Eileen Atkins

She was appointed Commander of the Order of the British Empire (CBE) in 1990 and Dame Commander of the Order of the British Empire (DBE) in 2001. Atkins joined the Royal Shakespeare Company in 1957 and made her Broadway debut in the 1966 production of The Killing of Sister George, for which she received the first of four Tony Award nominations for Best Actress in a Play in 1967. She received subsequent nominations for Vivat! (1972), Indiscretions (1995) and The Retreat from Moscow (2004). Other stage credits include The Tempest (Old Vic 1962), Exit the King (Edinburgh Festival and Royal Court 1963), The Promise (New York 1967), The Night of the Tribades (New York 1977), Medea (Young Vic 1985), A Delicate Balance (Haymarket, West End 1997) and Doubt (New York 2006). Atkins co-created the television dramas Upstairs, Downstairs (1971–1975) and The House of Elliot (1991–1994) with Jean Marsh. She also wrote the screenplay for the 1997 film Mrs Dalloway. Her film appearances include I Don't Want to Be Born (1975), Equus (1977), The Dresser (1983), Let Him Have It (1991), Wolf (1994), Jack and Sarah (1995), Gosford Park (2001), Cold Mountain (2003), Vanity Fair (2004), Scenes of a Sexual Nature (2006), Evening (2007), Last Chance Harvey (2008), Robin Hood (2010) and Magic in the Moonlight (2014).

Eileen Atkins studied at Guildhall School of Music and Drama and The Latymer School. The recorded working language is English. Works named in the authority record are Gosford Park and The Crown. Distinctions recorded are Laurence Olivier Awards, Dame Commander of the Order of the British Empire, Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie and Evening Standard Theatre Award for Best Actress.

• Honorific Prefix — Dame • Name — Eileen Atkins • Birth Name — Eileen June Atkins • Born — 15 June 1934 • Birthplace — Clapton, London, England • Occupation — Actress, writer • Education — Guildhall School of Music and Drama • Years Active — 1953–present • Spouse — * *

Atkins was born in the Mothers' Hospital in Lower Clapton, a Salvation Army maternity hospital in east London. Her mother, Annie Ellen (née Elkins), was a barmaid who was 46 when Eileen was born, and her father, Thomas Arthur Atkins, was a gas meter reader who was previously under-chauffeur to the Portuguese Ambassador. She was the third child in the family and when she was born the family moved to a council home in Tottenham. Her father did not, in fact, know how to drive and was responsible, as under-chauffeur, mainly for cleaning the car. At the time Eileen was born, her mother worked in a factory by day and then as a barmaid in the Elephant & Castle at night. When Eileen was three, a Romani woman came to their door selling lucky heather and clothes pegs. She saw little Eileen and told her mother that her daughter would be a famous dancer. Her mother promptly enrolled her in a dance class. Although she hated it, she studied dancing from age 3 to 15 or 16. From age 7 to 15, which covered the last four years of the Second World War (1941–45), she danced in working men's club circuits for 15 shillings a time as "Baby Eileen". During the war, she performed as well at London's Stage Door canteen for American troops and sang songs like "Yankee Doodle." At one time she was attending dance class three or four times a week. Once, when she was given a line to recite, someone told her mother that she had a Cockney accent. Her mother was appalled but speech lessons were too expensive for the family. Fortunately, a woman took interest in her and paid for her to be educated at Parkside Preparatory School in Tottenham. Eileen Atkins has since publicly credited the Principal, Miss Dorothy Margaret Hall, for the wise and firm guidance under which her character developed. From Parkside she went on to The Latymer School, a grammar school in Edmonton, London. By 12, she was a professional in panto in Clapham and Kilburn. One of her grammar school teachers who used to give them religious instruction, an Ernest J. Burton, spotted her potential and, without charge, rigorously drilled away her Cockney accent. He also introduced her to the works of William Shakespeare. She studied under him for two years. When she was 14 or 15 and still at Latymer, Atkins also attended "drama demonstration" sessions twice a year with this same teacher. At around this time (though some sources say she was 12), her first encounter with Robert Atkins took place. She was taken to see Atkins' production of King John at the Regent's Park Open Air Theatre. She wrote to him saying that the boy who played Prince Arthur was not good enough and that she could do better. Atkins wrote back and asked that she come to see him. On the day they met, Atkins thought she was a shop girl and not a school girl. She gave a little prince speech and he told her to go to drama school and come back when she was older. Burton came to an agreement with Eileen's parents that he would try to get her a scholarship for one drama school and that if she did not get the scholarship he would arrange for her to do a teaching course in some other drama school. Her parents were not at all keen on the fact that she would stay in school until 16 as her sister had left at 14 and her brother at 15 but somehow they were persuaded. Eileen was in Latymer's until 16. Out of 300 applicants for a RADA scholarship, she got down to the last three but was not selected, so she did a three-year course on teaching at the Guildhall School of Music and Drama. But, although she was taking the teaching course, she also attended drama classes and in fact performed in three plays in her last year. This was in the early 1950s. In her third and last year she had to teach once a week, an experience she later said she hated. She graduated from Guildhall in 1953. As soon as she left Guildhall, Atkins got her first job with Robert Atkins in 1953: as Jaquenetta in Love's Labour's Lost at the same Regent's Park Open Air Theatre where she was brought to see Atkins' King John production years before. She was also, very briefly, an assistant stage manager at the Oxford Playhouse until Peter Hall fired her for impudence. She was also part of repertory companies performing in Billy Butlin's holiday camp in Skegness, Lincolnshire. It was there when she met Julian Glover. It took nine years (1953–62) before she was working steadily.

Atkins joined the Guild Players Repertory Company in Bangor, County Down, Northern Ireland, as a professional actress in 1952. She appeared as the nurse in Harvey at the Repertory Theatre, Bangor, in 1952. In 1953 she appeared as an attendant in Love's Labours Lost at the Regent's Park Open Air Theatre. Her London stage debut was in 1953 as Jaquenetta in Robert Atkins's staging of Love's Labour's Lost at the Open Air Theatre in Regent's Park. Atkins has regularly returned to the life and work of Virginia Woolf for professional inspiration. She has played the writer on stage in Patrick Garland's adaptation of A Room of One's Own and also in Vita and Virginia, winning the Drama Desk Award for Outstanding One-Person Show and an Obie Award for A Room of One's Own in which she also played in the 1990 television version; she also provided the screenplay for the 1997 film adaptation of Woolf's novel Mrs. Dalloway, and made a cameo appearance in the 2002 film version of Michael Cunningham's Woolf-themed novel, The Hours. Atkins joined the Stratford Memorial Theatre Company in 1957 and stayed for two seasons. She was with the Old Vic in its 1961–62 season (she appeared in the Old Vic's Repertoire Leaflets of February–April 1962 and April–May 1962).

Atkins had a guest role in BBC Radio 4's long-running rural soap The Archers in September 2016, playing Jacqui, the juror who persuades her fellow jurors to acquit Helen Titchener (née Archer) of the charge of attempted murder and wounding with intent of her abusive husband, Rob.

Atkins was married to actor Julian Glover in 1957; they divorced in 1966. A day after his divorce, Glover married actress Isla Blair. She married her second husband, Bill Shepherd, on 2 February 1978. Shepherd died on 24 June 2016. In 1997, she wrote the screenplay for Mrs Dalloway, starring Vanessa Redgrave. The film received positive reviews but was a box-office failure. It was a financial disaster for Atkins and her husband, who had invested in it. She said of this incident: "I have to work. I was nearly bankrupted over Mrs Dalloway, and if you are nearly bankrupted, you are in trouble for the rest of your life. I don't have a pension. In any case, it doesn't hurt me to work. I think it's quite good, actually." In 1995, Atkins was diagnosed with breast cancer and treated for the condition. Living alone in widowhood during the COVID lockdown, Atkins completed her autobiography Will She Do?. She read an abridged version on BBC Radio 4.

• Year — Title — Role — Notes • 1959 — Hilda Lessways — Maggie Clayhanger — 6 episodes • 1960 — An Age of Kings — Performer — 3 episodes • 1961 — Emergency – Ward 10 — Miss Spinks — 2 episodes • ITV Playhouse — Girl — Episode: "The Square" • 1964 — Z-Cars — Grace Patchett — Episode: "A Stroll Along the Sands" • The Massingham Affair — Charlotte Verney — 6 episodes • 1964–1965 — ITV Play of the Week — Norma/Kathy — 2 episodes • 1965 — Knock on Any Door — Ruth — Episode: "Close Season" • 1966 — Major Barbara — Barbara — Television film • 1968 — Theatre 625 — Eileen — Episode: "Party Games" • Half Hour Story — Her — Episode: "Nothing's Ever Over" • The Sex Game — Performer — Episode: "Women Can Be Monsters" • 1965–1969 — The Wednesday Play — 4 episodes • 1969–1970 — W. Somerset Maugham — Various — 2 episodes • 1970 — Solo — Mary Kingsley — Episode: "Eileen Atkins as Mary Kingsley" • 1972 — Stage 2 — The Duchess — Episode: "The Duchess of Malfi" • 1969–1972 — BBC Play of the Month — Performer — 4 episodes • 1974 — The Lady from the Sea — Ellida Wangel — Television film • 1975 — Affairs of the Heart — Kate Cookman — Episode: "Kate" • 1978 — She Fell Among Thieves — Vanity Fair — Television film • 1980 — Sons and Lovers — Gertrude Morel — Mini-series; 7 episode • 1981 — Celebrity Playhouse — Stella Kirby — Episode: "Eden's End" • 1982 — Smiley's People — Madame Ostrakova — 4 episodes • Oliver Twist — Mrs. Mann — Television film • 1983 — Nelly's Version — Nelly Dean • 1985 — The Burston Rebellion — Kitty Higdon — See Burston Strike School • 1986 — Breaking Up — Mrs. Mailer — 4 episodes • 1985–1987 — Screen Two — Performer — 2 episodes • 1987 — A Hazard of Hearts — Lady Harriet's Maid — Television film • 1991 — A Room of One's Own — Virginia Woolf — Television film • 1992 — The Lost Language of Cranes — Rose Benjamin — Television film • Mistress of Suspense — Mrs. Waggoner — Episode: "The Stuff of Madness" • 1993 — Performance — Mrs. May Maitland — Episode: "The Maitlands" • 1995 — Cold Comfort Farm — Judith Starkadder — Television film • 1997 — A Dance to the Music of Time — Brightman — Episode: "Post War" • 1998 — Talking Heads 2 — Celia — Episode: "The Hand of God" • 2000 — Tales from the Madhouse — The Mourner — Episode: "The Mourner" • David Copperfield — Miss Jane Murdstone — Television film • 2001 — The Sleeper — Violet Moon • Wit — Evelyn Ashford • 2002 — Bertie and Elizabeth — Queen Mary • 2003 — Love Again — Eva Larkin • 2007 — Agatha Christie's Marple — Lady Tressilian — Episode: "Towards Zero" • Waking the Dead — Abigail Dusniak — Episode: Yahrzeit • Cranford — Miss Deborah Jenkyns — 2 episodes • Ballet Shoes — Madame Fidolia — Television film • 2009–2011 — Psychoville — Edwina Kenchington — 8 episodes • 2010 — Upstairs Downstairs — Maud, Lady Holland — 3 episodes • Agatha Christie's Poirot — Princess Natalia Dragomiroff — Episode: "Murder on the Orient Express" • Rosamunde Pilcher's Shades of Love — Violet Aird — 2 episodes • 2014 — This Is Jinsy — Miss Penny — Episode: "Penny's Pendant" • 2016 — The Crown — Queen Mary — Main role; 5 episodes • 2017 — Carnage — Dorothy — Television film • 2011–2022 — Doc Martin — Ruth Ellingham — 46 episodes

• Year — Title — Role — Playwright — Venue • 1957 — Cymbeline — Performer — William Shakespeare — Shakespeare Memorial Theatre • The Tempest — Shakespeare Memorial Theatre Theatre Royal, Drury Lane • The Vigil — Magdalen — Ladislas Fodor — Shakespeare Memorial Theatre • 1958 — Romeo and Juliet — Performer — William Shakespeare • Hamlet — Lady • Pericles — Diana • Much Ado About Nothing — Performer • 1958–1959 — Romeo and Juliet, Hamlet — Performer, Lady — Tour • 1961 — Roots — Beatie Bryant — Arnold Wesker — Bristol Old Vic • The Square — Girl — Marguerite Duras — Bromley Little Theatre • 1962 — Twelfth Night — Viola — William Shakespeare — The Old Vic • Richard III — Queen • The Tempest — Miranda • Semi-Detached — Eileen Midway — David Turner — Saville Theatre • 1963 — The Provoked Wife — Lady Brute — John Vanbrugh — Georgian Theatre, Richmond, Yorkshire Vaudeville Theatre • Exit the King — Juliette — Eugène Ionesco — Edinburgh Festival Royal Court Theatre • 1965 — The Sleepers' Den — Mrs. Shannon — Peter Gill — Royal Court Theatre • 1965–1966 — The Killing of Sister George — Alice McNaught — Frank Marcus — Bristol Old Vic Duke of York's Theatre • 1966–1967 — Belasco Theatre, Broadway • 1966 — The Restoration of Arnold Middleton — Joan Middleton — David Storey — Royal Court Theatre • 1967 — The Promise — Lika — Aleksei Arbuzov — Henry Miller's Theatre, Broadway • 1968 — The Cocktail Party — Celia Coplestone — T. S. Eliot — Chichester Festival Theatre Wyndham's Theatre Theatre Royal Haymarket • 1970–1971 — Vivat! Vivat Regina! — Elizabeth I — Robert Bolt — Chichester Festival Theatre Piccadilly Theatre • 1972 — Broadhurst Theatre, Broadway • 1973 — Suzanna Andler — Suzanna Andler — Marguerite Duras — Aldwych Theatre • As You Like It — Rosalind — William Shakespeare — Royal Shakespeare Theatre • 1975 — Heartbreak House — Hesione Husbaye — George Bernard Shaw — The Old Vic • 1977 — The Night of the Tribades — Marie Caroline David — Per Olov Enquist — Helen Hayes Theatre, Broadway • St. Joan — St. Joan — George Bernard Shaw — The Old Vic Liverpool Playhouse • 1978 — The Lady's Not For Burning — Jennet Jourdemayne — Christopher Fry — The Old Vic • Twelfth Night — Viola — William Shakespeare • 1981 — Passion Play — Nell — Peter Nichols — Aldwych Theatre • 1984 — Serjeant Musgrave's Dance — Mrs. Hitchcock — John Arden — The Old Vic • 1986 — Medea — Medea — Euripides — The Young Vic • 1988 — The Winter's Tale — Paulina — William Shakespeare — Cottesloe Theatre • Cymbeline — Queen • Mountain Language — Elderly Woman — Harold Pinter — Lyttelton Theatre • 1989 — Exclusive — Sally Kershaw — Jeffrey Archer — Theatre Royal, Bath Strand Theatre • 1990 — A Room of One's Own — Virginia Woolf — Patrick Garland — Hampstead Theatre Playhouse Theatre • 1992 — The Night of the Iguana — Hannah Jelkes — Tennessee Williams — Lyttelton Theatre • 1992–1994 — Vita and Virginia — Virginia Woolf — Eileen Atkins — Minerva Theatre, Chichester Ambassadors Theatre Union Square Theatre, Off-Broadway • 1995 — Indiscretions — Leonie — Jean Cocteau — Ethel Barrymore Theatre, Broadway • 1996 — John Gabriel Borkman — Mrs. Gunhild Borkman — Henrik Ibsen — Lyttelton Theatre • Hermione Lee on Virginia Woolf — Reader — Hermione Lee — Cottesloe Theatre • 1997 — A Delicate Balance — Agnes — Edward Albee — Theatre Royal Haymarket • 1998 — The Unexpected Man — Woman — Yasmina Reza — The Pit, London Duchess Theatre • 2000 — Promenade Theatre, Off-Broadway • 2003 — Honour — Honour — Joanna Murray-Smith — Cottesloe Theatre • 2004 — The Retreat from Moscow — Alice — William Nicholson — Booth Theatre, Broadway • 2005 — The Birthday Party — Meg — Harold Pinter — Duchess Theatre, London • 2006 — Doubt — Sister Aloysius — John Patrick Shanley — Walter Kerr Theatre, Broadway • 2007 — There Came A Gypsy Riding — Bridget — Frank McGuinness — Almeida Theatre, London • 2008 — The Sea — Mrs. Rafi — Edward Bond — Theatre Royal, Haymarket • The Female of the Species — Margot Mason — Joanna Murray-Smith — Vaudeville Theatre • 2009 — Harold Pinter: A Celebration — Performer — Harold Pinter — Olivier Theatre • 2012 — All That Fall — Maddy Rooney — Samuel Beckett — Jermyn Street Theatre Arts Theatre • 2013 — 59E59 Theatre, New York City • 2014 — The Witch of Edmonton — Elizabeth Sawyer — William Rowley — Swan Theatre, Stratford-upon-Avon • 2014–2016 — Ellen Terry with Eileen Atkins — Ellen Terry — Eileen Atkins — Sam Wanamaker Playhouse • 2018 — The Height of the Storm — Madeleine — Florian Zeller — Wyndham's Theatre • 2019 — Samuel J. Friedman Theatre, Broadway • 2023 — 4000 Miles — Vera Joseph — Amy Herzog — Minerva Theatre, Chichester

• Year — Title — Artist • 1968 — "Child of the Moon" — Jumpin' Jack Flash| The Rolling Stones

• Year — Category — Work — Result • 2012 — Best Female Performance — All That Fall

Atkins appeared as Maggie Clayhanger in all six episodes of Arnold Bennett's Hilda Lessways from 15 May to 19 June 1959, produced by BBC Midlands with Judi Dench and Brian Smith. In the 1960 Shakespeare production An Age of Kings she played Joan of Arc. Atkins helped create two television series. Along with fellow actress Jean Marsh, she created the concept for an original television series, Behind the Green Baize Door, which became the award-winning ITV series Upstairs, Downstairs (1971–75). Marsh played maid Rose for the duration of the series but Atkins was unable to accept a part because of stage commitments. The same team was also responsible for the BBC series The House of Eliott (1991–93). Atkins' film and television work includes appearing as Dornford Yates' villainess Vanity Fair in the BBC adaptation of She Fell Among Thieves (1978), Sons and Lovers (1981), Smiley's People (1982), Oliver Twist (1982), Titus Andronicus (1985), A Better Class of Person (1985), Roman Holiday (1987), The Lost Language of Cranes (1991), Cold Comfort Farm (1995), Talking Heads (1998), Madame Bovary (2000), David Copperfield (2000), Wit (2001) and Bertie and Elizabeth (2002), Cold Mountain (2003), What a Girl Wants (2003), Vanity Fair (2004), Ballet Shoes (2005) and Ask the Dust (2006). In the autumn of 2007, Atkins co-starred with Dame Judi Dench and Sir Michael Gambon in the BBC One drama Cranford playing the central role of Miss Deborah Jenkyns. This performance earned her the 2008 BAFTA Award for best actress, as well as the Emmy Award. In September 2007 she played Abigail Dusniak in Waking the Dead Yahrzeit (S6:E11-12). In 2009 Atkins played the evil Nurse Edwina Kenchington in the BBC Two black comedy Psychoville. Atkins replaced Vanessa Redgrave as Eleanor of Aquitaine in the blockbuster movie Robin Hood, starring Russell Crowe, which was released in the UK in May 2010. The same year, she played Louisa in the dark comedy film Wild Target. Atkins and Jean Marsh, creators of the original 1970s series of Upstairs, Downstairs, were among the cast of a new BBC adaptation, shown over the winter of 2010–11. The new series is set in 1936. Marsh again played Rose while Atkins was cast as the redoubtable Maud, Lady Holland. In August 2011, it was revealed that Atkins had decided not to continue to take part as she was unhappy with the scripts. In September 2011, Atkins joined the cast of ITV comedy-drama series Doc Martin playing the title character's aunt, Ruth Ellingham. She remained with the series until the show ended in 2022. Atkins starred as Lady Spence with Matthew Rhys in an adaptation of Daphne du Maurier's The Scapegoat, shown in September 2012. Atkins has portrayed Queen Mary on two occasions, in the 2002 television film Bertie and Elizabeth and in the 2016 Netflix-produced television series The Crown. In 2018 Atkins starred in a British documentary titled Nothing Like a Dame, directed by Roger Michell, which documents conversations between actresses Atkins, Judi Dench, Maggie Smith and Joan Plowright, which were interspersed with scenes from their careers on film and stage. The film was released in the United States as Tea with the Dames. Peter Bradshaw of The Guardian gave the film a five out of five star rating, declaring it an "outrageously funny film". Guy Lodge of Variety called the film a "richly enjoyable gabfest" but that the film was "hardly vital cinema". Atkins portrayed graduate school professor Evelyn Ashford to Vivian Bearing (Emma Thompson) in Wit, a 2001 American television movie directed by Mike Nichols. The teleplay by Nichols and Emma Thompson is based on the 1999 Pulitzer Prize winning play of the same title by Margaret Edson. The film was shown at the Berlin International Film Festival on 9 February 2001 before being broadcast by HBO on 24 March. It was shown at the Edinburgh Film Festival and the Warsaw Film Festival later in the year.

• Year — Title — Role — Notes • 1968 — Inadmissible Evidence — Shirley • 1975 — I Don't Want to Be Born — Sister Albana • 1977 — Equus — Hester Saloman • 1983 — The Dresser — Madge • 1991 — Let Him Have It — Lilian Bentley • 1994 — Wolf — Mary • 1995 — Jack and Sarah — Phil • 1998 — The Avengers — Alice • 1999 — Women Talking Dirty — Emily Boyle • 2001 — Gosford Park — Mrs. Croft • 2002 — The Hours — Barbara • 2003 — Cold Mountain — Maddy • What a Girl Wants — Dowager Lady Jocelyn Dashwood • A Long Weekend in Pest and Buda — Amanda • 2004 — Vanity Fair — Miss Matilda Crawley • The Queen of Sheba's Pearls — School Matron • 2005 — The Feast of the Goat — Aunt Adelina • 2006 — Ask the Dust — Mrs. Hargraves • Scenes of a Sexual Nature — Iris • 2007 — Evening — Night Nurse • 2008 — Last Chance Harvey — Maggie Walker • 2010 — Robin Hood — Eleanor of Aquitaine • Wild Target — Louisa Maynard • 2012 — The Scapegoat — Lady Spence • 2013 — Beautiful Creatures — Gramma Emmaline Duchannes • 2014 — Magic in the Moonlight — Aunt Vanessa • 2016 — ChickLit — Peggy Law • 2017 — Paddington 2 — Madame Kozlova • 2018 — Nothing Like a Dame — Herself — Documentary • 2023 — Wicked Little Letters — Mabel

• Year — Award — Category — Work — Result • 1970 — BAFTA TV Award — Best Actress — BBC Play of the Month W. Somerset Maugham The Wednesday Play • 1983 — BAFTA Film Award — Best Supporting Actress — The Dresser • 2001 — Screen Actors Guild — Outstanding Ensemble – Film — Gosford Park • 2002 — Broadcast Film Critics Association — Best Acting Ensemble • 2002 — Florida Film Critics Circle — Best Ensemble Cast • 2002 — Phoenix Film Critics Society — Best Ensemble • 2002 — Satellite Award — Best Cast – Film • 2008 — BAFTA TV Award — Best Actress — Cranford • 2008 — Golden Globe Award — Best Supporting Actress – Television • 2008 — Emmy Award — Outstanding Supporting Actress in a Miniseries or a Movie • 2011 — Upstairs Downstairs

Atkins was appointed a Commander of the Order of the British Empire (CBE) in the 1990 Birthday Honours. She was promoted to Dame Commander of the Order of the British Empire (DBE) on her 67th birthday in the 2001 Queen's Birthday Honours "for services to Drama." On 23 June 2010, she was awarded the degree of Doctor of Letters, honoris causa, by Oxford University and is an Honorary Fellow of St Hugh's College, Oxford. On 5 December 2005 she received the degree of Doctor of Arts, honoris causa, from City University London. She is a member of the American Theater Hall of Fame; she was inducted in 1998.

• Year — Category — Work — Result — Ref. • 1967 — Best Actress in a Play — The Killing of Sister George • 1972 — Vivat! Vivat Regina! • 1995 — Indiscretions • 2004 — The Retreat from Moscow

• Year — Category — Work — Result — Ref. • 1972 — Outstanding Performance — Vivat! Vivat Regina! • 1978 — Featured Actress in a Play — The Night of the Tribades • 1991 — Outstanding Solo Performance — A Room of One's Own • 1995 — Honorary Award • 2001 — Outstanding Actress in a Play — The Unexpected Man • 2004 — The Retreat from Moscow

Source: • Year — Category — Work — Result • 1978 — Best Actress in a Revival — Twelfth Night • 1981 — Best Actress in a New Play — Passion Play • 1988 — Best Supporting Performance — Cymbeline The Winter's Tale Mountain Language • 1992 — Best Supporting Actress — The Night of the Iguana • 1997 — Best Actress — John Gabriel Borkman • 1999 — The Unexpected Man • 2004 — Honour • 2018 — The Height of the Storm