Flore Revalles
Flore (or Flora) Revalles (January 25, 1889 – August 29, 1966) was a Swiss entertainer active over the early decades of the twentieth century. Revalles began as a singer in Switzerland, danced with the Ballets Russes in Europe and America and appeared in Broadway and Hollywood productions before resuming her singing career in Europe. She is also remembered for being an aunt of the French film star Guy Tréjan (1921–2001).
Also recorded as Emily Flora Treichler
Flore Revalles
Billy Rose Collection · Flore Revalles c. 1916-1920 NYPL Digital Gallery · Public domain
- Name
- Flore Revalles
- Birth Name
- Emily Flora Treichler
- Born
- 25 January 1889
- Birthplace
- Rolle, Switzerland
- Died
- 29 August 1966
- Place of death
- Geneva, Switzerland
- Occupation
- Singer, dancer, and actress
- Full name
- Emily Flora Treichler.
- Nationality
- Switzerland.
- Languages
- English and French.
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Documentary summary
Flore (or Flora) Revalles (January 25, 1889 – August 29, 1966) was a Swiss entertainer active over the early decades of the twentieth century. Revalles began as a singer in Switzerland, danced with the Ballets Russes in Europe and America and appeared in Broadway and Hollywood productions before resuming her singing career in Europe. She is also remembered for being an aunt of the French film star Guy Tréjan (1921–2001).
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Note VALÉORINE
Flore Revalles (1889–1966) was a Swiss actor, actress and ballet dancer, among other activities. Born Emily Flora Treichler in Rolle, the actor died in Geneva. Languages used include English and French.
Composed from admitted, traceable facts · 26 September 2026
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wikidata · Q5460503 · wikipedia · Flore Revalles
In this article
Key facts
Key facts
• Name — Flore Revalles • Birth Name — Emily Flora Treichler • Born — 25 January 1889 • Birthplace — Rolle, Switzerland • Died — 29 August 1966 • Place of death — Geneva, Switzerland • Occupation — Singer, dancer, and actress
Life and career
Life and career
Emily Flora Treichler was born in Rolle, Switzerland, a small town nestled along the northwestern banks of Lake Geneva. By her mid-twenties Revalles was a singer at the Grand Théâtre de Genève until the set and costume designer Léon Bakst enticed her to join the European tour of Diaghilev’s Ballets Russes in productions such as Cleopatra, Thamar and Scheherazade. In January 1916, Diaghilev brought his troupe to New York for a two-week engagement at the Century Theatre and a four-week run at the Metropolitan Opera House. At the Met that April, Revalles danced with Vaslav Nijinsky in the final dance of Till Eulenspiegel. Nijinsky, the star of the Ballets Russes, debut had been delayed for several weeks while negotiations were afoot to release him from an Austrian prisoner of war camp. Over her time in America, Revalles took part in a number of patriotic events in New York to benefit Allied soldiers. Soon after their New York engagements, the Ballets Russes embarked on an extensive tour of America. Flore Revalles is her name and she plays in most of the ballets, among them in the ancient story of the snake lady of the Nile, Cleopatra. Flore Revalles is a person all soft curves and long sinuous lines with dark Egyptian coloring and all the attributes of a well regulated vampire. In the story from which the ballet is taken a humble slave dares to love Cleopatra. At first the whole court with the queen stand aghast and astounded at the presumption of the slave; but, swayed by a whim, yields to him for a brief and delirious hour and then kills him with a strange and terrible poison. Galveston Daily News, November 26, 1916 Revalles made headlines in the United States in October 1916 after revealing she had adopted a cobra to help perfect her Cleopatra dance, stating “the cobra is the most graceful of all snakes.” During her stay in America Revalles appeared in two Broadway productions, Miss 1917, a musical revue that had a fair run at the Century Theatre before the theatre fell into bankruptcy, and the Shubert Brothers’ 1919 hit musical extravaganza Monte Cristo Jr., playing the multiple roles of Yvonne, Haydee and Diamonda, over its near year-long run at the Winter Garden Theatre. She also played in at least two American motion pictures, playing Messalina in Woman—a 1918 film that attempts to tell the story of womankind from Eve to the present day, a story some found risqué—and Daisy Rittenshaw in the 1920 picture Earthbound, in which her husband murders his best friend after discovering their affair. Later her lover returns as a ghost unable to move on until he helps those he’d wronged. In the early 1920s Revalles decided to return to Europe to resume her singing career. She eventually chose to retire in the mid-1930s to Geneva, Switzerland, where she died in 1966 at the age of 77.
Gallery
Gallery
• Illustration — Photograph for Schéhérazade, 1916: Enrico Cecchetti and Flore Revalles as Eunuch and Zobeide • Illustration — Revalles circa 1916 • Illustration — Flora Revalles as Cleopatra, from a 1916 publication
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Rolle.
Birth place
Geneva.
Death place
Primary material
Documents and archives
reference work
- “Flore Revalles”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q5460503: Flore Revalles
General reference · Wikidata
References ==== External links
References ==== External links
* • Flore Revalles

Photograph for Schéhérazade, 1916: Adolph Bolm and Flore Revalles as Golden slave and Zobeide. MS Thr 495 (153), Harvard Theatre Collection, Houghton Library Harvard University
"White" (photography studio) · Houghton Library
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Davier, Anne Flore Revalles, in: Kotte, Andreas (Ed.): Dictionary of the Theater in Switzerland, Zurich 2005 Chronos Verlag, vol. 3, p. 1484. accessed October 17, 2012
- 2.Russian Ballet Arrives. New York Times, (New York City), January 12, 1916; p. 13; Nijinski Puts Life In Ballets Russes, New York Times (New York City), April 13, 1916; p. 11’; Patriotic Airs At Concert. New York Times (New York City), July 5, 1917; p. 9;
- 3.Ballets Russes at Huston Next Week. Galveston Daily News (Galveston, Texas), November 26, 1916, p. 31
- 4.She Studies the Motions of a Snake in order to Perfect Cleopatra Dance. Des Moines Daily News (Des Moines, Iowa), October 07, 1916, p. 4
- 5.Century Theatre Collapse. New York Daily Mirror (New York City), January 12, 1918, p.4 accessed October 17, 2012
- 6.Actress Scores Hit. Kingston Gleaner (Kingston, Kingston), March 14, 1919, p. 13
- 7.Woman From Eve to Date, is Shown in this Daring Movie. Sandusky Star Journal (Sandusky, Ohio), August 11, 1919, p. 2
- 8.Earthbound, Photoplay, November, 1920, p. 38 accessed October 15, 2012
References
Citations
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reference work
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General reference
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