Frank Wright
Frank Wright (July 9, 1935 – May 17, 1990) was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
Frank Wright
- Name
- Frank Wright
- Born
- 9 July 1935
- Birthplace
- Grenada, Mississippi, U.S.
- Died
- 17 May 1990
- Place of death
- Germany
- Nationality
- United States
- Occupation
- saxophonist · music arranger · singer · composer · musician
- Fields
- jazz
- Languages
- English
VALÉORINE Encyclopedia
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Documentary summary
Frank Wright (July 9, 1935 – May 17, 1990) was an American free jazz musician, known for his frantic style of playing the tenor saxophone. Critics often compare his music to that of Albert Ayler, although Wright "offers his honks and squawks with a phraseology derived from the slower, earthier funk of R&B and gospel music." According to AllMusic biographer Chris Kelsey, Wright "never recorded even a single record under his own name for a major label; he was 'underground' his entire career." In addition to tenor saxophone, Wright also played the soprano saxophone and bass clarinet.
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wikidata · Q1444489
In this article
Biography
Biography
Wright worked between 1935 and 1990 across jazz musician, saxophonist, music arranger, singer and composer and 1 further recorded occupations. The registers place that work in jazz. This article rests on 46 catalogued compositions, 23 published texts, 20 issued recordings, 3 digitised documents and 50 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.
Key facts
Key facts
• Name — Frank Wright • Born — 9 July 1935 • Birthplace — Grenada, Mississippi, U.S. • Origin — Cleveland, Ohio, U.S. • Died — 17 May 1990 • Place of death — Germany • Genre — Jazz • Instrument — Tenor saxophone, vocals
Biography
Biography
Wright was born in Grenada, Mississippi, United States, and grew up in Memphis, Tennessee and Cleveland, Ohio, where he began his musical career playing bass guitar, backing artists such as Rosco Gordon, Bobby "Blue" Bland, and B.B. King. He switched to tenor saxophone after meeting Albert Ayler in Cleveland, Ayler's hometown. In 1964, Wright moved to New York City, where he played with Larry Young, Noah Howard, and Sunny Murray. He also sat in with John Coltrane and, in early 1965, was invited to participate in the recording of Ascension, but reportedly felt that his skills were not up to the demands of the music. (Later, however, Wright stated "what I do is countersigned by master John Coltrane who accepted me at this side by calling me 'little brother'.") In late 1965, Wright recorded Frank Wright Trio, his first album as a leader, for ESP-Disk with Henry Grimes on bass and Tom Price on drums. (According to Bernard Stollman, founder of ESP-Disk, the record came about when he approached Wright after hearing him sit in with Coltrane. When Wright stated that he was not associated with a record label, Stollman declared "Well, you are now.") In 1966, while in Cleveland, he recorded with Albert Ayler's group, which at the time included Donald Ayler, Michael Samson, Muntawef Shaheed, and Ronald Shannon Jackson. The tracks remained unreleased until 2004, when they appeared on Holy Ghost: Rare & Unissued Recordings (1962–70). Wright's second album, Your Prayer, was recorded in 1967 and was also released by ESP-Disk. In 1968, Wright briefly joined Cecil Taylor's group, which also included Eddie Gale, Jimmy Lyons, Alan Silva, and Andrew Cyrille, for a tour of the west coast of the United States, where the group had a residency at Stanford University, performed at the Berkeley Jazz Festival, and opened for The Yardbirds at the Fillmore West. In 1969, Wright moved to Europe and settled in Paris, where he formed and recorded with The Frank Wright Quartet, featuring Noah Howard, Bobby Few, and Muhammad Ali. In the early 1970s, Howard left and was replaced by Alan Silva, at which time the group changed its name to The Center of the World Quartet at Silva's suggestion. The group also established a label called Center of the World Records as well as a distribution company called Sun Records. In 1971, Wright briefly moved back to the United States, but then returned to France, where he continued to record and tour with a variety of musicians. In 1984, he joined Cecil Taylor's Orchestra of Two Continents, touring Europe and recording Winged Serpent (Sliding Quadrants). He also recorded Olu Iwa with Taylor in 1986. During this time he also performed and recorded with German visual artist and drummer A. R. Penck. In 1988, he joined the Art Ensemble of Chicago for a concert at the Petrillo Bandshell in Chicago. Wright died in Germany in 1990. Wright was an ordained minister, and was known as "Reverend" Frank Wright, "a title of veneration universally bestowed upon the saxophonist by his peers in recognition of his spiritual approach to music, as well as his fervent style of improvisation."
As leader
As leader
• Frank Wright Trio (ESP-Disk, 1966) with Henry Grimes (bass) and Tom Price (drums) • Your Prayer (ESP-Disk, 1967) with Arthur Jones (alto sax), Jacques Coursil (trumpet), Steve Tintweiss (bass), and Muhammad Ali (drums) • Uhuru na Umoja (America, 1970) with Noah Howard (alto sax), Bobby Few (piano), and Arthur Taylor (drums) • One for John (BYG, 1970) with Noah Howard (alto sax), Bobby Few (piano), and Muhammad Ali (drums) • Church Number Nine (Odeon, 1971) with Noah Howard (alto sax), Bobby Few (piano), and Muhammad Ali (drums) • Center of the World (Center of the World, 1972) with Bobby Few (piano), Alan Silva (bass), and Muhammad Ali (drums) • Last Polka in Nancy? (Center of the World, 1973) with Bobby Few (piano), Alan Silva (bass), and Muhammad Ali (drums) • Adieu Little Man (Center of the World, 1974) with Muhammad Ali (percussion) • Solos Duets (Center of the World, 1975) with Bobby Few (piano, voice) and Alan Silva (bass, violin, piano, voice) • Shouting the Blues (Sun, 1977) with Georges Arvanitas (piano), Jacky Samson (bass), and Charles Saudrais (drums) • Kevin, My Dear Son (Sun, 1979) with Kamal Abdul Alim (trumpet), Eddie Jefferson (voice), Georges Arvanitas (piano), Reggie Workman (bass), Philly Joe Jones (drums), and Khalil Abdullah (percussion) • Stove Man, Love Is the Word (Sandra Music, 1979) with Ka Kamal Abdul Alm (trumpet), Tony Smith (piano), Richard Williams (bass), Gerry Griffin (drums), and Khalil Abdullah (percussion) • Eddie's Back in Town (Krona, 1982) with Tony Smith (piano), Richard Williams (bass), and Gregory Bufford (drums) • The Complete ESP-Disk Recordings (ESP-Disk, 2005) • Unity (ESP-Disk, 2006) with Bobby Few (piano), Alan Silva (bass), and Muhammad Ali (drums) • Blues for Albert Ayler (ESP-Disk, 2012) with James Blood Ulmer (guitar), Benny Wilson (bass), and Rashied Ali (drums)
As sideman
As sideman
• Albert Ayler, Holy Ghost: Rare & Unissued Recordings (1962–70) (Revenant, 2004) • Albert Ayler, La Cave Live, Cleveland 1966 Revisited (ezz-thetics, 2022) • Peter Brotzmann, Alarm (FMP, 1983) • Hans Dulfer, El Saxofon (Catfish, 1971) • Noah Howard, Space Dimension (America, 1971) • Hannibal Lokumbe, The Light (Baystate, 1978) • Raphe Malik, Last Set: Live at the 1369 Jazz Club (Boxholder, 2004) • Louis Moholo, Spiritual Knowledge and Grace (Ogun, 2011) • A.R. Penck, Through the Black Hole & Berlin Berlin (Music Corp., 1984) • Saheb Sarbib, Aisha (Cadence, 1981) • Cecil Taylor, Winged Serpent (Sliding Quadrants) (Soul Note, 1985) • Cecil Taylor, Olu Iwa (Soul Note, 1994)
Career and working life
Career and working life
Wright worked as jazz musician, saxophonist, music arranger and singer, and the authority record catalogues a further 2 occupations under the same name, among them composer and musician. The fields Wright worked in include jazz. Wright played the saxophone. Wright worked in English.
Life and career
Dated record
Life and career
Explore 1935–1990
The full dated record · 3 entries
1935
Born at Grenada.
1990
Dies at Hamburg.
1990
Frank Wright died on 17 June 1990.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Grenada.
Birth place
Hamburg.
Death place
Catalogued output
Compositions
The entries below are works composed by the subject, as the institutional registers catalogue them; later performances and commercial recordings of the same music are listed separately. 46 further compositions are catalogued under Wright's name without a date the collections agree on, which is why they are set apart from the dated run rather than placed in it. A selection is set out below and the complete run may be opened beneath it. Stove Man, Love Is the Word.
The entries follow MusicBrainz
Fire of Spirits
Adieu Little Man
Eddie’s Back in Town
Two Birds With One Stone
November the First
Sound of A. No End to the Sun
T - and - W. Hymn to Wright Reverend
Long Way From Home
Cowboys and Indians
Two for John
Up Against the Wall
Catalogued output
Writings on music
These are catalogued publications carrying the name — editions and printings, distinct from the works they contain and from writing about the subject. The 1980s are the densest part of the run, with 7 titles, and that concentration is a fact about what the registers have catalogued rather than a judgement on the work itself.
23 editions carry dates between 1973 and 2021
The run opens with Protestant ideology and politics in Ulster and closes with Obamaland
The entries follow Open Library
Protestant ideology and politics in Ulster
1973
The Pastoral Nature of the Ministry
1980
Pastoral care for lay people
1982
Nevada's heartland
1986
European community legislation
1986
Northern Ireland
1987
Exploration Into Goodness
1988
Invisible Network
1989
Integrated education and new beginnings in Northern Ireland
1990
The complete catalogue · 26
23 editions carry dates between 1973 and 2021
The run opens with Protestant ideology and politics in Ulster and closes with Obamaland
The entries follow Open Library
Protestant ideology and politics in Ulster
1973
The Pastoral Nature of the Ministry
1980
Pastoral care for lay people
1982
Nevada's heartland
1986
European community legislation
1986
Northern Ireland
1987
Exploration Into Goodness
1988
Invisible Network
1989
Integrated education and new beginnings in Northern Ireland
1990
Two lands on one soil
1994
Prealgebra
1996
Pastoral Care Revisited
2003
Nevada Yesterdays
2005
A kindly Christian gentleman
2007
Bad Adam Stories
2008
A vision, a village and a future
2008
My Pet Cockroach Named Benny
2010
How to Take Care of Your Baby's Health
2010
The cathedral builders of Holy Trinity Parnell
2011
I CAN CAN RELISHES, Salsa, Sauces and Chutney!!
2013
Marketisation, Inequality and the Slow Death of FE
2013
Asylum Seekers
2016
Obamaland
2021
Style and influence
Chris Kelsey wrote that "Ayler's scalding abstract expressionism was the prime influence on Wright, who transformed it with his own personality and passed it on." Kelsey also noted that "Echoes of Wright's playing can be heard in the work of such younger saxophonists as Glenn Spearman, Sabir Mateen, Charles Gayle, and Thomas Borgmann." Writing in The New York Times, reviewer Robert Palmer wrote that Wright's music "was sometimes referred to as 'energy music' during the 1960s, and although the term is vague... it is appropriate in Mr. Wright's case. The saxophonist sometimes seems to get so caught up in the physicality of his playing that he breaks into little dance steps in the middle of a solo." Palmer continued: "Mr. Wright has remained faithful to the rowdy, celebratory essence of what might be called the Cleveland style... the combination of maturity and power in his playing comes as something of a shock." Peter Brötzmann recalled that Wright "was a wild man, in a good sense: made music and lived life in his own way. He was one of the first black Americans we got to know really well, and we all learned a lot from that."
Primary material
Recordings and discography
The discography assembled here shows how Wright's work has been published in sound, not what Wright made. 18 sound issues are catalogued, carrying dates from 1967 to 2011. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. 15 issues were published within the subject's lifetime and 3 after 1990, so the greater part of this record is the work of later performers, editors and labels. The 1970s are the densest decade of publication, with 6 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
1973-07-07, New York
Fabrik Hamburg-June 1975
1979-11-30, Saalfelden, Austria
1981-12-18.19, Soundscape, NYC, NY. Solos Duets
1975
Concert in Ulm!
1990
One for John
1970
Spiritual Knowledge and Grace
2011
1990-03-04, Live in Ulm
Unity
2006
The Complete ESP‐Disk’ Recordings
2005
Shouting the Blues
1977
Uhuru Na Umoja
1970
Run With the Cowboys
1983
Your Prayer
1967
Prayer for Ingo
Where the work is held
Institutional memberships
Membership is stated by the bodies' own records and is not read here as evidence of office or of any particular role within them.
Literature
Further cited scholarship
4 scholarly and reference publications are cited here, each one identified by title and by the publication, publisher or institution that carried it, with its year where the register states one. The cited literature runs from 1974 to 1993, which is a measure of how long Wright has been a subject of scholarship rather than of how much has been written. The publications represented include Frank Lloyd Wright and the Guggenheim Museum, Choice Reviews Online, Winterthur Portfolio and Journal of the Society of Architectural Historians. The Encyclopedia cites this literature and does not summarise the arguments of works it has not read in full.
Frank Lloyd Wright and the Guggenheim Museum, Frank Lloyd Wright and the Guggenheim Museum, 1993
Frank Lloyd Wright drawings: masterworks from the Frank Lloyd Wright archives, Choice Reviews Online, 1990
Contributions to the Study of Frank Lloyd Wright Writings on Wright: Selected Comment on Frank Lloyd Wright
Allen Brooks Frank Lloyd Wright's Hanna House: The Clients' Report
Hanna, Jean S. Hanna The Robie House of Frank Lloyd Wright
Joseph Connors Frank Lloyd Wright's Robie House: The Illustrated Story of an Architectural Masterpiece
Donald Hoffmann, Winterthur Portfolio, 1985
Authority records
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
institutional register
Wikidata, structured authority record Q1444489: Frank WrightWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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