Evgenia Arbugaeva

Arbugaeva's photographic method involves living with her subjects long enough to become friends with them so they relax in front of her camera. For one of her projects, she traveled with Siberian hunters for the tusks of mammoths, newly exposed by global warming; she won the trust of the hunters by stitching up the injured hand of the head of the group. She often works without a camera, scouting locations that she returns to frequently until the lighting and inspiration combine for a photo. In 2010, when Arbugaeva returned to Tiksi, then becoming a ghost town, she photographed a teenage girl playing on the seashore. Inspired by the photo, she traveled back to Tiksi in 2011 to meet the girl and her family and to document their daily life. Despite the decline of the town and the difficulty of life there (which drove her host family to plan their own departure), her photos in this project are "bright and whimsical, their compositions and vivid colours redolent of the books she read there as a child." Arbugaeva learned of the weather stations of northern Russia in a dog sledding incident, when she and her father had to take shelter from bad weather at one of the stations. In her project "Weather Man", she took a two-month journey on an icebreaker to 22 of the stations, including the station at Khodovarikha, where she met at took a portrait of meteorologist Vyacheslav Korotki. In early 2014, she returned to Khodovarikha by helicopter for a two-and-a-half-week visit and photography session with Korotki. Based on this work, a much darker series of photos than the ones from Tiksi, she published a profile of Korotki in The New Yorker. Arbugaeva's other projects have included photographing nomadic Yakut reindeer herders in Sakha and "Amani", a sequence of fictionalized images set on an abandoned anthropological research station on a former German coffee plantation in Tanzania.