Doppio Borgato
Doppio Borgato is a Pedal piano made by joining a regular concert grand (Model L 282) with a second piano, activated by a pedal board with 37 pedals (A0 to A3), similar to that of the organ (P 398). Designed and manufactured by Luigi Borgato, it was patented in 2000. • Illustration — Doppio Borgato • Illustration — Doppio Borgato
Doppio Borgato
Gott34 · CC BY-SA 3.0
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- grand piano
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wikidata · Q1243503 · wikipedia · Doppio Borgato
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Compositions for Doppio Borgato
Pieces specifically composed for the Doppio Borgato are: • Cristian Carrara • "Magnificat, Meditation" for piano with pedalboard and orchestra (2011) • Giuseppe Lupis • Gounod-Lupis "Marche funèbre d'une marionnette" (2011) • Nimrod Borenstein • "Fireworks" Op. 57 (2011) • Grieg-Borenstein "In the hall of the mountain-king" arranged for piano with pedalboard (2011) • Michael Glenn Williams • "Tip Tap" (2011) • Ennio Morricone (1928–2020) • "Quarto Studio Bis" (2011) • Andrea Morricone (born 1964) • "Omaggio a J.S.B." (2011) • Franco Oppo (1935–2016) • "Freu dich sehr o meine Seele" (2000) • Fabrizio Marchionni (born 1976) • "S’Indàssa" (2000) • Charlemagne Palestine (1945 or 1947-) • Compositions for pedal piano (2005) • Jean Guillou (1930–2019) • "Epitases" (2001) • Anything written for Pipe Organ can also be played on the Doppio Borgato Pedal piano.
Doppio Borgato
Loretta Doro
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Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Doppio Borgato, revision 1343997963 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 10
- Jean Guillou, La Lettre de l'Argos, Paris, December 2001.
- Brian T. Majeski, The Music Trades, November 2000, p. 86.
- Pianist Magazine, April May 2006 UK.
- Honka Verdurmen, Piano Wereld, Netherlands, August–September 2005.
- Larry E. Ashley, Pierce Piano Atlas, 12th edition, Larry E. Ashley Publisher, Albuquerque NM U.S.A., 2008, p. 58.
- Géreard Gefen, Piano, Editions du Chêne – Hachette Livre, 2002 p. 59, 166, 170, 180.
- Atanasio Cecchini, Piano Dream. History of the Piano, Mosè Edition, 2007 p. 170-171.
- Dario Miozzi, in Musica Rivista di cultura musicale e discografica, Zecchini Editions, December 2010 – January 2011 p. 54, 59–60.
- Luca Segalla, in Musica, Rivista di cultura musicale e discografica, Zecchini Editore, n°224 March 2011 p. 68
- Stuart Isacoff, on the book A Natural History of the Piano, The Instrument, the Music, the Musicians—from Mozart to Modern Jazz and Everything in Between, edited by Alfred A. Knopf, New York 2011, p. 48
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1- grand pianoTerminology
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