Eugène Lenepveu

The authorities additionally record the headings Eugene Lenepren, Jules-Eugène Lenepveu, Eugene Lenepveu, Jules Eugene Lenepveu and Jules-Eugene Lenepveu. His recorded language was French.

Eugène Lenepveu studied at French Academy in Rome and Beaux-Arts de Paris. He trained under Jean-Michel Mercier and François-Édouard Picot.

As a teacher, Eugène Lenepveu is recorded in connection with Joséphine Berthault. Each of those relationships is stated by the authority record rather than inferred from style.

Eugène Lenepveu received Officer of the Legion of Honour and Prix de Rome. Work by Eugène Lenepveu is held by Musée des Beaux-Arts de la ville de Paris, Musée des Beaux-Arts de Quimper, Musée d'Orsay and Musée des Beaux-Arts d'Angers.

What the record establishes about Eugène Lenepveu.

Antigone Gives Token Burial to the Body of Her Brother Polynices is dated 1850 and held by Metropolitan Museum of Art (inventory 1991.267). Velleda. Effet de lune is dated 1883 and held by Musée des Beaux-Arts de Quimper (inventory 93-8-1). Eugène Lenepveu is recorded as having received Officer of the Legion of Honour and Prix de Rome. Purgatory is dated 1835–98 and held by The Metropolitan Museum of Art (inventory 1991.360). The Martyrs in the catacombs is dated 1855 and held by Musée d'Orsay (inventory RF 102). Death of Vitellius is dated 1847 and held by Musée d'Orsay (inventory RF MO P 2015 27).

The Metropolitan Museum of Art records 2 objects associated with this heading. Musée des Beaux-Arts de Quimper records 1 object associated with this heading. Musée d'Orsay records 2 objects associated with this heading. Eugène Lenepveu is recorded with the citizenship of France. Eugène Lenepveu is recorded as painter and decorator. Joan of Arc is dated 1880 and held by Panthéon.

The Metropolitan Museum of Art catalogues 1 work under this heading. The Cleveland Museum of Art catalogues 2 works under this heading. Wikidata Query Service catalogues 5 works under this heading.

The identifiers under which Eugène Lenepveu may be traced in institutional catalogues.

Eugène Lenepveu is established in the international name authorities as Wikidata Q1543513.

8 works under this name are catalogued by Wikidata Query Service, The Metropolitan Museum of Art and The Cleveland Museum of Art. Their recorded dates run from 1800 to 1883.

The Martyrs in the catacombs, dated 1855, held by Musée d'Orsay, inventory RF 102. Joan of Arc, dated 1880, held by Panthéon. Death of Vitellius, dated 1847, held by Musée d'Orsay, inventory RF MO P 2015 27. Velleda. Effet de lune, dated 1883, held by Musée des Beaux-Arts de Quimper, inventory 93-8-1. Antigone Gives Token Burial to the Body of Her Brother Polynices, dated 1850, held by Metropolitan Museum of Art, inventory 1991.267. Purgatory, dated 1835–98, graphite, heightened with white, on beige paper, held by The Metropolitan Museum of Art, inventory 1991.360. Sketch of the Dead Christ, and Detail Sketch of Loincloth, dated 1800s, graphite, held by The Cleveland Museum of Art, inventory 1982.370. Sketch of the Dead Christ Lying by the Sepulchre, dated 1800s, graphite, held by The Cleveland Museum of Art, inventory 1982.371.

Work associated with this heading is recorded in 6 named public collections.

Musée d'Orsay: 2 recorded objects, read from the institution's own published catalogue. Panthéon: 1 recorded object, read from the institution's own published catalogue. Musée des Beaux-Arts de Quimper: 1 recorded object, read from the institution's own published catalogue. Metropolitan Museum of Art: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 2 recorded objects, read from the institution's own published catalogue. The Cleveland Museum of Art: 2 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 12 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Eugène Lenepveu studied at French Academy in Rome and Beaux-Arts de Paris. training under Jean-Michel Mercier and François-Édouard Picot is recorded. Joséphine Berthault is recorded as having studied under Eugène Lenepveu. the recorded working language is French.

Places of work recorded in the authority are Rome. Positions recorded include director of the French Academy in Rome. Membership is recorded of Académie des beaux-arts.

Works named in the authority record are The Martyrs in the catacombs.

Work by Eugène Lenepveu is recorded in the collections of Musée des Beaux-Arts de la ville de Paris, Musée des Beaux-Arts de Quimper, Musée d'Orsay, Musée des Beaux-Arts d'Angers and Musée Pincé.

Distinctions recorded are Officer of the Legion of Honour and Prix de Rome.