District Six

At the time of the proclamation, 56% of the district's property was White-owned, 29% Black-owned, 26% Coloured-owned and 18% Indian-owned. The vision of a new white neighbourhood was not realised and the land has mostly remained barren and unoccupied. The original area of District Six is now partly divided between the suburbs of Walmer Estate, Zonnebloem, and Lower Vrede, while the rest is generally undeveloped land. On 17 December 2019, the Arts and Culture minister, Nathi Mthethwa, gazetted the renaming of Zonnebloem to District Six after the District Six Museum launched a campaign earlier that year to have the old name brought back and some residents applied to the South African Geographical Names Council in 2018 for the same.

• Name — District Six • Other Name — Zonnebloem, Kanaladorp • Image Skyline — District Six from Signal Hill.jpg • Image Caption — District Six as seen from Signal Hill in 2013 • Image Map — Zonnebloem OSM map.svg • Map Caption — Street map of District Six • Pushpin Map — South Africa Western Cape#South Africa • Subdivision Type — Country • Subdivision Name — South Africa • Subdivision Type1 — Province • Subdivision Name1 — Western Cape • Subdivision Type2 — District • Subdivision Type3 — Municipality • Subdivision Name3 — City of Cape Town • Subdivision Type4 — Main Place • Subdivision Name4 — Cape Town • Established Title — Established • Leader Title — Councillor • Population Density Km2 — auto • Timezone1 — SAST • Utc Offset1 — +2 • Postal Code Type — Postal code (street) • Postal Code — 7925 • Postal2 Code Type — PO box • Area Code Type — Area code • Illustration — District Six in 2014 • Illustration — District Six memorial plaque • Illustration — African National Congress election poster blaming the Democratic and New National parties for the forced removals, 2001 District Six (Afrikaans: Distrik Ses) is a residential neighborhood in Cape Town, South Africa, located next to the city's CBD. In 1959, people of color were banned from the area and most of them were resettled in Gugulethu. In the following years, District Six was then declared a whites-only area and most of the residents were resettled in the Cape Flats. Over the course of a decade, over 60,000 of its inhabitants were forcibly removed and in 1970 the area was renamed Zonnebloem, a name that makes reference to an 18th-century colonial farm. At the time of the proclamation, 56% of the district's property was White-owned, 29% Black-owned, 26% Coloured-owned and 18% Indian-owned. The vision of a new white neighbourhood was not realised and the land has mostly remained barren and unoccupied. The original area of District Six is now partly divided between the suburbs of Walmer Estate, Zonnebloem, and Lower Vrede, while the rest is generally undeveloped land. On 17 December 2019, the Arts and Culture minister, Nathi Mthethwa, gazetted the renaming of Zonnebloem to District Six after the District Six Museum launched a campaign earlier that year to have the old name brought back and some residents applied to the South African Geographical Names Council in 2018 for the same.

The area was named in 1966 as the Sixth Municipal District of Cape Town. The area began to grow after the freeing of the enslaved in 1833. The District Six neighbourhood is bounded by Sir Lowry Road on the north, Buitenkant Street to the west, Philip Kgosana Drive on the south and Mountain Road to the East. By the turn of the century it was already a lively community made up of former slaves, artisans, merchants and other immigrants, as well as many Malay people brought to South Africa by the Dutch East India Company during its administration of the Cape Colony. It was home to almost a tenth of the city of Cape Town's population, which numbered over 1,700–1,900 families. Among the multi-ethnic community, there were thousands of Jewish residents from the 1880s to their departure in the mid-1940s and 1950s. Newly arrived Jewish migrants first settled in the area in significant numbers where they maintained their traditions from Eastern Europe such as conversing in Yiddish and frequenting Yiddish theatre. They were originally part of the working class of the community and established their own schools, stores, and community centres in the area. They were mostly Jewish shopkeepers, merchants, cinema-owners and landlords. In 1934, the Hyman Liberman Institute opened as a community centre and library in District Six in memory of Cape Town's first Jewish mayor, Hyman Liberman. It was based on the model of Toynbee Hall in London and was partnered with the University of Cape Town. It became the centre of "high culture" in the district. As the socioeconomic situation of District Six Jews improved, they began to move to more affluent ″whites-only″ suburbs such as Gardens, Oranjezicht, Higgovale and Vredehoek. By the 1960s there were few Jewish residents remaining, however they maintained a connection to the area as business owners and landlords. After World War II, during the earlier part of the Apartheid Era, District Six was relatively cosmopolitan. Situated within sight of the docks, its residents were largely classified as coloured under the Population Registration Act, 1950 and included a substantial number of coloured Muslims, called Cape Malays. There were also a number of black Xhosa residents and a smaller number of Afrikaners, English-speaking whites, and Indians. In the 1960/70s large slum areas were demolished as part of the apartheid movement which the Cape Town municipality at the time had written into law by way of the Group Areas Act (1950). This however did not come into enforcement until 1966 when District Six was declared a 'whites only' area, the year demolition began. New buildings soon arose from the ashes of the demolished homes and apartments. Government officials gave four primary reasons for the removals. In accordance with apartheid philosophy, it stated that interracial interaction bred conflict, necessitating the separation of the races. They deemed District Six a slum, fit only for clearance, not rehabilitation. They also portrayed the area as crime-ridden and dangerous; they claimed that the district was a vice den, full of immoral activities like gambling, drinking, and prostitution. Though these were the official reasons, most residents believed that the government sought the land because of its proximity to the city centre, Table Mountain, and the harbour. On 2 October 1964, a departmental committee established by the Minister of Community Development met to investigate the possible replanning and development of District Six and adjoining parts of Woodstock and Salt River. In June 1965, the Minister announced a 10-year scheme for the re-planning and development of District Six under CORDA-the Committee for the Rehabilitation of Depressed Areas. On 12 June 1965, all property transactions in District Six were frozen. A 10-year ban was imposed on the erection or alteration of any building. On 11 February 1966, the government declared District Six a whites-only area under the Group Areas Act, with removals starting in 1968. About 30,000 people living in the specific group area were affected. In 1966, the City Engineer, Dr. S.S. Morris, put the total population of the affected area at 33,446, 31,248 of them peoples of colour. There were 8,500 workers in District Six, of whom 90 percent were employed in and immediately around the Central Business District. At the time of proclamation there were 3,695 properties, 2076 (56 percent) owned by whites, 948 (26 percent) owned by coloured people and 671 (18 percent) by Indians. But whites made up only one percent of the resident population, coloured people 94 percent, and Indians 4 percent. The government's plan for District Six, finally unveiled in 1971, was considered excessive even for that time of economic boom. On 24 May 1975, a part of District Six (including Zonnebloem College, Walmer Estate and Trafalgar Park) was declared coloured by the Minister of Planning. Most of the approximately 20,000 people removed from their homes were moved to townships on the Cape Flats. By 1982, more than 60,000 people had been relocated to a Cape Flats township complex roughly 25 kilometres away. The old houses were bulldozed. The only buildings left standing were places of worship. International and local pressure made redevelopment difficult for the government, however. The Cape Technikon (now Cape Peninsula University of Technology) was built on a portion of District Six which the government renamed Zonnebloem. Apart from this and some police housing units, the area was left undeveloped. Since the fall of apartheid in 1994, the South African government has recognised the older claims of former residents to the area, and pledged to support rebuilding.

The District Six area is situated in the City Bowl of Cape Town. It is made up of Walmer Estate, Zonnebloem, and Lower Vrede (the former Roeland Street Scheme). Some parts of Walmer Estate, like Rochester Street, were completely destroyed, while some parts like Cauvin Road were preserved, but the houses were demolished. In other parts of Walmer Estate, like Worcester Road and Chester Road, people were evicted, but only a few houses were destroyed. Most of Zonnebloem was destroyed except for a few schools, churches and mosques. A few houses on the old Constitution street (now Justice Road) were left, but the homes were sold to white people. This was the case with Bloemhof flats (renamed Skyways). Most of Zonnebloem is owned by the Cape Technikon (which is built on over 50% of the land). Rochester Road and Cauvin Road were called Dry Docks or incorrectly spelt in Afrikaans slang as Draaidocks (turn docks), as the Afrikaans word 'draai' sounds like the English word 'Dry'. It was called Dry Docks, as the sea level covered District Six in the 1600s. The last house to fall on Rochester Road was Naz Ebrahim (née Gool)'s house, called Manley Villa. Naz was an educator and activist just like her ancestor Cissie Gool.

By 2003, work had started on the first new buildings: 24 houses that would belong to residents over 80 years of age. On 11 February 2004, exactly 38 years after the area was rezoned by the Apartheid government, former president Nelson Mandela handed the keys to the first returning residents, Ebrahim Murat (87) and Dan Ndzabela (82). About 1,600 families were scheduled to return over the next three years. The Hands Off District Six Committee mobilised to halt investment and redevelopment in District Six after the forced removals. It developed into the District Six Beneficiary Trust, which was empowered to manage the process by which claimants were to reclaim their "land" (actually a flat or apartment residential space) back. In November 2006, the trust broke off negotiations with the Cape Town Municipality. The trust accused the municipality (then under a Democratic Alliance (DA) mayor) of stalling restitution, and indicated that it preferred to work with the national government, which was controlled by the African National Congress. In response, DA Mayor Helen Zille questioned the right of the trust to represent the claimants, as it had never been "elected" by claimants. Some discontented claimants wanted to create an alternative negotiating body to the trust. However, the historical legacy and "struggle credentials" of most of the trust leadership made it very likely that it would continue to represent the claimants as it was the main non-executive director for Nelson Mandela.

In 1989, the District Six Museum Foundation was established and, in 1994, the District Six Museum came into being. It serves as a remembrance to the events of the apartheid era as well as the culture and history of the area before the removals. The ground floor is covered by a large street map of District Six, with handwritten notes from former residents indicating where their homes had been; other features of the museum include street signs from the old district, displays of the histories and lives of District Six families, and historical explanations of the life of the District and its destruction. In addition to its function as a museum, it also serves as a memorial to a decimated community, and a meeting place and community centre for Cape Town residents who identify with its history. In 2012, the South African Jewish Museum opened a new exhibition, ″The Jews of District Six: Another Time, Another Place″ focusing on the thousands of Jewish residents of District Six before its destruction.

The Eoan Group, a performing arts organisation, was founded in 1933 by Helen Southern-Holt in District Six. Named after the Greek word Eos (meaning "dawn"), the group aimed to uplift the community through disciplined training in the performing arts and broader social development. Their early base was the Isaac Ochberg Hall in Hanover Street. Under the musical direction of Joseph Manca from 1943, the group expanded its repertoire and ambition, staging major operas—such as La Traviata, Carmen, and Madama Butterfly—from the 1950s onwards, drawing enthusiastic and often sold-out audiences despite the constraints imposed by apartheid. In 1959, the group premiered The Square, the first full-length indigenous ballet in South Africa, composed by Stanley Glasser and choreographed by Dulcie Howes. The forced removals of District Six in the late 1960s led to the group's displacement from its founding community, and in 1969 they relocated to the newly built Joseph Stone Theatre in Athlone. The Eoan Group's archives are held at the Documentation Centre for Music (DOMUS) at Stellenbosch University. Their legacy is documented in the publication EOAN – Our Story and the documentary film An Inconsolable Memory, directed by Aryan Kaganof.

• Illustration — Land claimants at a "hand back" ceremony in District Six, 2001 With his short novel A Walk in the Night (1962), the Cape Town journalist and writer Alex La Guma gave District Six a place in literature. South African painters, such as Kenneth Baker, Gregoire Boonzaier and John Dronsfield are recognised for capturing something of the spirit of District Six on canvas. In 1986, Richard Rive wrote a highly acclaimed novel called Buckingham Palace, District Six, which chronicles the lives of a community before and during the removals. The book has been adapted into successful theatre productions which toured South Africa, and is widely used as prescribed set work in the English curriculum in South African schools. Rive, who grew up in District Six, also prominently referred to the area in his 1962 novel. Emergency. In 1986, District Six: The Musical by David Kramer and Taliep Petersen told the story of District Six in a popular musical which also toured internationally. District Six also contributed to the history of South African jazz. Basil Coetzee, known for his song "District Six", was born there and lived there until its destruction. Before leaving South Africa in the 1960s, pianist Abdullah Ibrahim lived nearby and was a frequent visitor to the area, as were many other Cape jazz musicians. Ibrahim described the area to The Guardian as a "fantastic city within a city", explaining, "[W]here you felt the fist of apartheid it was the valve to release some of that pressure. In the late 50s and 60s, when the regime clamped down, it was still a place where people could mix freely. It attracted musicians, writers, politicians at the forefront of the struggle as the school Western province Prep were a huge help in the struggle. We played and everybody would be there." South African writer Rozena Maart, currently resident in Canada, won the Canadian Journey Prize for her short story "No Rosa, No District Six". That story was later published in her debut collection Rosa's District Six. Acclaimed South African playwright Fatima Dike wrote the poem - "When District Six Moved". It appears in the radio play "Driving with Fatima" by Cathy Milliken. The production was by Deutschlandfunk, Cologne in 2017, Redaction was by Sabine Küchler. Tatamkhulu Afrika wrote the poem "Nothing's Changed", about the evacuation of District Six, and the return after the apartheid. The 1997 stage musical Kat and the Kings is set in District Six during the late 1950s. The 2009 science fiction film District 9 by Neill Blomkamp is set in an alternate Johannesburg, inspired by the events surrounding District Six.

People who were born, lived or attended school in District Six. • Abdullah Abdurahman – physician and politician • Abdullah Ibrahim (formerly known as Dollar Brand) – pianist and composer • Albert Fritz – politician and lawyer • Alex La Guma – writer and anti-apartheid activist • Basil Coetzee – saxophonist • Bessie Head – writer • C. A. Davids – writer and editor • David Barends – professional rugby league footballer • Dik Abed – cricketer • Dullah Omar – politician and minister of justice • Ebrahim Patel – cabinet minister • Ebrahim Rasool – politician and diplomat • Eddie Daniels – anti-apartheid activist • Faldela Williams – cook and cookbook writer • Gavin Jantjes – painter, curator, writer and lecturer • George Hallett – photographer • Gerard Sekoto – artist and musician • Gladys Thomas – poet and playwright • Green Vigo – former rugby union and rugby league footballer • Harold Cressy – headteacher and activist • James Matthews – poet, writer and publisher • Johaar Mosaval – principal dancer with England's Royal Ballet • Kewpie – drag artist and hairdresser • Lionel Davis – artist, teacher, public speaker and anti-apartheid activist • Lucinda Evans – women's rights activist • May Abrahamse - opera singer • Nadia Davids – writer • Ottilie Abrahams (née Schimming) – Namibian activist, politician and educator • Peter Clarke – artist and poet • Rahima Moosa – anti-apartheid activist • Rashid Domingo – chemist and philanthropist • Reggie September – trade unionist and Member of Parliament • Richard Rive – writer and academic • Robert Sithole – musician • Rhoda Kadalie - activist and academic • Rozena Maart – writer, and professor • Sathima Bea Benjamin – jazz singer and composer • Sydney Vernon Petersen – poet and author and educator • Taliep Petersen – singer, composer and director of a number of popular musicals • Tatamkhulu Afrika – poet and writer • Winston Adams – scout leader • Zainunnisa Abdurahman "Cissie" Gool – anti-apartheid political leader