Felice Andreis
Felice Andreis (21 June 1907 – 7 March 2015) was an Italian photographer and agricultural entrepreneur, known for his documentary photography of Maremma, Tuscany, through which he recorded rural life, land reclamation projects and agricultural transformations during the 20th century. Influenced by modernist photography, his work was exhibited internationally and published in photographic journals.
Felice Andreis
- Name
- Felice Andreis
- Born
- 21 June 1907
- Birthplace
- Turin, Kingdom of Italy
- Died
- 7 March 2015
- Place of death
- Giuncarico, Province of Grosseto, Italy
- Occupation
- Photographer, agricultural manager and entrepreneur
- Nationality
- Italy · Kingdom of Italy
- Languages
- Italian
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Felice Andreis (21 June 1907 – 7 March 2015) was an Italian photographer and agricultural entrepreneur, known for his documentary photography of Maremma, Tuscany, through which he recorded rural life, land reclamation projects and agricultural transformations during the 20th century. Influenced by modernist photography, his work was exhibited internationally and published in photographic journals.
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Felice Andreis was an agricultural entrepreneur, chemist and photographer, of Italian and Italian nationality. The agricultural entrepreneur was born in Turin and died in Giuncarico. Languages used include Italian.
Composed from admitted, traceable facts · 28 September 2026
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wikidata · Q50975263 · wikipedia · Felice Andreis
In this article
Key facts
Key facts
• Name — Felice Andreis • Born — 21 June 1907 • Birthplace — Turin, Kingdom of Italy • Died — 7 March 2015 • Place of death — Giuncarico, Province of Grosseto, Italy • Occupation — Photographer, agricultural manager and entrepreneur
Life and career
Life and career
Born in Turin in 1907 into an aristocratic family, he had the title of baron. He graduated in chemistry from the University of Turin in 1929. He developed an interest in photography during his youth and began exhibiting his work in 1932, when he took part in the fifth Alpine Photography Exhibition organized by the Turin section of the Italian Alpine Club (CAI). In 1933 he moved to Maremma, Tuscany, where he managed the San Donato estate near Orbetello, then part of the Aziende Agricole Maremmane, a Turin-based company of which he was an executive. During this period he documented rural life, agricultural activities, land reclamation projects and the transformation of the Tuscan landscape through photography. He was also personally involved in reclamation works, including the construction of the Poggio Perotto dam (1934–1938) on the Serra stream, which became one of his recurring photographic subjects. In 1939 he married Angelica "Pupa" Barabesi (1913–2014), a Sienese noblewoman and granddaughter of the bibliographer Raffaello Barabesi, and settled in Giannella, where he became acquainted with prominent intellectuals of the period, including Corrado Alvaro, Guelfo Civinini and Luigi Barzini. Andreis' photographic style was influenced by modernist photography, with references to international movements such as the Bauhaus and photographers such as László Moholy-Nagy. Nearly all of the photographs from the early 1930s were taken using a Voigtländer lens with 6×9 plates and printed at the Tirone studio in Turin. In 1934 he exhibited in Belgium at the 13th Salon of the Association belge de photographie et cinématographie in Brussels and at the Salon international de photographie in Spa. Many of his photographs were regularly published in the American Annual of Photography. In 1935 he acquired a Leica camera, beginning to produce audiovisual works as well, including a documentary on land reclamation for the Istituto Luce, presented three years later at the Accademia dei Georgofili. During the World War II part of his photographic archive was lost due to the bombing of Turin. After 1948 Andreis moved to South Africa, where he established an agricultural estate in Paarl. He returned to Maremma in 1975, continuing his photographic activity. Andreis died in his estate at Poggio Cavallini in Giuncarico on 7 March 2015, aged 107. His archive contains around 15,000 negatives, prints, slides and documents related to his personal and professional life. Two documentaries have been produced on the figure of baron Felice Andreis: Edo Galli's Il tempo delle bonifiche. La Maremma, il barone, l'Africa. Felice Andreis documentarista (1996), a 15-minute documentary focusing on his work as a documentarian of the Maremma land reclamation projects, and Claudio Longobardi's Il barone fotografo (2008), an 8-minute short film dedicated to his life and photographic activity.
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Felice Andreis was born at Turin.
Birthplace
Felice Andreis died at Giuncarico.
Deathplace
Turin.
Birth place
Giuncarico.
Death place
Primary material
Documents and archives
reference work
- “Felice Andreis”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q50975263: Felice Andreis
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Andreis Felice. Sistema Informativo Unificato per le Soprintendenze Archivistiche.
- 2.Ginex, Giovanna. Arte in Maremma nella prima metà del Novecento. Silvana Editoriale. 352–353. 2006.
- 3.Bonazza, Carlo. Felice Andreis. Le fotografie della Maremma 1930-1939. Photoedizioni. 2003.
- 4.Felice Andreis – Fotografie del silenzio. Artribune.
- 5.Giusti, Lorenzo. Arte in Maremma nella prima metà del Novecento. Silvana Editoriale. 384–385. 2006.
- 6.Le Monnier. Rivista di studi politici internazionali. 32. 424.
- 7.Giorgi, Elisabetta. Addio al barone fotografo, muore a 107 anni Felice Andreis. Il Tirreno. 7 March 2015.
- 8.Fondo Andreis Felice. Sistema Informativo Unificato per le Soprintendenze Archivistiche.
Bibliography printed in the source article · 2
- Bonazza, Carlo. Felice Andreis. Le fotografie della Maremma 1930-1939. Photoedizioni. 2003.
- Ginex, Giovanna. Arte in Maremma nella prima metà del Novecento. Silvana Editoriale. 2006.
References
Citations
References
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reference work
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General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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