Frederick Rolfe

• Name — Frederick William Rolfe • Pen Name — Baron Corvo Frank English Frederick Austin Prospero A. Crab Maid Fr. Rolfe • Born — 22 July 1860 • Birthplace — Cheapside, London, England • Died — 25 October 1913 • Place of death — Venice, Italy • Occupation — Novelist, artist, fantasist, eccentric • Notable Works — Hadrian the Seventh The Desire and Pursuit of the Whole Nicholas Crabbe Stories Toto Told Me Don Renato Don Tarquinio Chronicles of the House of Borgia • Movement — Uranians

• Illustration — Rolfe's grave on the island of San Michele, Venice Rolfe was born in Cheapside, London, the son of piano maker and tuner James Rolfe (c. 1827-1902) and Ellen Elizabeth, née Pilcher. He left school at the age of fourteen and became a teacher. He taught briefly at The King's School, Grantham, where the then headmaster, Ernest Hardy, later principal of Jesus College, Oxford, became a lifelong friend. He converted to Roman Catholicism in 1886 and was confirmed by Cardinal Manning. With his conversion came a strongly-felt vocation to the priesthood, which persisted throughout his life despite being constantly frustrated and never realised. In 1887 he was sponsored to train at St Mary's College, Oscott, near Birmingham and in 1889 was a student at the Pontifical Scots College in Rome, but was thrown out by both due to his inability to concentrate on priestly studies and his erratic behaviour. At this stage he entered the circle of the Duchess Sforza Cesarini, who, he claimed, adopted him as a grandson and gave him the use of the title of "Baron Corvo". This became his best-known pseudonym; he also called himself "Frank English", "Frederick Austin" and "A. Crab Maid", among others. More often he abbreviated his own name to "Fr. Rolfe" (an ambiguous usage, suggesting he was the priest he had hoped to become). Rolfe spent most of his life as a freelance writer, mainly in England but eventually in Venice. He lived in the era before the welfare state, and relied on benefactors for support but he had an argumentative nature and a tendency to fall out spectacularly with most of the people who tried to help him and offer him room and board. Eventually, out of money and out of luck, he died in Venice from a stroke on 25 October 1913. He was buried in the San Michele cemetery on the Isola di San Michele in Venice. Rolfe's life provided the basis for The Quest for Corvo by A. J. A. Symons, an "experiment in biography" regarded as a minor classic in the field. This same work reveals that Rolfe had an unlikely enthusiast in the person of Maundy Gregory.

Rolfe was entirely comfortable with his homosexuality and associated and corresponded with a number of other homosexual Englishmen. Early in his life he wrote a fair amount of idealistic but mawkish poetry about boy martyrs and the like. These and his Toto stories contain pederastic elements, but the young male pupils he was teaching at the time unanimously recalled in later life that there had never been any hint of impropriety in his relations with them. As he himself matured, Rolfe's settled sexual preference was for late adolescents. Towards the end of his life he made his only explicit reference to his specific sexual age preference, in one of the Venice letters to Charles Masson Fox, in which he declared: "My preference was for the 16, 17, 18 and large." Grant Richards, in his Memories of a Misspent Youth (1932), recalls "Frederick Baron Corvo" at Parson's Pleasure in Oxford – where scholars could bathe naked – "surveying the yellow flesh tints of youth with unbecoming satisfaction". Those of whom it is either speculated or surmised that they had sexual relations with Rolfe – Aubrey Thurstans, Sholto Osborne Gordon Douglas, John 'Markoleone', Ermenegildo Vianello and the other Venetian gondoliers – were all sexually mature young men between the ages of sixteen and twenty-one (with the exception of Douglas, who was considerably older). The idealised young men in his fiction were of a similar age. In 1904, soon after his ordination as a Roman Catholic priest, the convert Robert Hugh Benson formed a chaste but passionate friendship with Rolfe. For two years this relationship involved letters "not only weekly, but at times daily, and of an intimate character, exhaustingly charged with emotion." There was a falling out in 1906. For some time previously, Benson had made plans to write jointly with Rolfe a book on St Thomas Becket, but Benson decided that he should not be associated (according to writer Brian Masters) "with a Venetian pimp and procurer of boys". Afterwards, Benson satirised Rolfe in his novel The Sentimentalists. Rolfe returned the favour a few years later, putting a caricature of Benson named "Bobugo Bonsen" in a book named Nicholas Crabbe. Their letters were subsequently destroyed, probably by Benson's brother. Rolfe sought to characterise the relationships in his fiction as examples of 'Greek love' between an older man and an ephebe, and thus endow them with the sanction of the ancient Hellenic tradition familiar to all Edwardians with a classical education.

Rolfe was an obsessive letter writer. John Holden recalled that "Corvo was one of those men who never speak a word if they can write it. We lived in the same house, a very little one, yet he would always communicate with me by note if I was not in the same room with him. He had dozens of letter books. He seized upon every opportunity for writing a letter, and every letter, whether to a publisher or to a cobbler, was written with the same care." About a thousand of his letters have survived, and several sequences of them have been published in limited editions. The letters reveal a lively, intelligent and absorbent mind, but because of Rolfe’s paranoiac tendencies they are often disputatious and recriminatory. Among the commentators who rated Rolfe’s letters more highly than his fiction was the poet W. H. Auden, who wrote that Rolfe "had every right to be proud of his verbal claws … A large vocabulary is essential to the invective style, and Rolfe by study and constant practice became one of the great masters of vituperation." The letters have yet to be collected into a single scholarly edition.

Rolfe never lost his conviction that he had been called to the Catholic priesthood. When he worked in his late teens and early twenties as a schoolmaster, and later when he tried his hand at painting and photography, he saw these as stop-gap occupations, means of earning an income until the Church authorities came to their senses and agreed with his own firm view that he had a priestly vocation. It was for this reason that Rolfe never undertook any formal training in either painting or photography. His paintings and designs, including several for the covers of his own books,were and accomplished amateur efforts. He executed some of the most impressive of them when he was living in Christchurch in 1890 and 1891, including an oil painting of St Michael. From 1895 to 1899 he lived in Holywell in Flintshire in North Wales, where he painted some fourteen processional banners, commissioned by the parish priest there, Fr Charles Sidney Beauclerk. Rolfe painted the figures of the saints and John Holden assisted with the lettering on the borders. Only five of the banners have survived, and may still be seen in the Holywell Well Museum; they are colourful representations, in a naive style, of Saints Winefride, George, Ignatius, Gregory the Great and Augustine of Canterbury. Rolfe produced no further paintings after he became a full-time writer.

He also worked under the names A. Crab Maid, Baron Corvo and Frederick Austin. The authorities additionally record the headings Fr. His recorded language was English. His recorded confession was Catholic Church. He was the child of Robert Rose Rolfe and Augusta Ann Child. He married Emma Te Kakati Stockman. 4 children are recorded: Henry Gay Rolfe, Robert Rolfe, Alice Rolfe and Frances Jane Rolfe.