Elissa Landi

• Name — Elissa Landi • Born — 6 December 1904 • Birthplace — Venice, Italy • Died — 21 October 1948 • Place of death — Kingston, New York, U.S. • Birth Name — Elizabeth Marie Christine von Kühnelt • Spouse — John Cecil Lawrence (m. 1928; div. 1936) Curtis Kinney Thomas (1905-2002) (m. 1943) • Children — 1 • Years Active — 1926–1943 • Occupation — Actress • Illustration — Landi in 1932

Landi was born Elizabeth Marie Christine von Kühnelt in Venice, Italy, to Austrian Richard Kühnelt and his wife Caroline (later, "Countess Caroline Zanardi Landi"). She was raised in the village of Kleinhart in Lower Austria near Vienna until the divorce of her parents. Later on she was educated in England. From 1928 to 1936, she was married to John Cecil Lawrence, and from 1943 to 1948 to Curtis Kinney Thomas. Landi's first ambition was to be an author. She wrote her first novel at the age of twenty, and returned to writing during lulls in her acting career. She debuted on stage in Dandy Dick (1923). She joined the Oxford Repertory Company at an early age, and appeared in many successful British and American stage productions. In 1926 she starred in Dorothy Brandon's Blind Alley in the West End. During the 1920s she appeared in British, French, and German films before traveling to the United States to appear in a Broadway production of A Farewell to Arms (1930). Her other Broadway credits included Empress of Destiny (1938), Apology (1943), and Dark Hammock (1944). She was signed to a contract by Fox Film Corporation (later 20th Century Fox) in 1931. She was paired successfully with some of the major leading men, including David Manners, Charles Farrell, Warner Baxter, and Ronald Colman, in romantic dramas such as Body and Soul (1931, which also featured Humphrey Bogart). In 1931, she starred in the Fox feature The Yellow Ticket along with a young Laurence Olivier, Lionel Barrymore, and Boris Karloff. Raoul Walsh directed. The film was based on Michael Morton's 1914 play and was about a young Jewish girl who obtains a prostitute's passport during a period when Jews were not allowed such freedom so that she can travel in Czarist Russia to visit her sick father. • Illustration — Trailer for The Sign of the Cross (1932) Fox lent her to Paramount in 1932 to play Mercia, the female lead in Cecil B. DeMille's The Sign of the Cross adapted from the play of the same name. DeMille said he chose her for the role because "[t]here is the depth of the ages in her eyes, today in her body and tomorrow in her spirit." Landi traveled with Katharine Hepburn. She starred in the box office hit The Count of Monte Cristo (1934) with Robert Donat. Her contract with Fox was abruptly cancelled in 1936 when she refused a particular role. Metro-Goldwyn-Mayer signed her, and after a couple of romantic dramas, she played the cousin of Myrna Loy in After the Thin Man (1936). She retired from acting in 1943, after making only two more films. Landi became a naturalized U.S. citizen in 1943 and dedicated herself to writing, producing six novels and a series of poems. She had published her first novel as early as age nineteen. She continued writing novels at the height of her movie fame and for the rest of her short life. She died from cancer in Kingston, New York, at age 43 and was buried at Oak Hill Cemetery in Newburyport, Massachusetts. Landi has a star on the Hollywood Walk of Fame for her contributions to Motion Pictures, at 1611 Vine Street.

• Illustration — Robert Donat and Landi in The Count of Monte Cristo (1934) • Illustration — Lobby card for After the Thin Man (1936) • Year — Film — Role — Director — Notes • 1926 — London — Alice Cranston — Herbert Wilcox — Lost film • 1928 — Bolibar — Françoise-Marie / La Monita — Walter Summers • Underground — Nell — Anthony Asquith • Sin — Jeanne, Gérard's Wife — Gustaf Molander • 1929 — The Inseparables — Velda — John Stafford • 1930 — The Parisian — | Yvonne — Jean de Limur • Knowing Men — Korah Harley — Elinor Glyn • The Price of Things — Anthea Dane — Elinor Glyn • Children of Chance — Binnie/Lia Monta — Alexander Esway • 1931 — Body and Soul — Carla — Alfred Santell • Always Goodbye — Lila Banning — William Cameron Menzies • Wicked — Margot Rande — Allan Dwan • The Yellow Ticket — Marya Kalish — Raoul Walsh • 1932 — Devil's Lottery — Evelyn Beresford — Sam Taylor • The Woman in Room 13 — Laura Ramsey — Henry King • A Passport to Hell — Myra Carson — Frank Lloyd • The Sign of the Cross — Mercia — Cecil B. DeMille • 1933 — The Warrior's Husband — Antiope — Walter Lang • I Loved You Wednesday — Vicki Meredith — William Cameron Menzies • The Masquerader — Eve Chilcote — Richard Wallace • By Candlelight — Marie — James Whale • 1934 — Man of Two Worlds — Joan Pemberton — J. Walter Ruben • The Great Flirtation — Zita Marishka — Ralph Murphy • Sisters Under the Skin — Judy O'Grady aka Blossom Bailey — David Burton • The Count of Monte Cristo — Mercedes de Rosas — Rowland V. Lee • 1935 — Königsmark — Princess Aurore — Maurice Tourneur • Enter Madame — Lisa Della Robbia — Elliott Nugent • Without Regret — Jennifer Gage — Harold Young • 1936 — The Amateur Gentleman — Lady Cleone Meredith — Thornton Freeland • Mad Holiday — Peter Dean — George B. Seitz • After the Thin Man — Selma Landis — W. S. Van Dyke • 1937 — The Thirteenth Chair — Helen Trent — George B. Seitz • 1943 — Corregidor — | Dr. Royce Lee — William Nigh

• Year — Program — Episode/source • 1943 — Suspense — "Nothing Up My Sleeve"

Elissa Landi was recorded at birth as Elisabeth Marie Christine Kühnelt. She also worked under the name Elissa Landi. The authorities additionally record the heading Elisabeth Marie Christine Kühnelt.

Elissa Landi is recorded as writer and actress.