Felix Thomas

Thomas worked between 1815 and 1875 across painter, sculptor, architect, printmaker and archaeologist. This article rests on 2 published texts and 23 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

Felix Thomas studied at lycée Georges-Clemenceau, École polytechnique and Beaux-Arts de Paris. Training under Charles Gleyre and Hippolyte Le Bas is recorded. The recorded working language is French. Distinctions recorded are Prix de Rome and resident at the Villa Medici.

• Name — Felix Thomas • Born — 1815 • Birthplace — Nantes, France • Died — 1875 • Place of death — Nantes, France • Training — Beaux-Arts • Movement — Orientalist painting and illustration • Known for — Archaeological draftsman, architect, illustrator, painter • Works — Nineveh et Assyria, 1867

• Illustration — Illustration from the book, Nineveh and Assyria by Victor Place and Felix Thomas, 1867 Initially, Thomas trained as an architect or draftsman at l'Ecole Polytechnique (1834–35). He subsequently studied art at Beaux-Arts where he was a pupil of Louis-Hippolyte Lebas who specialised in the history of architecture. In 1845, Thomas won the first Prix de Rome for a project in Architecture Cathedral. In 1849 he submitted 14 drawings of Neptune's Temple at Paestum which were very well received. In 1850, he travelled to Greece and on his way stopped at Constantinople and Smyrna.[1] In the early 1850s, Thomas joined several archaeological expeditions in Mesopotamia and Assyria in his capacity as an architect. The first of these expeditions was led by Fulgence Fresnel and Julius Oppert, commencing in 1851. Thomas was expected to describe the monuments and buildings that were discovered as well as to carry out quantity surveys, draw plans, prepare sketches and generally assist with documentation and drawings.[2] He was also required to make casts and stampings of inscriptions, using the new and still secret procedure developed by Lattin de Laval. Due to ill-health, Thomas left Fresnel's Mesopotamian mission prematurely. In spite of that, he still managed to contribute twelve maps to the book of the expedition, Expedition Scientifique En Mésopotamie: Exécutée Par Ordre Du Gouvernement De 1851 À 1854 by Julius Oppert.[3] After recovering from his illness, Thomas rejoined the archaeological team for the Assyrian excavation in 1852. The excavations, originally started by Paul-Emile Botta in 1843, were languishing, and the French government was determined to mount a large-scale operation in Assyria to showcase its dominance in the region. Victor Place, the new French Consul in Mosul hired Thomas to join the expedition as the project designer. The mission which involved the excavation of the palace of the Assyrian King Sargon II in Khorsabad (formerly Nineveh), would become the first systematic excavation of the site. Thomas made substantial contributions to the success of the excavation through his acute observations, the boldness of his reconstructions and the quality of his drawings which contributed to a rich understanding of the architecture of the Palace.[4] Many of the Assyrian antiquities were lost in May 1855 when the expedition's boat sank in the Qurnah Disaster on the Tigris, following an attack by local rebels.[5] However, Thomas, who had left earlier, retained his sketches, plans and drawings which subsequently served to illustrate a pioneering text on Assyria and the Palace of King Sargon II entitled Ninevah and Assyria, jointly authored by Victor Place and Felix Thomas in around 1867.[7] In this way, Thomas became a major collaborator and co-author of an important archaeological treatise. On his return to France, Thomas gave up archaeology and devoted himself to painting. He joined the studio of Charles Gleyre who became his mentor. His travels in Italy, Greece, and Turkey and the Middle East inspired his artistic vision and he began painting works in the Orientalist genre. He enjoyed only modest success in his second career as a painter. Towards the end of his life, he divided his time between his studio in Nantes and Pornic on the Atlantic coast.[8] The Baron de Girardot, in a book dedicated to him, said about him, "Modest to a fault, withdrawn and lonely, he painted for him."[9] Thomas died in Nantes in April 1875.

Thomas is known for the illustrations provided to several important archaeological texts. In his later life, he produced many fine Oriental paintings. One of his works is on display in the Louvre in Paris.

• Illustration — Entrance to the Palace of Khorsabad, illustration by Felix Thomas • Illustration — Bass Relief taken from the Palace of Khorsabad • Illustration — The City of Van, illustration in Ninevah and Assyria, 1867 • Illustration — Plan of Khorsabad in Ninevah and Assyria, 1867 • Illustration — The Pacha visit the Mosul digs, c. 1863

Felix Thomas was born on 29 September 1815 in Nantes. Thomas held the nationality of France. Thomas was educated at lycée Georges-Clemenceau, École polytechnique and Beaux-Arts de Paris. Thomas studied under Charles Gleyre and Hippolyte Le Bas. Thomas worked as painter, sculptor, architect and printmaker, and the authority record catalogues a further 1 occupations under the same name, among them archaeologist. Thomas worked in French. Thomas is placed by the collections within Orientalism.