Frank Burty Haviland
Illustration — Frank Burty Haviland (ca. 1914) • Illustration — Portrait of Frank Burty Haviland by Amedeo Modigliani, 1914 • Illustration — The Smoker, a portrait of Burty Haviland by Juan Gris, 1913, now in the Thyssen-Bornemisza Museum in Madrid Frank Burty Haviland (16 October 1886 – November 1971) was a French Cubist painter, a friend and early client of Picasso and Braque, and an early collector of African art.
Also recorded as Frank Burty-Haviland · Frank Burty · Frank-Burty Haviland
Frank Burty Haviland

Juan Gris · Museo Thyssen-Bornemisza, Madrid · Public domain
- Full name
- Frank Haviland.
- Born
- Frank Burty Haviland was born, sources differ on the date (on 16 October 1886 and in 1879). · Limoges.
- Died
- 1971. · Perpignan.
- Nationality
- France.
- Occupation
- painter, photographer and artist.
- Education
- École des Roches.
- Languages
- French.
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Illustration — Frank Burty Haviland (ca. 1914) • Illustration — Portrait of Frank Burty Haviland by Amedeo Modigliani, 1914 • Illustration — The Smoker, a portrait of Burty Haviland by Juan Gris, 1913, now in the Thyssen-Bornemisza Museum in Madrid Frank Burty Haviland (16 October 1886 – November 1971) was a French Cubist painter, a friend and early client of Picasso and Braque, and an early collector of African art.
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wikidata · Q3082529 · wikipedia · Frank Burty Haviland
In this article
Biography
Biography
Frank Burty Haviland (or simply Frank Burty or Frank Haviland) was the grandson of Philippe Burty, art collector and critic who coined the term "japonisme". Philippe's daughter Madeline Burty married Charles Haviland, owner of the porcelain company "Haviland and Company". His older brother Paul Haviland was a photographer and writer. Burty was born in Limoges in 1886 (some sources give 1879 as his date of birth, less than eight months before the birth of his brother Paul). He studied music with Ricardo Viñes, when he met Déodat de Séverac, who introduced him to Manolo Hugué. The three became friends, and through Manolo Burty got into close contact with the Cubist painters in Paris. In 1909, Burty bought Picasso's Factory at Horta de Ebro. In 1910, Burty went to the South of France with Manolo and De Séverac, and he bought a monastery in Céret, in the French Pyrenees, which became the center of the so-called School of Céret until 1914. It included some of the most important painters of the time, with Pablo Picasso, Juan Gris, Georges Braque, Max Jacob and Auguste Herbin. Burty Haviland married Joséphine Laporta, a girl from Céret, in 1914. Burty was portrayed by Amedeo Modigliani in 1914, and is probably also the subject of the 1913 The Smoker by Juan Gris. Chaïm Soutine's Le Rouquin from 1917 to 1919 is also supposed to be a portrait of Burty. His bust was made by his friend Manolo Hugué. In April 1914, he had a solo exhibition at the 291 gallery of Alfred Stieglitz. In 1915, his work was included in the first exhibition in Marius de Zayas' "Modern Gallery" in New York City, together with works by Picasso, Braque, de Zayas, Francis Picabia, and others. His work was also included in exhibitions in that gallery over the next few years. In November 1917, Burty had a solo exhibition at the Galerias Dalmau in Barcelona, and in 1921, he had a solo exhibition in the Brummer Gallery in New York. His later style was more classical, moving away from the Cubism of his early career. Burty lived most of his life in Céret and was one of the driving factors behind the creation the Musée d'Art Moderne de Céret in 1950, helping it to acquire 14 works by Henri Matisse and over 50 works by Picasso. He was the conservator of the museum from 1957 until 1961. When the museum acquired the Burty archive, including 83 paintings and over 700 drawings, in 2008, they held a retrospective exhibition about him from 5 December 2009 until 30 May 2010. Burty died in November 1971 in Perpignan.

Le site de l'ancien couvent des Capucins vu depuis le Castellas a souvent été remarquablement célébré par les peintres sur leurs tableaux. Pierre Brune, résidant au Castellas, l'a ainsi qualifié: "J'ai peint bien souvent à l'entour de chez moi, et le paysage des Capucins est un peu ma montagne Sainte Victoire"
Zaloudock

Sur le côté gauche du cliché, l'ancienne maison-atelier du peintre Pinchus Krémègne. Sous le flanc gauche enneigé du massif du Canigou, le Castellas, site de l'ancien château fort de Céret, ou résidait le peintre Pierre Brune. Frank Burty Haviland, également peintre, a été propriétaire du domaine des Capucins. Le parcours reliant ces 3 propriétés est surnommé le sentier des peintres, ou plus commu
Zaloudock
Life and career
Dated record
Life and career
The full dated record · 2 entries
1886
Frank Burty Haviland born at Limoges.
1971
Frank Burty Haviland died at Perpignan.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Limoges.
Birth place
Perpignan.
Death place
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Salmon, André. Jeune sculpture française. Cambridge University Press. 182. 2005. 978-0-521-85658-4.
- 2.Ganteführer-Trier, Anne. Cubism. Taschen. 96. 2004. 978-3-8228-2958-5.
- 3.Casamartina i Parassols, J. Una lección de escultura. El País. 21 April 2007.
- 4.Art at home and abroad. New York Times. 19 April 1914.
- 5.De Zayas, Marius. How, When, and Why Modern Art Came to New York. MIT Press. 276. 1998. 978-0-262-54096-4.
- 6.Le Journal des Arts. Les emplettes de Céret. 18 January 2008.
- 7.Jover, Manuel. Burty-Haviland, peintre céretan. Connaissance des Arts. 7 December 2009.
Bibliography printed in the source article · 2
- Maritch-Haviland, Nicole. Lalique, Haviland, Burty : portraits de famille. Les Ardents Editeurs. 275. 2009. 978-2-917032-11-4.
- Christel H. Force, “Picassos at Brummer Frères - Curiosités: From Frank Burty Haviland’s Collection to John Quinn’s,” 186-231. In Christel H. Force, Yaëlle Biro, and Christine Brennan, eds. The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde. Boston and Leiden: Brill, Studies in the History of Collecting & Art Markets 17, 2023.
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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