Frederic Porter Vinton
Frederic Porter Vinton (January 29, 1846 – May 19, 1911), sometimes spelled Frederick, was an American painter.
Also recorded as Frederick Porter Vinton · Frederick P. Vinton · Frederic P. Vinton
Frederic Porter Vinton

John Singer Sargent · Public domain
- Born
- 29 January 1846
- Birthplace
- Bangor, Maine, US
- Died
- 19 May 1911
- Place of death
- Boston, Massachusetts, US
- Known for
- Painting
- Movement
- Impressionism
- Nationality
- United States
- Occupation
- painter · artist
- Languages
- English
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Documentary summary
Frederic Porter Vinton (January 29, 1846 – May 19, 1911), sometimes spelled Frederick, was an American painter.
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Note VALÉORINE
Frederic Porter Vinton (1846–1911) was an artist and painter, of American nationality. The artist was born in Bangor and died in Chicago.
Frederic Porter Vinton was a member of American Academy of Arts and Letters. Activity centred on painting. Frederic Porter Vinton was associated with Impressionism.
The work spans portrait. Languages used include English. Works are held at Harvard Art Museums, Mildred Lane Kemper Art Museum and Museum of Fine Arts Boston.
Composed from admitted, traceable facts · 26 September 2026
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Authority files
wikidata · Q5497115 · wikipedia · Frederic Porter Vinton
In this article
Biography
Biography
The recorded working language is English. The field of work recorded is painting. Subjects and genres recorded for the work are portrait. Léon Bonnat is recorded as an influence. Work by Frederic Porter Vinton is recorded in the collections of Museum of Fine Arts Boston, Harvard Art Museums and Mildred Lane Kemper Art Museum.
Key facts
Key facts
• Born — 29 January 1846 • Birthplace — Bangor, Maine, US • Died — 19 May 1911 • Place of death — Boston, Massachusetts, US • Known for — Painting • Movement — Impressionism
Life
Life
He was born in Bangor, Maine. He grew up in Chicago, and moved to Boston in 1861 For twenty years he worked as a bookkeeper, during which he studied art under William Rimmer at the Lowell Institute. Soon after studying at the Institute, he wrote an art review for the Boston Advertiser. He opened a portrait studio in Boston in 1878. After his studio picked up business, he traveled abroad in Europe for eighteen months, then returned to marry Annie M. Pierce on June 27, 1883. His first exhibition was in 1880, which showed a portrait of his. He contributed his art to the exhibit every year until 1883, in which political unrest in the Academy in which the exhibit belonged forced him to resign for a year. In 1884, he submitted "Street in Toledo", the first of his landscapes to be submitted. Everything before it was a portrait of some kind. In 1891, he was elected a full member of the National Academy of Design, New York City. Frederic moved to Chicago with his parents when he was ten. Then, five years later, his family moved to Boston. After first working as a clerk, he for short time was a banker, and then worked as a bookkeeper. While a bookkeeper, he began studying art under William Rimmer of the Lowell Institute. Upon prompting from Rimmer, Vinton sent a review of some local artwork to the Boston Advertiser. In 1878, he began his artistic career by starting a small portrait studio in Boston. Vinton married Annie M. Peirce on June 27, 1883, after an eighteen-month trip across Europe, visiting the Netherlands, France, and Germany. Some of his most famous paintings of portraits of his young wife.
European travels
European travels
• Illustration — "River View, Spring" A landscape by Frederic Porter Vinton. Circa. 1880 Frederic spent much of his time traveling the European continent, and it has influenced his work and differentiated it from the American work of the same time, with one reviewer even calling him "an aristocrat of the old school". In 1875, he traveled to Paris and studied under Léon Bonnat for a season. In 1876, he spent a year in Munich in which he spent his time learning under the teachings of Frank Duveneck and the Royal Academy of Munich. Later, he returned to Paris for two years, citing his dislike of the German method of impressionism, which included artists such as Lovis Corinth or Max Liebermann. While back in France, joined the Acadèmie Julian and was taught under Jean-Paul Laurens. In 1882, he traveled to Spain with Robert Blum and William Merritt Chase. The three artists spent time in Madrid and Toledo, and Frederic studied portraiture by studying Velázquez's previous work.
Death
Death
Vinton died of a bronchial affection in his home in Boston on May 20, 1911. After his death, Mrs. Frederic Porter Vinton released some of his paintings to assorted exhibits.
Career and activity
Career and activity
Frederic Porter Vinton worked in painting. His work is associated with Impressionism. He belonged to American Academy of Arts and Letters.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1846
Frederic Porter Vinton was born in 1846 at Bangor.
1911
Frederic Porter Vinton died in 1911 at Chicago.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Bangor.
Birth place
Chicago.
Death place
Paintings
Frederic specialized in portraits, although he had done some landscapes, such as "Street in Toledo" and "River View, Spring". His paintings have been described as impressionistic. Some critiques have gone as far as to say his work was, more specifically, pre-1940's impressionism. His work was also highly influenced by his European travels, and his studies under many important artists of the time. It is associated with the Boston School of painting.
Primary material
Documents and archives
reference work
- “Frederic Porter Vinton”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q5497115: Frederic Porter Vinton
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Dearinger, 2004, p=554
- 2.Quick, 1981, p=192
- 3.Pisano, 2007, p=109
- 4.Rosenfeld, 1991, p=122
- 5.Boone, 2007, p=147
- 6.Gammell, R. H. Ives. The Boston Painters, 1900-1930. Parnassus Imprints. 43. 1986. 9780940160316.
- 7.von Mach, 1908, p=118
- 8.MacMillan Company. American Art Annual, Volume 9. 319. 1911.
- 9.Shaw, 1911, p=676
- 10.Rosenfeld, 1991, p=120
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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