Felicity Palmer
Dame Felicity Joan Palmer, (born 6 April 1944), is an English mezzo-soprano and music professor. She sang soprano roles until 1983. She studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre.
Also recorded as Dame Felicity Palmer · Felicity Joan Palmer · Dame Felicity Joan Palmer
Felicity Palmer
- Born
- 1944 · Cheltenham.
- Nationality
- United Kingdom
- Occupation
- music educator · singer · musician
- Education
- Guildhall School of Music and Drama · Erith School
- Teachers
- Marianne Schech
- Honours
- Dame Commander of the Order of the British Empire · Commander of the Order of the British Empire
- Languages
- English
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Dame Felicity Joan Palmer, (born 6 April 1944), is an English mezzo-soprano and music professor. She sang soprano roles until 1983. She studied at the Guildhall School of Music and Drama in London and under Marianne Schech's guidance at the Munich College for Music and Theatre.
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In this article
Identity
Identity
In April 1970, she won first prize in the Kathleen Ferrier Memorial Scholarship. She made her operatic debut in 1971 as Dido in Dido and Aeneas with the Kent Opera. In 1973, she made her US debut with the Houston Grand Opera and her Metropolitan Opera debut was in 2000 as Waltraute (Götterdämmerung). Having made her debut with English National Opera (ENO) in 1975, her performance with the company forty years later, as the Countess in The Queen of Spades, was widely applauded and described as 'mesmerising' and 'astonishing'. Palmer has performed and recorded Gilbert and Sullivan operas, as Katisha in The Mikado for the ENO and the Welsh National Opera (WNO), Dame Carruthers in The Yeomen of the Guard (WNO) and Little Buttercup in H.M.S. In 1998, she played Widow Begbick in the Lyric Opera of Chicago production of The Rise and Fall of the City of Mahagonny. In 2003, she performed the role of Mrs Lovett in Stephen Sondheim's Sweeney Todd at the Royal Opera House (the only musical the ROH has ever presented). She sang Venus in a 1983 BBC television broadcast of Orphée aux Enfers conducted by Alexander Faris. Palmer is noted for her interpretation of the role of Madame de Croissy in Poulenc's Dialogues of the Carmelites, which she has sung at the Metropolitan Opera and at the Lyric Opera of Chicago's first ever production of the work. She also sang the role in English with the ENO and recorded it as part of the Chandos "Opera in English" series. Her other commercial recordings include Der fliegende Holländer and 'Love's Old Sweet Song, Victorian and Edwardian Ballads', 1978, The Decca Recording Company:1997, L.P;Belart, C.D, (a Polygram Company), 0 28946 14902 7:(John Constable on piano). Her work in contemporary music has included the first Glyndebourne production of Péter Eötvös's opera Love and Other Demons, in the role of Josefa Miranda. Palmer is a professor at the Royal College of Music in London. She was appointed Commander of the Order of the British Empire (CBE) in 1993 and Dame Commander of the Order of the British Empire (DBE) in the 2011 New Year Honours for services to music. She is a first cousin of Barclay Palmer, Olympic athlete and humanities educator and reformer.
Felicity Palmer studied at Guildhall School of Music and Drama and Erith School. Training under Marianne Schech is recorded. The recorded working language is English. Employment is recorded with Royal College of Music. Distinctions recorded are Dame Commander of the Order of the British Empire and Commander of the Order of the British Empire.
Felicity Palmer is recorded as having received Dame Commander of the Order of the British Empire and Commander of the Order of the British Empire. Formation and teaching. Palmer studied at Guildhall School of Music and Drama and Erith School. She trained under Marianne Schech.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1944
Felicity Palmer born at Cheltenham.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Anthony Tommasini. Soprano Dons the Wagnerian Crown in a Musical Coronation. The New York Times. 24 April 2000.
- 2.Coghlan, Alexandra. The Queen of Spades, ENO. TheArtsDesk.com 7 June 2015. 7 June 2015.
- 3.Kimberley, Nick. The Queen of Spades, Coliseum opera review. Evening Standard 11 June 2015. 7 June 2015.
- 4.Erica Jeal. The Mikado (Coliseum, London). The Guardian. 7 February 2006.
- 5.Andrew Clements. Sweeney Todd (Royal Opera House, London). The Guardian. 17 December 2003.
- 6.BFI database Orpheus in the Underworld, 1983. Retrieved 10 April 2013.
- 7.Anthony Tommasini. A Guillotine Cannot Blur Poulenc's Soft Sounds. The New York Times. 16 December 2002.
- 8.Tim Ashley. Poulenc: The Carmelites, Wyn-Davies/ Boylan/ Barstow/ Palmer/ ENO Orch and Chorus/ Daniel. The Guardian. 20 October 2006.
- 9.Tim Ashley. Wagner: Der Fliegende Hollander: Barenboim et al. The Guardian. 29 November 2002.
- 10.Andrew Clements. Love and Other Demons. The Guardian. 12 August 2008.
- 11.59647. 31 December 2010.
- 12.Archived copy.
- 13.Portland Press Herald. Obituary: William Barclay Livingstone Palmer. 16 October 2020.
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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