Fefita la Grande
Fefita La Grande, is a Dominican accordionist and the most recognized female performer of merengue tipico, a more rural variation of merengue, the main musical genre of the Dominican Republic. She is one of the most well known musicians of the genre, along with artists such as Tatico Henríquez, Pedro Reynoso, El Ciego de Nagua, Francisco Peralta, Rafaelito Román, Francisco Ulloa, among others. Her popular songs include: Vamos Hablar Ingles, La Pimienta es la Que Pica, La Chiflera, O te Menea O te Apea, among others.
Also recorded as Manuela Josefa Cabrera Taveras
Fefita la Grande

Reynaldo Brito · This file was derived from: Fefita La Grande.jpg · CC BY-SA 3.0
- Name
- Fefita la Grande
- Born
- September 18, 1943
- Birthplace
- San Ignacio de Sabaneta, Dominican Republic
- Birth Name
- Manuela Josefa Taveras Cabrera
- Occupation
- Singer, accordionist and composer
- Full name
- Manuela Josefa Cabrera Taveras.
- Nationality
- Dominican Republic
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Fefita La Grande, is a Dominican accordionist and the most recognized female performer of merengue tipico, a more rural variation of merengue, the main musical genre of the Dominican Republic. She is one of the most well known musicians of the genre, along with artists such as Tatico Henríquez, Pedro Reynoso, El Ciego de Nagua, Francisco Peralta, Rafaelito Román, Francisco Ulloa, among others. Her popular songs include: Vamos Hablar Ingles, La Pimienta es la Que Pica, La Chiflera, O te Menea O te Apea, among others.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
No house-authored Note is published until its assertions and sources pass the VALÉORINE evidence contract. The documentary article remains available in full while that enrichment is being consolidated.
Documentary enrichment in progress · no unsupported statement published
Reference Check
Propose documentary evidence for Fefita la Grande. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
identity unresolved · checked 25 September 2026
- Identity
- unresolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q5441484 · wikipedia · Fefita la Grande
In this article
Key facts
Key facts
• Name — Fefita la Grande • Alias — La Mayimba • Born — September 18, 1943 • Birthplace — San Ignacio de Sabaneta, Dominican Republic • Birth Name — Manuela Josefa Taveras Cabrera • Genre — Merengue • Occupation — Singer, accordionist and composer • Instrument — Accordion vocals • Years Active — 1950s-present Manuela Josefa "Fefita Taveras Cabrera (born September 18, 1943), known by her stage name Fefita La Grande, is a Dominican accordionist and the most recognized female performer of merengue tipico, a more rural variation of merengue, the main musical genre of the Dominican Republic. She is one of the most well known musicians of the genre, along with artists such as Tatico Henríquez, Pedro Reynoso, El Ciego de Nagua, Francisco Peralta, Rafaelito Román, Francisco Ulloa, among others. Her popular songs include: Vamos Hablar Ingles, La Pimienta es la Que Pica, La Chiflera, O te Menea O te Apea, among others.
Biography
Biography
Manuela Josefa Taveras Cabrera was born on September 18, 1943, in the small village of El Oregano, in San José, in the town of San Ignacio de Sabaneta, in the province of Santiago Rodríguez in the Dominican Republic, to Eliseo "Seíto" de Jesús Cabrera Fernández, and María Ana Taveras. Fefita has one full sister, María Celeste, and six half-siblings from her father. She took her mother's surname at birth because her father did not initially recognize her. From a very young age she began to be interested in music by playing the accordion inside her father's workshop. She was motivated to play the accordion after listening to the songs of Guandulito, one of the pioneers of merengue tipico. At the age of seven, she was already known in her community for her talent as an accordionist. At nine she already entertained parties with the accordion, güira and tambora. In the mid-1950s, due to her talent and charisma, she was approached by José "Petán" Arismendy (brother of dictator Rafael Leónidas Trujillo) who, upon hearing her play, took a hundred pesos out of his pocket and gave them to Fefita, who was barely twelve years old. Her stage name was adopted overtime; she was given the name "La Vieja Fefa" by Tatico Henríquez when she was 17 years old and Bartolo Alvarado "El Ciego de Nagua" baptized her with the name "Fefita La Grande" when she was about 22 years old. Since 1980, she has been called "La Mayimba", the name she likes the most. Years later she traveled abroad accompanying the teacher Rafael Solano on one of his tours of Puerto Rico and later to other countries. She was the first Dominican artist to bring typical merengue to Europe. At the same time she began career with her first LP "Si quiere venir que venga", although already by that time Fefita had a wide musical repertoire and enjoyed great acceptance by the public. She has performed merengues by many authors, including her father Don Seito, as well as compositions whose melody and lyrics are her own. All her life she maintained a unique style when playing the accordion, her merengues are similar to those of Tatico Henríquez or El Trío Reynoso, which maintain the essence of the original typical merengue and enramada music. She has criticized in interviews the contemporary merengueros who, according to her, have deformed the merengue "accelerating it and killing it by touching it in a strange way." She is a survivor of breast cancer.
Innovations and style
Innovations and style
Cabrera had a unique style of playing merengue tipico, a kind that only she was able to produce. Along with the early exponents of "new" merengue tipico, such as Tatico Henriquez, Samuelito Almonte, and El Ciego de Nagua, she added congas, saxophones, and electric bass to the tipico ensemble, which was originally composed of three musicians: an accordionist (using a diatonic 2-row accordion), a tambora player ("tamborero"), and güira player ("guirero"). She was also the first to bring merengue tipico to European audiences.
Collaborations
Collaborations
Cabrera's success is also partially achieved because of her ability to stay with the times and constantly reinvent her sound with the help of new tipico artists. Performing with the likes of Krisspy and El Prodigio, she continues to appeal to the young and also Película Perico Ripiao. In 2019, she teamed up with other Dominican merengue singers Milly Quezada and Maridalia Hernández for "La Pimienta Es La Que Pica".
Discography
• La Ciudad Corazón (2001) • Date Brillo Cadenita (1999) • Soy Original (1997) • Yo Sigo Pa' Lante (1995) • Todos los Hombres Son Buenos (1993) • Cantando He de Morir (1991) • Vámonos Pa'l Can (1990) • La Cintura Mía (1989) • Fefita la Grande (1981) • La Pimienta Es la Que Pica (1980) • Merengues Típicos (1980) • Merengues Típicos Vol. 1 (1979)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 4
- iASO Records - Fefita La Grande Bio
- Short biography of Fefita
- Biography from www.afropop.org
- Hutchinson, Sydney. 2016. "Fefita the Great." In Tigers of a different stripe: Performing gender in Dominican Music. University of Chicago Press. ISBN 978-0226405469
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Partially resolvedreference work
Partially resolved
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
Elsewhere in Music memorabilia
42,108 published records in this field, each with its sources named.
- Fedor GlushchenkoPerson
- Feel Ghood MusicOrganisation
- FeeldogPerson
- Feelee RecordsOrganisation
- Fei Yu-chingPerson
- Feim IbrahimiPerson
- Feis EcktuhPerson
- Fela KutiPerson
Best supported in this field
For owners
Own a work by Fefita la Grande?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.