States, Europe, the Middle East and Asia. In addition to his work with electronic instruments and media, Kern has composed works for acoustic instrumentations, ranging from soloist to full orchestra. Kern published his dissertation, entitled An Exploration of Compositional Technique in the Operas of Kaaija Saariaho and Christian Jost, in 2016. He teaches a composition class at New York University, where he earned a PhD, and is based in New York City. His works are published by syncron-arts, Cecilia Music Concept, and Edition Impronta, his recordings are released by M=MAXIMAL and Sony Classical.

• Name — Friedrich Heinrich Kern • Born — 19 March 1980 • Birthplace — Ludwigshafen, West Germany • Education — Hochschule für Musik und Darstellende Kunst Mannheim, New York University • Occupation — * Musician • Pianist • Composer • Glass Harmonicist • Years Active — 1997–present • Website — fhkern.com

In 2011, Kern began to teach at New York University’s College of Arts & Science, and in 2017, he began to teach a composition class. It was there that he received his PhD in music theory and composition and was appointed director of the Washington Square Contemporary Music Society in 2016. In 2014, Kern was appointed president of the League of Composers / International Society for Contemporary Music, the oldest organization for contemporary music in the United States, founded and based in New York City in 1923. On July 24, 2018, Kern made his Mostly Mozart Festival debut with members of the Mostly Mozart Festival Orchestra. On July 25, 2018, Kern presented a late night recital, performing alongside pianist Emanuel Ax and Philipp Marguerre. Anthony Tommasini wrote in The New York Times that Kern showcased "the wonders of the modern glass harmonica" at that concert. Earlier that evening, the "splendid soloists" performed Mozart's Adagio & Rondo with two glass harmonicas and ensemble at David Geffen Hall for second evening in a row, an event critic Meche Kroop described as an "extraordinary state of shock, a pleasant shock." Kern also made guest appearances during this time, appearing on Niklas Liepe's 2018 album, "The New Paganini Project". Kern premiered his arrangement of Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello with leading members of the Metropolitan Opera Orchestra and the Calidore String Quartet in May 2019. He appeared with the same arrangement in Amsterdam in June 2019 with members of the Royal Concertgebouw Orchestra in a joint concert with Pierre-Laurent Aimard. In January 2020, Kern performed the American premiere of Johann Friedrich Reichardt's "Rondeau for Glass Harmonica and Strings" with the Chamber Orchestra of Philadelphia. The Croatian National Theatre in Zagreb presented the first Croatian production of Gaetano Donizetti's original version of Lucia di Lammermoor with Glass Harmonica in February 2020, with Kern as soloist. His first performance in Paris on March 13, 2020, at the Cité de la Musique was held without audience due to the COVID-19 pandemic but was recorded for broadcast by Radio France. On March 25, 2023, Theater Kiel hosted the premier of a new ballet, "Flight of Fancy," choreographed by Wubkje Kuindersma, with Kern's music Reflections on a Dream for violin, glass harmonica and orchestra.

Kern performs on piano, electric piano, synthesizers, and electronics. He plays several glass instruments, primarily built in the workshop of Sascha Reckert. His preferred glass instrument is the verrophone, most recently used in his appearances with Opera Philadelphia, Shanghai Symphony, and the Metropolitan Opera.

• Electro Lyrixxx - Album with Pow!Boys (2003) • Anatomy of a Dance - EP (M-MAXIMAL, 2019) • Flow - EP (M-MAXIMAL, 2019) • The Singles Collection, Beyond the Darkness - Album (M-MAXIMAL, 2020)

• Paganini’s Caprice #11 (Sony Classical, 2016) • If You Get There Before I Do (M-MAXIMAL, 2017) • Once Upon a Time, There Was You (M-MAXIMAL, 2017) • Within (M-MAXIMAL, 2017) • Behind the Wall (M-MAXIMAL, 2018) • Consolation (M-MAXIMAL, 2018) • Reflections on a Dream (Sony Classical, 2020) • Glasraum (M-MAXIMAL, 2022) • Mercy (M-MAXIMAL, 2022) • Undone (M-MAXIMAL, 2022)

• Viva Verdi! for woodwind ensemble/harmonie (2003) • Hänsel & Gretel for woodwind ensemble/harmonie (2008) • Dornröschen for woodwind ensemble/harmonie (2009) • Wellingtons Sieg for symphonic brass (2010) • Paganini’s Caprice #11 for violin and orchestra (2016) • Adagio & Rondo K.617 for verrophone and ensemble (2019)

• KOM with Xin Ying, Principal Dancer Martha Graham Dance Company (Art Bath, 2022)

• NW3 (London, 2010-2011) • De Beers (London, 2010) • Limited Edition (London, 2011) • Hobbs London (London, 2011-2012) • Maurizio Bavutti (New York, 2016) • Invitation (London, 2012) • Martha Stewart Living Omnimedia, Living Magazin (New York, 2013) • MAC (New York, 2014) • Christel MG Chaudet, Instagram (London, 2015)

• Was ist das Gute? Was ist das Böse? by Susanne Henneberger (WERKRAUM: Karlsruhe, 2019)