Emil Paur
Paur was born in Czernowitz, Austrian Empire, now Chernivtsi, Ukraine, to a Romanian family, and trained in Vienna before working as a conductor in Kassel, Königsberg and Leipzig. He then emigrated to the United States where he led the Boston Symphony Orchestra from 1893 to 1898, New York Philharmonic from 1898 to 1902 and Pittsburgh Symphony from 1904 to 1910. After returning to Germany, he went on to conduct the Berlin State Opera.
Emil Paur
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Paur was considered a serious conductor, favouring the works of Johannes Brahms, which were at the time considered heavy listening. He played both the violin and piano. He recorded 23 works on Welte-Mignon reproducing piano rolls. Paur died in Místek, Czechoslovakia, now the Czech Republic.
Paur was born in Czernowitz, Austrian Empire, now Chernivtsi, Ukraine, to a Romanian family, and trained in Vienna before working as a conductor in Kassel, Königsberg and Leipzig. He then emigrated to the United States where he led the Boston Symphony Orchestra from 1893 to 1898, New York Philharmonic from 1898 to 1902 and Pittsburgh Symphony from 1904 to 1910. He was married to pianist Maria Burger from 1862 until her death in 1899. After returning to Germany, he went on to conduct the Berlin State Opera. Paur was considered a serious conductor, favouring the works of Johannes Brahms, which were at the time considered heavy listening. He played both the violin and piano. He recorded 23 works on Welte-Mignon reproducing piano rolls. Paur died in Místek, Czechoslovakia, now the Czech Republic.
Page from The Century Magazine Vol. 69
Richard Aldrich
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The biographical narrative on this page is based on the Wikipedia article Emil Paur, revision 1353989874 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. Vestal, N.Y: Published by Vestal Press for the Automatic Musical Instrument Collectors' Association, 1994, p. 404.
- 2.Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. Vestal, N.Y: Published by Vestal Press for the Automatic Musical Instrument Collectors' Association, 1994, p. 404.
- 3.Smith, Charles D, and Richard J. Howe. The Welte-Mignon: Its Music and Musicians. Vestal, N.Y: Published by Vestal Press for the Automatic Musical Instrument Collectors' Association, 1994, p. 405.
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