Eliseo Meifrén y Roig
Illustration — Eliseo Meifrèn; drawing by Ramon Casas (date unknown) Eliseo Meifrèn i Roig (24 December 1857/59, Barcelona – 5 February 1940, Barcelona) was a Spanish Impressionist painter.
Also recorded as Eliseo Meifrèn Roig · Meifren y Roig · Eliseu Meifrèn i Roig · Eliseo Meifrén i Roig
Eliseo Meifrén y Roig

Antonio Napoleon · Els Napoleons. ISBN:9788498502961 · Public domain
- Born
- 1859 · Barcelona.
- Nationality
- Spain
- Occupation
- painter
- Fields
- sardana
- Movements
- Catalan modernism
- Education
- Escola de la Llotja
- Languages
- Spanish · Catalan
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Eliseo Meifrèn; drawing by Ramon Casas (date unknown) Eliseo Meifrèn i Roig (24 December 1857/59, Barcelona – 5 February 1940, Barcelona) was a Spanish Impressionist painter.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Eliseo Meifrén y Roig. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q8774927
In this article
Biography
Biography
Eliseo Meifrén y Roig studied at Escola de la Llotja. The recorded working language is Spanish and Catalan. Subjects and genres recorded for the work are sardana. Places of work recorded in the authority are France and United States. Work by Eliseo Meifrén y Roig is recorded in the collections of Museo del Prado, Museu del Modernisme Català, Maritime Museum of Barcelona, Biblioteca Museu Víctor Balaguer and Museu Nacional d'Art de Catalunya.
Following his passion for art, he gave up the study of medicine and enrolled at the Escola de la Llotja, where his teachers were Antoni Caba and Ramon Martí Alsina. In 1879, he went to Paris and supported his studies by selling small canvases and sketches of cityscapes. His style was, however, decisively influenced by a brief tour of Italy. Upon his return to Spain in 1881, he participated in the National Exhibition of Fine Arts. • Illustration — Peasant on a Path (1882) The following year, he married, honeymooned in Paris, and settled there. His first personal exhibition came in 1890 at the Sala Parés in Barcelona, where he presented seventy oils and surprised everyone by auctioning off the works that did not sell, with his friend Santiago Rusiñol acting as the appraiser. He used the proceeds to return to Italy. In 1892, he went back to Paris and began to associate with the Impressionists, producing changes in his use of colors. Five years later, he accepted an invitation from the President of the "Gabinete Literario", and moved to Las Palmas in the Canary Islands. His home there became a makeshift art academy, where Néstor Martín-Fernández de la Torre was one of his students.
More travels
More travels
His fame peaked at the turn of the century, with exhibitions in South America as well as Europe. However, after the commercial failure of his works at the "Real Círculo Artístico de Barcelona", he decided to move to Buenos Aires. He arrived there in 1903, held his first exhibition shortly after and organized a large exposition of Catalan painters in 1904, including five pastels by Pablo Picasso. In 1905, he was offered the position of Director at the "Escola de d´Arts i Oficis de Palma" on Mallorca, accepted, and moved again. He continued to travel however, to France, Italy, Buenos Aires and Brussels, where he participated in the International Exposition, winning the Silver Medal. In 1915, he travelled to the United States to promote himself at the Panama–Pacific International Exposition, receiving honorable mention, and won the Grand Prize at an exhibition in San Diego. He then settled briefly in New York, where he displayed his paintings of Mallorca and Cadaqués, a village where he had spent his summers since 1886. Finally, in 1917, he returned to Barcelona to stay. His wife died in 1924 and he remarried in 1930. When the Spanish Civil War began, he and his family fled to Manresa, where they lived as refugees until 1939. In December of that year, his final exhibition was held in Barcelona at the Sala Gaspar. It was a critical and financial success, but he was too ill to attend. A few weeks later, his health worsened rapidly and he died in February, in his home city of Barcelona. • Illustration — View of Pontevedra (1908)

Meifren en Buenos Aires
Wikimedia Commons
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Meifrén Roig, Eliseo.
- 2.Fichero de Autoridades Virtual Internacional
- 3.Plaza de París, Museo del Prado, Colección.
- 4.Vista sobre el Sena, Museo del Prado, Colección
- 5.Mallorca, Museo del Prad. Colección.
- 6.Vista de Palma, Es Baluard.
- 7.Patio, Museo Carmen Thyssen Málaga. Obras.
- 8.Jardí de Mallorca, Es Baluard.
- 9.Marina con una boya, Muse del Prado, Colección
- 10.El Marne, Museu Nacional d'Art de Catalunya, Colección.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
19,065 published records in this field, each with its sources named.
- Elise Ransonnet-VillezArtist
- Elise ReynoldsArtist
- Elise Thérèse Koekkoek-DaiwailleArtist
- Elise von Jung-StillingArtist
- Eliseo SalaArtist
- Eliseu ViscontiArtist
- Elish LamontArtist
- Eliza Allen StarrArtist
Best supported in this field
For owners
Own a work by Eliseo Meifrén y Roig?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.