Eulalia Bernard

• Name — Eulalia Bernard • Birth Name — Maunrice Eulalee Bernard Little • Born — 7 July 1935 • Birthplace — Limón, Costa Rica • Died — 11 July 2021

She was born in Port Limón, Costa Rica, on July 7, 1935. Her parents were Carolina Little Crosby (also known as Carolina Bernard), a teacher with a transformative vision, and Christopher Bernard Jackson, a tailor. Both were Jamaican immigrants. Her mother supported her breaking with traditional racist culture, by getting roles such as the angel in Catholic events. For her primary schooling, Bernard attended Colegio Nuestra Señora de Sion in San José (Costa Rica) and secondary school at Colegio Diurno in Limón City. In 1956, she started working as a teacher. After teaching in San José and Heredia, she decided to continue studying at the university, becoming the first Afrodescendant woman to graduate from the School of Modern Languages. Later, at the Cardiff University in Wales, she did graduate studies in Linguistics and Educative Television. As part of her graduate studies, Bernard researched on the phonology of Limonese Creole in 1969, becoming a pioneer of the field.

Bernard was also a pioneer in the black political field within her country and the region. In the 1970s, she was a consolidated activist of the African diaspora. In the 1970s she released a recording of her poetry and the fact that she chose a record instead of the established print media to publish her poetry caused quite some controversy among the Latin American academics. In 1974, Bernard served as a cultural attaché in Jamaica. That same year, she proposed and led the "Educative Plan for Limón" at the Ministry of Public Education. The goal of this Plan was to have bilingual and bicultural education. However, the plan was interrupted because the Minister of the moment argued that the racism was a problem that was being imported to the country, as some personalities such as Harriet Tubman were part of the posters for the campaign. For the Plan, Bernard has taken advantage or her knowledge in linguistics. Additionally, Bernard's studies on educative television made her a precursor for the foundation of the Costa Rican public System for National Radio and Television. In 1977, she participated in the First Conference on Black Culture in the Americas. She was part of the executive committee, being one of the only two women in the body which included prominent figures such as Nelson Estupiñán Bass or Manuel Zapata Olivella. In 1978, Bernard was a protagonist figure in the First National Seminar of the Black People in Costa Rica; she was the only woman in the board of directors. The goal of the event was reviewing the conditions of the black community in Costa Rica as well as the structural racism of the country. In 1981, she established a Chair of Afro-American Cultural Studies at the University of Costa Rica. In 1982, with her book Ritmohéroe, Bernard became the first Afro-Costa Rican woman with a printed publication. The poetry in the book focused on her hometown Limon. From 1982 until 1993, she taught the class "Introduction to the African-American Culture: Africa in the Americas" at the University of Costa Rica. Part of Bernard's goals was having a political effect in her students, and among her students a prominent figure is Epsy Campbell, former vice-president of Costa Rica and the first woman of color on that position in the country. Bernard was also a professor for Afro-Caribbean literature in universities at the United States and Canada. She was invited to numerous international conferences to present about afrodescendants in the Caribbean, Europe, and the Americas. She also worked at the United Nations doing research on the creative works of black people in the Americas. With her writing and advocacy, Bernard has contributed to safeguarding the heritage of the African descent community and to passing it down.

In 1986, she was a candidate to congresswoman for the United People's Party. She was the first black candidate in a non-traditional and communist party, as there was a historic covenant of the black community and the National Liberation Party. She decided to break that covenant in response to the social inequalities of the time.

Her writing was mostly poetry: • 1976: Negritud, first publication in format of a vinyl record • 1982: Ritmohéroe, with 4 editions between 1982 and 1996 • 1991: My Black King, bilingual poetry collection • 1997: Griot • 2001: Ciénaga, 5 editions between 2001 and 2006 • 2011: Tatuaje A philosophy essay: • 1981, "Nuevo ensayo sobre la existencia y la libertad política", two editions in 1981, translated as "New Essay on the Existence and the Political Liberty"

Library of Congress - Eulalia Bernard reading and commenting on her work