Francesco Algarotti

Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.

Algarotti was born in Venice as the son of a rich merchant. His father and uncle were art collectors. Unlike his older brother, Bonomo he did not step into the company, but decided to become an author. Francesco obtained a classical education. He also studied natural sciences and mathematics at the Rome and experimental physics and medicine at the University of Bologna under Francesco Maria Zanotti who became a lifelong friend. In 1728, he conducted experiments regarding optics. He was educated in his native Venice and in Rome and Bologna. His youthful curiosity led him to travel extensively, and he visited Paris for the first time in his early 20s. There his urbanity, his brilliant conversation, his good looks, and his versatile intelligence promptly made an impression on such intellectuals as Pierre-Louis Moreau de Maupertuis and Voltaire. Two years later, he was in London, where he was made a fellow of the Royal Society. He became embroiled in a lively bisexual love-triangle with the politician John Hervey, and Lady Mary Wortley Montagu. Algarotti left for Italy and finished his Neutonianismo per le dame ("Newtonism for Ladies") (1737 – dedicated to Bernard le Bovier de Fontenelle) – a work consisting of information on astronomy, physics, mathematics, women and science and education.

Algarotti had made acquaintance with Antiochus Kantemir, a Moldavian diplomat, poet and composer. He was invited to visit Russia for the wedding of Duke Anthony Ulrich of Brunswick. In 1739 he left with Lord Baltimore from Sheerness to Newcastle upon Tyne. On their way to Saint Petersburg a heavy storm forced their ship to shelter in Harlingen. Algarotti called Saint Petersburg "the great window... through which Russia looks into Europe". Returning from Saint Petersburg, they visited Frederick the Great in Rheinsberg. Algarotti had obligations in England and came back the year after. Then Algarotti went together with Frederick to Königsberg where he was crowned. Frederick, who was impressed with this walking encyclopedia, made him and his brother Bonomo Prussian counts in 1740. Algarotti accompanied Frederick to Bayreuth, Kehl, Strasbourg and Moyland Castle where they met with Voltaire, who was taking baths in Kleve for his health. In 1741 Algarotti went to Turin as his diplomat. Frederick had offered him a salary, but Algarotti refused. First, he went to Dresden and Venice, where he bought 21 paintings, a few by Jean-Étienne Liotard and Giovanni Battista Tiepolo for the court of Augustus III of Poland. Algarotti did not succeed in inducing the Kingdom of Sardinia to launch a treacherous attack upon Austria.

Algarotti's choice of works reflects the encyclopedic interests of the Neoclassic era; he was uninterested in developing a single unitary stylistic collection, and envisioned a modern museum, a catalog of styles from across the ages. For contemporary commissions, he wrote up a list of paintings he recommended commissioning, including history paintings from Tiepolo, Pittoni, and Piazzetta; scenes with animals from Castiglione, and veduta with ruins from Pannini. He wanted "suggetti graziosi e leggeri" from Balestra, Boucher, and Donato Creti. Other artists he supported were Giuseppe Nogari, Bernardo Bellotto, and Francesco Pavona. In 1747 Algarotti went back to Potsdam and became court chamberlain, but left to visit the archeological diggings at Herculaneum. In 1749 he moved to Berlin. Algarotti was involved in finishing the architectural designs of Georg Wenzeslaus von Knobelsdorff who had fallen ill. In February 1753, after several years residing in Prussia, he returned to Italy, living most of the time in Bologna, where he was friendly with Laura Bassi, the first salaried female teacher in a university. In 1759 Algarotti was involved in a new opera-style in the city of Parma. He influenced Guillaume du Tillot and the Duke of Parma. Algarotti's Essay on the Opera (1755) was a major influence on the librettist Carlo Innocenzo Frugoni and the composer Tommaso Traetta, and in the development of Gluck's reformist ideology. Algarotti proposed a heavily simplified model of opera seria, with the drama pre-eminent, instead of the music, ballet or staging. The drama itself should "delight the eyes and ears, to rouse up and to affect the hearts of an audience, without the risk of sinning against reason or common sense." Algarotti's ideas influenced both Gluck and his librettist Calzabigi, writing their Orfeo ed Euridice. In 1762 Algarotti moved to Pisa, where he died of tuberculosis. Frederick the Great, who several times had needed Algarotti for writing texts in Latin, sent in a text for a monument to his memory on the Campo Santo.

Bibliography and Inventory of all known letters Archived 3 March 2016 at the Wayback Machine at Algarotti Briefdatenbank der Universitätsbibliothek Trier (in French) Correspondence with Frederick the Great at Digitale Ausgabe der Universitätsbibliothek Trier (in French) Il newtonianismo per le dame, 1737. The International Centre for the History of Universities and Science (CIS), University of Bologna "Saggio sopra la pittura" "An essay on architecture" (1753). "Letters military and political" (1782). "Essai sur la durée des règnes des sept rois de Rome" "Essai sur l'empire des Incas" Algarotti, Francesco (1783). The modern art of love; or The congress of Cythera. Translated by Calamo Ludimus. London: G. Kearsley. Algarotti, Francesco (1739). Sir Isaac Newton's Philosophy Explained for the use of Ladies, in six dialogues on Light and Colours. Vol. I. E. Cave, St. John's-Gate, London. Algarotti, Francesco (1764). Saggio sopra la pittura. Livorno: Presso Marco Coltellini. Algarotti, Francesco (1756). Saggio del Conte Algarotti sull'Architettura e sulla Pittura. Milan: Societa Tipografica de' classici Italiani. Algarotti, Francesco (1755). Saggio sopra L'Opera in Musica. Ex donat. Molliana.