Emmanuel Lubezki
Emmanuel Lubezki Morgenstern (Spanish pronunciation: [emaˈnwel luˈβeski]; born November 30, 1964) is a Mexican cinematographer. Lubezki is known for uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera. He is also known for his frequent collaborations with Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.
Also recorded as "El Chivo" Lubezki · Emmanuel Lubezki Morgenstern · Chivo
Emmanuel Lubezki
- Born
- 1964.
- Nationality
- Mexico.
- Occupation
- cinematographer, film director, photographer, film producer and painter.
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Emmanuel Lubezki Morgenstern (Spanish pronunciation: [emaˈnwel luˈβeski]; born November 30, 1964) is a Mexican cinematographer. Lubezki is known for uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera. He is also known for his frequent collaborations with Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.
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wikidata · Q704378 · wikipedia · Emmanuel Lubezki
In this article
Early life and education
Early life and education
He has received numerous accolades including three consecutive wins for the Academy Award for Best Cinematography for the science fiction thriller Gravity (2013), the dark comedy Birdman (2014), and the epic western The Revenant (2015). He was Oscar-nominated for his work on A Little Princess (1995), Sleepy Hollow (1999), The New World (2005), Children of Men (2006), and The Tree of Life (2011). Lubezki is a member of both the Mexican Society of Cinematographers and the American Society of Cinematographers. Lubezki won the Royal Photographic Society Lumière Award for major achievement in cinematography, video or animation in 2016.
Lubezki was born to a Jewish family in Mexico City, Mexico. His father was actor and producer Muni Lubezki. His paternal grandfather is Lithuanian Jewish while his grandmother is also Jewish, from Russia. Lubezki studied film at Mexico's Centro Universitario de Estudios Cinematográficos (CUEC), where he met Alfonso Cuarón. Lubezki is the cousin of billionaire businessman Daniel Lubetzky.
Career
Career
Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks. Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school at the National Autonomous University of Mexico. Together they have worked on six motion pictures: Sólo Con Tu Pareja, A Little Princess, Great Expectations, Y Tu Mamá También, Children of Men, and Gravity. His work with Cuarón on Children of Men was praised for utilizing a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system. For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits. Lubezki won his first Academy Award for Best Cinematography for his work on Cuarón's Gravity, a thriller set in outer space. The film was praised for the way it combined two shots through digital backgrounds of space to create the illusion of scenes done in a single shot. Lubezki won his second Academy Award in the following year for his work on Alejandro González Iñárritu's Birdman. The film used a similar technique from Gravity, being very unusual in the way the entire movie was shot so as to appear to be photographed in one continuous take. Lubezki won the award again in 2015 for Iñárritu's The Revenant, becoming a milestone for his third consecutive win and for being the first cinematographer to do so. The film was shot entirely in the wilderness during a cold season, minimizing the amount of CGI and using only natural lighting. The process proved to be extremely difficult, which required a limited amount of time to shoot each scene, thus causing production delays, budget overruns, and changes of locations for proper settings. Despite everything, the movie became both a commercial and a critical success, with much praise towards its atmospheric tone and realism.
Television
Television
TV shorts
Life and career
Dated record
Life and career
The full dated record · 1 entries
1964
Emmanuel Lubezki born at Mexico City.
Style and reception
Lubezki is known for groundbreaking uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera to orchestrate fluid, uninterrupted camera movements during particularly significant scenes. He is also known for his frequent collaborations with directors Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu. Lubezki is a member of both the Mexican Society of Cinematographers and the American Society of Cinematographers. Lubezki won the Royal Photographic Society Lumière Award for major achievement in cinematography, video or animation in 2016.
Primary material
Documents and archives
reference work
- “Emmanuel Lubezki”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
- Wikidata, structured authority record Q704378: Emmanuel Lubezki
Reputable secondary · Wikidata
scholarly publication
- Emmanuel Lubezki, A.S.C, Contemporary Cinematographers on Their Art, 1998
Scholarly · Crossref registry · 1998
Awards and nominations
Lubezki has been recognized by the Academy of Motion Picture Arts and Sciences for the following films: 68th Academy Awards: Best Cinematography, nomination, A Little Princess (1995) 72nd Academy Awards: Best Cinematography, nomination, Sleepy Hollow (1999) 78th Academy Awards: Best Cinematography, nomination, The New World (2005) 79th Academy Awards: Best Cinematography, nomination, Children of Men (2006) 84th Academy Awards: Best Cinematography, nomination, The Tree of Life (2011) 86th Academy Awards: Best Cinematography, win, Gravity (2013) 87th Academy Awards: Best Cinematography, win, Birdman (2014) 88th Academy Awards: Best Cinematography, win, The Revenant (2015)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Internet Encyclopedia of Cinematographers. Emmanuel Lubezki.
- 2.Grabinsky, Alan. Mexican Cinematographer Emmanuel Lubezki Hits His Stride. Tablet. February 24, 2016.
- 3.Rogers, Pauline B. Contemporary Cinematographers on Their Art. CRC Press. 2015. 978-1136045783.
- 4.Bloom, Nate. The tribe at the Oscars, 2016. Jewish Standard. February 25, 2016.
- 5.6 Things You Probably Didn't Know About Mexican Oscar Nominee Emmanuel Lubezki. Remezcla. 25 February 2014.
- 6.Armas, Marissa. In video ad, KIND Snacks founder tackles plight of border with 'kindness'. NBC News. 3 January 2018.
- 7.Cuaron, Lubezki Talk Mistakes, Long Takes and How Peter Gabriel Made 'Gravity' Possible. Variety. February 13, 2014.
- 8.Children of Men. Metacritic.
- 9.Doggicam Systems. Two Axis Dolly.
- 10.Corliss, Richard. Gravity at the Venice Film Festival: Dread and Awe in Space. Time. 2013-08-28.
- 11.Scott, A.O. Between Earth and Heaven. The New York Times. 2013-10-03.
- 12.nofilmschool.com. Emmanuel Lubezki, DP of 'Gravity', Expounds on Cinematography in the Virtual Age. October 8, 2013.
- 13.Giardina, Carolyn. Oscars: 'Birdman' Cinematographer Reveals Secrets Behind Movie's Ingenious "Single Shot" Look. The Hollywood Reporter. December 30, 2014.
- 14.Alejandro Innaritu Wins Best Director Oscar For The Revenant. Deadline. February 28, 2016.
References
Citations
References
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scholarly publication
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Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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