Fabre d'Églantine

Fabre d'Églantine studied at priests of the Christian Doctrine. The recorded working language is French. The field of work recorded is creative and professional writing, poetry and theatre. Places of work recorded in the authority are Paris. Positions recorded include member of the French National Assembly.

• Born — 28 July 1750 • Birthplace — Carcassonne, Kingdom of France • Died — 5 April 1794 • Place of death — Paris, French Republic • Death Cause — Execution by guillotine • Party — Jacobin

He was born in Carcassonne, Aude. His surname was Fabre, the d'Églantine being added in commemoration of his receiving a silver wild rose (églantine) from Clémence Isaure from the Academy of the Jeux Floraux at Toulouse. He married Marie Strasbourg Nicole Godin on 9 November 1778. His earliest works included the poem Étude de la nature, "The Study of Nature", in 1783. After travelling in the provinces as an actor, he came to Paris, where he produced an unsuccessful comedy entitled Les Gens de lettres, ou Le provincial à Paris (1787). A tragedy, Augusta, produced at the Théâtre Français, also proved a failure. Many of his plays were popular and he is remarked as one of the most important playwrights during the French Revolution. His most popular play was: Philinte, ou La suite du Misanthrope (1790), supposed to be a continuation of Molière's Le Misanthrope, but the hero of the piece is a different character from the nominal prototype —a pure and simple egotist. On its publication, the play was introduced by a preface, in which the author satirises L'Optimiste of his rival Jean François Collin d'Harleville, whose Châteaux en Espagne had gained the applause which Fabre's Présomptueux (1789) had failed to win. The character of Philinte had much political significance. The play's character Alceste received the highest praise, and stands for the patriot citizen, while Philinte is a dangerous aristocrat in disguise. Fabre constructed the play to represent what he envisioned as the new relationship between theater and society. Not only did Fabre believe that Old Regime society was bankrupt; Old Regime comedy was viewed by the budding playwright as equally without value. Fabre d’Eglantine believed that he could fashion a place for theater in revolutionary culture and redeem French drama by developing a new form of theater that would promote the new social order of equality and fraternity. He found his justification and framework in Rousseau’s critique of theatricality and advocated transparency as the critical transformative element that could generate theater worthy of and in keeping with revolutionary culture. As envisioned by Fabre, evolutionary political institutions would not shape theater; rather, a regenerated revolutionary theatrical culture would redeem the work of art, generating a new, revolutionary society.

Fabre served as president and secretary of the club of the Cordeliers, and belonged also to the Jacobin Club. Georges Danton chose Fabre as his private secretary, and he sat in the National Convention of 1792-1794. D'Églantine voted for the death of King Louis XVI, supporting the maximum and a law which allowed for summary executions, and he was a bitter enemy of the Girondins. After the death of Jean-Paul Marat (13 July 1793), Fabre published Portrait de l'Ami du Peuple. On the abolition of the Gregorian Calendar in France he sat on the committee entrusted with the creation of the French Republican Calendar. The calendar was designed by the politician and agronomist Gilbert Romme, although it is usually attributed to Fabre d'Eglantine, who invented the names of the months. This Calendar featured a ten-day week so that Sunday would be forgotten as a religious day, and the months were named after the intrinsic qualities of the seasons. He contributed a large part of the new nomenclature; for example, the months of Prairial and Floréal, as well as the days Primidi and Duodi. The report which he made on the subject, on 24 October 1793, described the aim of the commission as "to substitute for visions of ignorance the realities of reason, and for sacerdotal prestige the truth of nature," to exalt "the agricultural system…by marking the days and the divisions of the year with intelligible or visible signs taken from agriculture and rural life."

• Fabre appears as a major character in Hilary Mantel's A Place of Greater Safety, a novel about the French Revolution. • Fabre also appears as a secondary character in Emma Orczy's The Way of the Scarlet Pimpernel.

Fabre d'Églantine was recorded at birth as Philippe-François-Nazaire Fabre. The authorities additionally record the heading Philippe François Nazaire Fabre d’Eglantine. His recorded language was French.

Fabre d'Églantine worked in creative and professional writing, poetry, theatre, drama and French Revolution. Recorded position is member of the French National Assembly. He worked at Paris.

What the record establishes about Fabre d'Églantine. [Philippe François Nazaire Fabre d'Eglantine correspondence]. Recorded as politician, poet, playwright, writer and actor.