Elizabeth A. LeCompte

• Name — Elizabeth LeCompte • Born — 28 April 1944 • Birthplace — New Jersey, U.S. • Occupation — Director • Partner — Willem Dafoe (1977–2004) • Children — 1

LeCompte was born and grew up in New Jersey. She earned a Bachelor of Science degree in Fine Arts from Skidmore College. She met director and actor Willem Dafoe at The Performance Group and began a professional and personal relationship. Their son, Jack, was born in 1982. With The Wooster Group, she has composed, designed, and directed over forty works for theater, dance, film and video, starting with Sakonnet Point in 1975. These works characteristically interweave performance with multimedia technologies and are strongly influenced by historical and contemporary visual arts and architecture. She is known both for taking apart and reworking classics such as Hamlet, The Emperor Jones, and The Hairy Ape as well as constructing new works from scratch. Prior to her work with The Wooster Group, she was a member of the experimental theater company The Performance Group from 1970 to 1975. Subsequently, LeCompte and Spalding Gray founded The Wooster Group, along with Jim Clayburgh, Willem Dafoe, Peyton Smith, Kate Valk, and Ron Vawter. For her work with these groups, LeCompte was included in Mitter and Shevtsova's 2004 volume discussing 50 influential theater directors around the world. Other writers consistently include her in the lineage of experimental theater artists that passes through Meyerhold and Grotowski to the present generation of "postdramatic" theater makers. As a New Yorker writer put it: "Luminaries of the theatrical avant-garde—Richard Foreman, Robert Wilson, and Peter Sellars among them—describe her as first among equals". LeCompte has lectured and taught at American University, the Art Institute of Chicago, Columbia University, Connecticut College, the Lincoln Center Theatre Directors Lab, Massachusetts Institute of Technology, New York University, Northeastern University, the O’Neill Center, Smith College, the University of London, and the Yale School of Drama. In 2018, The New York Times critics ranked House/Lights the 16th greatest American play since Angels in America.

• Sakonnet Point (1975) • Rumstick Road (1977) • Nayatt School (1978) • Point Judith (an epilog) (1979)

• Route 1 & 9 (1981) • L.S.D. (…Just the High Points…) (1984) • Frank Dell’s The Temptation of St. Antony (1988) • North Atlantic (1984, 1999, 2010) • Brace Up! (1991, 2003) • The Emperor Jones (1993, 2006) • Fish Story (1994) • The Hairy Ape (1996) • House/Lights (1998, 2005) • To You, The Birdie! (Phèdre) (2002) • Poor Theater (2004) • Who’s Your Dada?! (2006) • Hamlet (2007, 2012) • La Didone (2009) • Vieux Carré (2011) • Troilus and Cressida (2012) — a collaboration with the Royal Shakespeare Company; directed by Elizabeth LeCompte and Mark Ravenhill • Cry, Trojans! (Troilus & Cressida) (2014) • Early Shaker Spirituals (2014) • The Room (2016) • The Town Hall Affair (2017) • A Pink Chair (In Place of a Fake Antique) (2018) • Nayatt School Redux (2019) • The Mother (2021) • Symphony of Rats (2024)

• Hula (1981) • For the Good Times (1982) • Dances with T.V. and Mic (1998) • Erase-E(X) (2004) (with JoJi Inc.) • I Am Jerome Bel (2008)

• The Emperor Jones (BBC Radio 3 play - 1998) • Racine’s Phèdre (BBC Radio 3 play - 2000)

In 1977 LeCompte began a relationship with actor Willem Dafoe. They never married and ended their relationship in 2004 after 27 years. The couple has one son: Jack.