Drew Daywalt

Drew Daywalt was born in Hudson, Ohio, on January 5, 1970, the youngest of six children, to Charlene (née Bable) and Charles Daywalt. "I grew up in a house in Hudson, Ohio, that was notoriously haunted. It looked like 'The Munsters.'" The house had a storied reputation in the local area, having supposedly been a stagecoach stop, a brothel, and a respite on the Underground Railroad at various times. Daywalt's older brothers, however unintentionally, fostered his interest in scary stories. He relates, "My older brothers would always let me stay up way too late on Friday nights, drink Mountain Dew, watch horror movies. I was always getting into their comic books... Heavy Metal and Creepy and Tales from the Crypt. Also, at the time – this is going back to the mid 70s, almost into the early 80s – they were reading Tolkien and lot of that, so I had that as one side of my experiences. Growing up in a haunted house, watching horror movies with my older brothers and getting into their stash of horror magazines and comic books." During the same period, Daywalt's mother, Charlene, would often come home from work and read to him from the works of well-known children's authors, like Dr. Seuss, Roald Dahl and Maurice Sendak. "I was constantly being inundated by other worlds", said Daywalt. "A lot of what I do, whether it's either horror or children's lit, comes from that period in my life." The author/filmmaker said he first realized that books and movies "were actually written and created by other human beings" at the age of 7. "It was 1977. Summer. And my big sister had taken me to see the first Star Wars film. As the credits rolled at the end, and I sat there trying to catch my breath and fully digest what I'd seen, I saw the screenplay credit. I knew then that I wanted to tell stories." Daywalt's family eventually moved to nearby Stow, Ohio, where he attended Highland Elementary School. After graduating from Stow-Munroe Falls High School in 1988, Daywalt pursued creative writing at Emerson College in Boston. "My concentrations were in screenwriting and children's literature", Daywalt has stated. "Because at the time, my big plan was: if I really know children's literature and the history of fairy tales, and storytelling for kids in a meaningful and deep way, and I also learn screenwriting, I can go and work with Disney. That was my goal, was to get out [to Los Angeles] and work with Disney and Warner Brothers and write children's animation for TV and for film."

Drew Daywalt's first children's picture book, The Day the Crayons Quit, with illustrations by Oliver Jeffers, was published by Philomel Books on June 27, 2013. The book was a critical and commercial success, earning positive responses from critics and selling over one-and-a-half million copies worldwide. The idea for the book originated with a simple box of crayons on Daywalt's desk, and his affinity for writing dialogue. "I thought, 'Here I am, a grown-up — it was before I had kids — and I have a box of crayons on my desk.' It was still important enough for me in my life to have a box of crayons around. I didn't exactly know what to write about crayons, but I knew that it was something I wanted to approach. "In Hollywood I had been a script doctor for years, fixing dialogue on movies. As a writer, one of my strengths is voice, so I thought, 'I'm going to give these crayons voices...' I decided I'd write them as monologues in the form of letters, in an epistolary style — basically all these crayons would chew this kid out because they didn't like the way they were being used. They were like letters of resignation." Since the book's original publication in 2013, The Day the Crayons Quit has been almost unrivaled in sales within its genre. In 2015, Entertainment Weekly referred to it as the longest running title to ever appear on The New York Times Best Seller list for children's picture books, the book having held the weekly number-one spot on the list for over a year, and a total of 258 weeks on the list as of January 2019. Critical response to the book has been largely positive. For instance, the starred review in Publishers Weekly stated, "Making a noteworthy debut, Daywalt composes droll missives that express aggravation and aim to persuade", while referring to the crayon characters as "memorable personalities [that] will leave readers glancing apprehensively at their own crayon boxes." In 2014, Danielle Herzog of The Washington Post joyfully related the experience of reading the book to her own children. "As I read each letter to my 6 and 3-year-old children", she wrote, "they howled with laughter. They loved the argument between the orange and yellow crayon over who gets to be the color of the sun, and they cracked up when the poor white crayon is only used to make pictures of cats and snow... But the best part came after the book was closed and put away. They rushed to their own crayon boxes, pulled out the same colors we read about, and started to color an array of pictures now gracing our refrigerator door." The Day The Crayons Quit has won numerous children's book awards. In the year of its publication, 2013, the book won the Goodreads Choice Award for Best Picture Book, was named Amazon's Best Children's Book, and was named to Time magazine's list of the 100 Best Children's Books of All Time. Later, the book won the Texas Bluebonnet Award in 2015, having received 29,931 votes from Texas children. Daywalt and Jeffers received the award in person, on April 16, 2015, at the Texas Bluebonnet Award Luncheon. The book also won the 2015 Nevada Young Readers Award, the 2016 California Young Reader Medal, and the 2016 Young Hoosier Book Award (Picture Book). In late July 2014, the film rights for The Day the Crayons Quit were purchased by Universal Studios, with Matt Lopez set to script and Madhouse Entertainment set to produce.