Eduardo Scarpetta
Eduardo Scarpetta (eduˈardo skarˈpetta; 13 March 1853 – 12 November 1925) was an Italian actor and playwright from Naples. His best-known play is Misery and Nobility.
Eduardo Scarpetta

Eduardo Scarpetta · This file was derived from: Poesie motti e pensieri.djvu · Public domain
- Name
- Eduardo Scarpetta
- Born
- 13 March 1853
- Birthplace
- Naples, Kingdom of the Two Sicilies
- Died
- 12 November 1925
- Place of death
- Naples, Kingdom of Italy
- Occupation
- Actor, playwright
- Nationality
- Kingdom of Italy
- Languages
- Intermediate Southern Italian · Italian
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Documentary summary
Eduardo Scarpetta (eduˈardo skarˈpetta; 13 March 1853 – 12 November 1925) was an Italian actor and playwright from Naples. His best-known play is Misery and Nobility.
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wikidata · Q698096 · wikipedia · Eduardo Scarpetta
In this article
Key facts
Key facts
• Name — Eduardo Scarpetta • Born — 13 March 1853 • Birthplace — Naples, Kingdom of the Two Sicilies • Died — 12 November 1925 • Place of death — Naples, Kingdom of Italy • Occupation — Actor, playwright • Children — 9, including Vincenzo Scarpetta and Eduardo, Titina and Peppino De Filippo • Relatives — Luca De Filippo (grandson) Luigi De Filippo (grandson) Eduardo Scarpetta (great-great-grandson) • Website — eduardoscarpetta.it • Partner — Luisa De Filippo
Biography
Biography
Although not from a theatrical family, he was on the stage by the age of four and is today best remembered as the creator of a character that became his stage alter-ego: Felice Sciosciammocca is a character whose name embodies the quintessential Neapolitan spirit—joyful and wide-eyed with a charming gullibility. The term "Sciosciammocca," which in Neapolitan means "breath in mouth," paints the picture of someone perpetually astounded, perhaps to the point of naiveté, breathing open-mouthed in wonder. Coupled with "Felice" (happy) it denotes a persona that is good-natured and a bit absent-minded, someone who marvels at the world with childlike innocence. The character was a break with the traditional portrayal of the Neapolitan streetwise Everyman and, as an implied stereotype, invites comparison to the well-known, darker historical Neapolitan "mask" of Pulcinella. The character appears prominently in Scarpetta's best-known work, Miseria e Nobiltà (Misery and Nobility) from the year 1888. The work is well known, too, as a 1954 film featuring Neapolitan comic Totò as Felice Sciosciammocca; the film also features a young Sophia Loren. • Illustration — Scarpetta and Luisa De Filippo (center) with their children. Left to right: Eduardo, Peppino and Titina De Filippo Scarpetta dedicated much of his early activity to translating into Neapolitan the standard Parisian farce comedy of the day, such as Hennequin, Meilhac, Labiche and Feydeau. His own original comedies comprise some 50 works. He was the illegitimate father of actor and playwright Eduardo De Filippo as well as of Eduardo's brother and sister, Peppino and Titina. He was also a mentor to the actor Gennaro Pantalena who appeared as part of his company. In 2021, director Mario Martone realized a movie based on the last period of Scarpetta's career, titled Qui rido io (Here I'm the one who laughs, after the inscription on Scarpetta's mansion), and it had its world premiere in competition at the 78th Venice International Film Festival; the role was played by Toni Servillo.
Plays
Plays
1875 - Gelusia ovvero Ammore spusalizio e gelusia 1876 - Ov'è mammà? 1876 - 'Na commedia 'e tre atte 1876 - Quinnice solde so' cchiù assaie de seimilalire 1876 - È buscia o verità? 1877 - Felice maestro di callegrafia ovvero Lu curaggio de nu pompiere napulitano 1879 - Feliciello e Feliciella 1879 - Li testamenti di Parasacco 1879 - La collana d'oro 1880 - L'Accademia disturbata 1880 - Le treccia dell'Imperatore 1880 - La Presentazione de 'na compagnia ovvero Felice direttore di compagnia 1880 - Tetillo (da Bébé di Alfred Hennequin e Émile de Najac) 1880 - Mettiteve a fa l'ammore cu me! (from Salvestri) 1880 - Li Piscivinnole napulitane 1880 - Tric Trac (from Guarino) 1880 - Lu pescecane 1880 - 'Nu zio ciuccio e 'nu nepote scemo (from F. Cerlone) 1880 - Duje marite 'mbrugliune (from A. Hennequin and A. Delacour) 1880 - Bazzicotto 1880 - Il non plus ultra della disperazione ovvero La Battaglia del Rigoletto; I duelli; Lu Pagnottino. 1881 - Lo scarfalietto (from Meilhac and Halévy) 1881 - Vi' che m'ha fatto frateme 1881 - Tetillo 'nzurato 1881 - Le Bravure di Don Felice 1881 - La posta in quarta pagina 1881 - Tre pecore viziose 1881 - L'amico 'e papà 1881 - 'No pasticcio 1881 - La casa numero sette 1882 - Il romanzo di un farmacista povero 1882 - 'A fortuna 'e Feliciello 1882 - Nun la trovo a mmaretà 1882 - La nutriccia 1882 - Fifì 1882 - 'No quartino a lu quinto piano 1882 - 'Na commedia a vapore 1883 - 'Nu frongillo cecato 1883 - Amore e polenta 1883 - Na paglia 'e Firenze 1883 - 'Na furnata de paura 1883 - 'Na tombola 'e duemila lire 1883 - 'Nu buono giuvinotto 1883 - S'ha da dì o no?>br> 1883 - La signorina Piripipì 1883 - 'Nu casino sotto a lu Vesuvio 1884 - 'Na capa sciacquata 1884 - La calamita 1884 - 'Nu brutto difetto 1884 - 'Na matassa 'mbrugliata 1885 - 'Na società 'e marite 1885 - Un'agenzia di matrimoni 1885 - Li nepute de lu sinneco (from Burani) 1885 - Lu marito de Nannina (from Alexandre Bisson) 1886 - 'O viaggio 'e nozze 1887 - 'Nu bastone 'e fuoco 1888 - Miseria e nobiltà 1888 - 'Nu turco napulitano (from A. Hennequin) 1889 - Lu miedeco de li femmene ovvero Il dottor Suricillo 1889 - 'Na Santarella (from Henri Meilhac and Albert Millaud) 1889 - Girolino e Pirolé 1890 - Pazzie di Carnevale (from Antonio Petito) 1890 - Il Matrimonio di stella 1890 - Casà Bignè 1890 - Na stampa e doje figure 1891 - Il capitano Saetta 1892 - Guerra agli uomini 1892 - Cocò 1893 - 'Na mugliera scurnosa 1893 - Lu Cafè Chantant 1893 - Li cafune a Napule 1893 - Lily e Mimì 1894 - 'Nu ministro mmiezzo a li guaie (from Eraldo Baretti) 1894 - Li mariuole ovvero La Contessa tre cape 1894 - Farfariello 1894 - Tre cazune furtunate' 1895 - 'Na bona guagliona 1895 - La casa vecchia 1896 - La Bohème 1896 - I tre soci 1896 - L'albergo del silenzio 1897 - Le due stelle 1897 - Casa Pipiton 1897 - La belle sciantose 1897 - Zetiallo, vidovo e nzurato 1897 - 'Na mascatura inglese 1898 - Nina Boné 1898 - Nu cane bastardo 1899 - Madama Ficcarelli 1899 - 'Na creatura sperduta 1899 - La pupa mobile 1899 - 'A cammerera nova 1899 - Duje chiapparielle 1899 - 'Na figliola romantica 1900 - 'A figlia 'e don Gennaro 1900 - 'A nanassa 1901 - Cane e gatte 1901 - Tutti in viaggio 1901 - Il debutto di Gemma 1902 - Carcere e matrimonio 1902 - 'A Mosca 1902 - Madama Rollè 1902 - Madama Sangenella 1902 - 'O balcone 'e Rusinella 1903 - 'Na mugliera africana 1903 - 'Nu figlio a pusticcio 1903 - Il processo fiaschella 1903 - Li male lengue 1904 - 'Nu core d'angelo 1904 - Il figlio di Iorio 1905 - La geisha 1907 - 'Na mugliera zetella 1907 - 'Na brutta pazzia 1908 - 'O miedeco d'e pazze 1909 - La coda del diavolo 1915 - Tre epoche 1923 - Nu disastro ferroviario 1924 - Woronoff

Edoardo Scarpetta, Emilio Zago, Edoardo Ferravilla
Mario Nunes Vais · Collezione del Fondo Nunes Vais

Eduardo Scarpetta fotografato da Mario Nunes Vais
Mario Nunes Vais · Collezione del Fondo Nunes Vais
Life and career
Dated record
Life and career
The full dated record · 2 entries
1853
Eduardo Scarpetta was born on 13 March 1853.
1925
Eduardo Scarpetta died on 29 November 1925.
Primary material
Documents and archives
scholarly publication
- Archivio Multimediale degli Attori Italiani. Attori-autori nell’Italia postunitaria: Edoardo Ferravilla e Eduardo Scarpetta, Drammaturgia, 2023
Scholarly · Crossref registry · 2023
reference work
- “Eduardo Scarpetta”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q698096: Eduardo Scarpetta
General reference · Wikidata
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Enciclopediadelledonne.it.
- 2.Fischer, Donatella. Il Teatro di Eduardo de Filippo: La Crisi della Famiglia Patriarcale. Routledge. 2017-12-02. 978-1-351-19509-6.
- 3.Marrone, Gaetana. Encyclopedia of Italian Literary Studies: A-J. Taylor & Francis. 2007. 978-1-57958-390-3.
- 4.R. Bemporad & Figlio. Almanaco Italiano: Piccola Enciclopedia Popslare Della Vita Pratica, Anno VIII. 1903.
- 5.Lodge, Guy. 'The King of Laughter' Review: Mario Martone's Lavish, Ultra-Italian Theatrical Biopic Is a Lot to Digest. Variety. 2021-09-08.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Archivio Multimediale degli Attori Italiani. Attori-autori nell’Italia postunitaria: Edoardo Ferravilla e Eduardo Scarpetta, Drammaturgia, 2023Crossref registry
Institutional witnessreference work
Secondary witnessauthority record
General reference
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Identity and origins. His recorded languages were Intermediate Southern Italian and Italian. 4 children are recorded: Peppino De Filippo, Eduardo De Filippo, Titina De Filippo and Vincenzo Scarpetta.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Film memorabilia
37,409 published records in this field, each with its sources named.
- Eduardo Mendoza de EchavePerson
- Eduardo NoriegaPerson
- Eduardo PalomoPerson
- Eduardo SánchezPerson
- Eduardo SchuldtPerson
- Eduardo SerraPerson
- Eduardo UgartePerson
- Eduardo VerásteguiPerson
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