Forough Alaei

Her photographs have been published in TIME, National Geographic and The New Yorker.

• Name — Forough Alaei • Born — 11 May 1989 • Birthplace — Tehran, Iran • Occupation — Photojournalist • Years Active — Since 2019 • Notable Works — World Press Photo Awards 2019

section Alaei was born in 1989 in Iran. She studied law and was also passionate about painting before pursuing photography. She began photographing in 2015 and shortly after became a photojournalist. She later shifted her focus toward documentary photography and filmmaking. In 2015, Alaei began working as a photojournalist for Donya-e Eghtesad, a major Iranian economic newspaper. She became internationally recognized for her long-term projects on Iranian women, including female football fans disguising themselves as men to enter stadiums. On 12 August 2019, Alaei was arrested by Iran’s Islamic Revolutionary Guard Corps (IRGC) at the entrance of Tehran’s Azadi Stadium while covering women’s attempts to attend football matches and released on bail five days later. In 2019, her project Crying for Freedom was exhibited worldwide as part of the World Press Photo global tour. She has also been involved in the VII Photo Agency Mentor Program (2019–2021).

A long-term series begun after the death of Mahsa Amini, portraying Iran’s new generation of women in nontraditional roles such as motorbike riders, car mechanics, dancers, and street athletes. Alaei uses saturated colors, strong lighting, and high contrast to convey the energy of Gen Z. The project was shortlisted for the Leica Oskar Barnack Award in 2022,

A photo series documenting female football fans in Iran who disguised themselves as men to attend matches. Alaei herself disguised as a man to experience and document the situation firsthand. The project won First Prize, World Press Photo in the Sports Stories category (2019) and brought her international recognition.

A documentary project about the women of Hengam Island, in southern Iran, who work as fishers and serve as the main breadwinners for their families. The work highlights women’s resilience and independence in a male-dominated field. Published in several newspapers such as The New Yorker.

During the outbreak of the Twelve-Day War between Israel and Iran, Alaei moved with her family to northern Iran. She documented intimate, everyday moments of family life amid the fear and uncertainty of war. The project contrasts external crisis with private resilience. Published in the Le Monde and Spiegel magazine.

A series about young Iranians born after the 1980s, who did not experience the Iranian Revolution or the Iran–Iraq War. The project portrays their pursuit of personal freedoms, modern lifestyles, music, animal rights, and the rejection of traditional taboos. Alaei approaches them with intimacy and empathy, emphasizing their individuality.